Kaleb Holten's father's debt to an underground group The Association has just been called in, and the man can't pay the loan. Instead of turning over his wealth, he releases his son and Kaleb finds himself thrown into a world where a class of men see themselves as untouchable. Going so far as to call themselves gods. After the Great Economic Collapse there are no laws that cannot be broken. And Kaleb is forced into a ten-year sentence of servitude where he will have no say, no rights, no value and yet be coveted and protected as if he were a priceless treasure. Leo Roan, has slipped the noose the Association bound him with by breaking his addiction to ambrosia and Kaleb Holten was supposed to be his last assignment as a doxie Master. But something about the boy begins weaving a new net that will not only ensnare him but the conscious darkness inside, that craves pain, agony, suffering, and death.

One minute I was a courier for criminals, making ends meet so I could take care of my little brother. The next, four stunningly hot Norse gods had brought me back from the dead with wings sprouting from my back and a whole set of valkyrie powers. I guess that's just how life goes sometimes. Too bad our victory over our supernatural enemies turned out to be a farce. The divine home I thought I'd receive is a trap instead. A trap that's slowly closing in on us, dredging up every painful moment from our pasts. Can I trust these tempting godly men now that I've seen how many secrets they've kept from me? And what am I going to do if I have to face my own darkest horrors all over again? I'd better figure that out fast. Because I'm Aria Watson, and I will not be broken.

When I went to my neighbor's apartment to investigate strange sounds, I never expected to fall through a portal into another world. Yet here I am, a stranger in an even stranger land...and I'm stranded. In this world, might makes right, men carry swords, and gods walk the earth. Within minutes of arriving, I'm enslaved.Fun place.How do I get home? GREAT question. Wish I had an answer.The one person that might be able to help me is also the one person I want to throttle most. Aron, Lord of Storms, Butcher God of Battle, is my new companion. Or rather, I'm his. As Aron's anchor to the mortal realm, I'm the one that's supposed to be guiding him through his exile in the mortal world.Ha. Joke's on him. I know nothing about this place.But Aron and I have a common goal - get home. And we're bonded - anchor and god - with a bond unlike any other. So we travel together. We bicker. We bathe together. We fight our many, many enemies together. And sure, he's a god, but he's also an arrogant jerk. Brawny, smoking hot, irresistible jerk. I should want nothing to do with him. I certainly shouldn't want to do things to him.Mortals and gods don't mix. We stick to the plan and ignore our attraction. Focused, with one goal in mind. One task. One goal.Focused.I-oh heck, I'm going to end up kissing him again, aren't I?

A breathtaking talent makes her debut with this first book in a dark epic fantasy trilogy, The Bound Gods, in which a mismatched band of mortals led by a violent, secretive man must stand against a pair of resentful gods to save their world. Part Patrick Rothfuss, part Joe Abercrombie, magic and warfare collide in this powerful struggle for a broken world. Eons ago, a pair of gods known as the Twins grew powerful in the world of Fiatera, until the Divine Mother and Almighty Father exiled them, binding them deep in the earth. But the price of keeping the fire lands safe is steep. To prevent these young gods from rising again, all twins in the land must be killed at birth, a safeguard that has worked until now. Trapped for centuries, the Twins are gathering their latent powers to break free and destroy the Parents for their tyranny—to set off a fight between two generations of gods for control of the world and the mortals who dwell in it. When the gods make war, only one side can be victorious. Joros, a mysterious and cunning priest, has devised a dangerous plan to win. Over eight years, he gathers a team of disparate fighters—Scal, a lost and damaged swordsman from the North; Vatri, a scarred priestess who claims to see the future in her fires; Anddyr, a drug-addled mage wandering between sanity and madness; and Rora and Aro, a pair of twins who have secretly survived beyond the reach of the law. These warriors must learn to stand together against the unfathomable power of vengeful gods, to stop them from tearing down the sun . . . and plunging their world into darkness.

Selene DiSilva, goddess of the hunt, squares off against a killer who threatens the very existence of the gods themselves in this stunning sequel to Jordanna Max Brodsky's The Immortals, "a lively re-imaging of classical mythology." (Deborah Harkness) Winter in New York: snow falls, lights twinkle, and a very disgruntled Selene DiSilva prowls the streets, knowing that even if she doesn't look for trouble, it always finds her. When a dead body is discovered sprawled atop Wall Street's iconic Charging Bull statue, it's up to Selene to hunt down the perpetrators. Her ancient skills make her the only one who can track a conspiracy that threatens the very existence of the gods, including Selene, who was once known as Artemis.

In this modern-day "lively re-imagining of classical mythology" (Deborah Harkness), when a string of women are murdered in an ancient pagan ritual, Selene DiSilvia -- known by some as the goddess Artemis -- hears their cries for help and takes up her bow once more. Manhattan has many secrets. Some are older than the city itself. The city sleeps. In the predawn calm, Selene DiSilva finds the body of a young woman washed ashore, gruesomely mutilated and wreathed in laurel. Her ancient rage returns, along with the memory of a promise she made long ago -- when her name was Artemis. Jordanna Max Brodsky's acclaimed debut sets Greek Gods against a modern Manhattan backdrop, creating an unputdownable blend of myth and mystery.

For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity, Scandinavian, Celtic, and Oriental fables and myths, and the age of chivalry have been known. The forerunner of such interpreters as Edith Hamilton and Robert Graves, Thomas Bulfinch wanted to make these stories available to the general reader. A series of private notes to himself grew into one of the single most useful and concise guides to literature and mythology. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and The Legends of Charlemagne or The Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood.