Named one of Entertainment Weekly’s 12 biggest music memoirs this fall. “An artful and wildly enthralling path for Bowie fans in particular and book lovers in general.” —Publishers Weekly (starred review) “The only art I’ll ever study is stuff that I can steal from.” ―David Bowie Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. In 100 short essays, music journalist John O’Connell studies each book on Bowie’s list and contextualizes it in the artist’s life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie’s own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O’Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie’s lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? Heartfelt, analytical, and totally original, Bowie’s Bookshelf is one part epic reading guide and one part biography of a music legend.

In this tender-hearted debut, set against the tumultuous backdrop of life in 1973, when homosexuality is still considered a mental illness, two boys defy all the odds and fall in love. Now in paperback. The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie's Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely "normal" and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay. Jonathan doesn't want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be "fixed" once and for all. But he's drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he's perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.

Named one of Entertainment Weekly’s 12 biggest music memoirs this fall. “An artful and wildly enthralling path for Bowie fans in particular and book lovers in general.” —Publishers Weekly (starred review) “The only art I’ll ever study is stuff that I can steal from.” ―David Bowie Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. In 100 short essays, music journalist John O’Connell studies each book on Bowie’s list and contextualizes it in the artist’s life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie’s own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O’Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie’s lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? Heartfelt, analytical, and totally original, Bowie’s Bookshelf is one part epic reading guide and one part biography of a music legend.

The central image of David Bowie's “Life on Mars?” could have been ripped from his own experience: a child sits “hooked to the silver screen,” reliving fantastical scenes played out on film. Throughout his life, Bowie was similarly transfixed by the power of film. From his first film role in The Image to his final music video before his death, “Lazarus,” Bowie's musical output has long been intrinsically linked to images. Analyzing Bowie's music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Image provides a comprehensive view of Bowie's work with film and informs our understanding of all areas of his work, from music to fashion to visual art. It enters the debate about Bowie's artistic legacy by addressing Bowie as musician, actor, and auteur.

A prismatic, imaginative exploration of David Bowie's last days An intricate collage-novel fusing and confusing fact and imagination, Always Crashing in the Same Car is a prismatic exploration of David Bowie through multiple voices and perspectives--the protean musician himself, an academic trying to compose a critical monograph about him, friends, lovers, musicologists, and others in Bowie's orbit. At its core beat questions about how we read others, how we are read by them, how (if at all) we can tell the past with something even close to accuracy, what it feels like being the opposite of young and still committed to bracing, volatile innovation. Set during Bowie's last months--those during which he worked on his acclaimed final album Black Star while battling liver cancer and the consequences of a sixth heart attack--yet washing back and forth across his exhilarating, kaleidoscopically costumed life, Always Crashing in the Same Car enacts a poetics of impermanence, of art, of love, of truth, even of death, that apparently most permanent of conditions.

Buzz Books gives you 45 chances to find your next great reads, providing exclusive early looks at new work from favorite authors and hot discoveries. Enjoy the first pre-publication samples of new work from bestselling authors Tracy Chevalier, Jojo Moyes, Kevin Wilson, Jeanette Winterson, and Eoin Colfer, known for his Artemis Fowl YA series. Readers addicted to thrillers will be glad this edition is packed with them: J.T. Ellison, Jeff Lindsay (introducing the first in a new series), Olaf Olaffson, and especially Imaginary Friend, the long-awaited second book by Stephen Chboksy, author of The Perks of Being a Wallflower. This Buzz Books includes 12 debut novels, including the highly-touted Such a Fun Age by Kiley Reid (a BEA Buzz Editor’s Panel pick) and the thriller Saint X, by Alexis Schaitkin, along with first novels of distinction by Elizabeth Ames, April Davila, Eliza Nellums, E.R. Ramzipoor, and more. Memoir dominates our large nonfiction list of 11 titles. From Adrienne Brodeur’s account of her mother’s affair to former United States Ambassador to the United Nations and Pulitzer-Prize winner Samantha Power’s The Education of an Idealist, these stories make for fascinating reading. Two true crime titles re-examine mysteries in Los Angeles and West Virginia: Dark Waters by Jake Anderson and The Third Rainbow Girl by Emma Copley Eisenberg. Buzz Books collections are meant to be shared, so spread your enthusiasm and “to be read” picks online. For still more great previews, check out our separate Buzz Books 2019: Young Adult Fall/Winter as well. For complete download links, lists and more, just visit buzz.publishersmarketplace.com.

WILDE NOWreads Oscar Wilde through our now, through a contemporary sensibility (and approach), in which literature and popular culture interrogate and are interrogated by critical concepts and categories such as performance, celebrity, intermediality, and consumerism. This volume exceeds the shape and meaning of a critical study to turn into a drama of five different acts/moments in Wilde’s life and work: his early performances in Dublin, London and Oxford; the 1882 American tour; his successful season of the first half of the 1890s, his prison years and finally his glorious resurrection in contemporary pop culture. Most importantly WILDE NOW approaches these moments through contemporary rewritings and performances of “Oscar Wilde” in the fields of cinema, music and literature by such artists as Al Pacino, Rupert Everett, Stephen Fry, Gyles Brandreth, David Hare, David Bowie, Morrissey, Nick Cave, Neil Tennant, Gavin Friday. These artists – through their awareness of the importance of being/playing Oscar in their specific worlds and cultural contexts – will also show us that Wilde can be conceived as a subversive, critical role one might successfully perform and appropriate, now more than ever.