Bound Lives chronicles the lived experience of race relations in northern coastal Peru during the colonial era. Rachel Sarah O'Toole examines how Andeans and Africans negotiated and employed casta, and in doing so, constructed these racial categories. Royal and viceregal authorities separated "Indians" from "blacks" by defining each to specific labor demands. Casta categories did the work of race, yet, not all casta categories did the same type of work since Andeans, Africans, and their descendants were bound by their locations within colonialism and slavery. The secular colonial legal system clearly favored indigenous populations. Andeans were afforded greater protections as "threatened" native vassals. Despite this, in the 1640s during the rise of sugar production, Andeans were driven from their assigned colonial towns and communal property by a land privatization program. Andeans did not disappear, however; they worked as artisans, muleteers, and laborers for hire. By the late seventeenth and early eighteenth centuries, Andeans employed their legal status as Indians to defend their prerogatives to political representation that included the policing of Africans. As rural slaves, Africans often found themselves outside the bounds of secular law and subject to the judgments of local slaveholding authorities. Africans therefore developed a rhetoric of valuation within the market and claimed new kinships to protect themselves in disputes with their captors and in slave-trading negotiations. Africans countered slaveholders' claims on their time, overt supervision of their labor, and control of their rest moments by invoking customary practices. Bound Lives offers an entirely new perspective on racial identities in colonial Peru. It highlights the tenuous interactions of colonial authorities, indigenous communities, and enslaved populations and shows how the interplay between colonial law and daily practice shaped the nature of colonialism and slavery.

Filipino Americans, who experience life in the United States as immigrants, colonized nationals, and racial minorities, have been little studied, though they are one of our largest immigrant groups. Based on her in-depth interviews with more than one hundred Filipinos in San Diego, California, Yen Le Espiritu investigates how Filipino women and men are transformed through the experience of migration, and how they in turn remake the social world around them. Her sensitive analysis reveals that Filipino Americans confront U.S. domestic racism and global power structures by living transnational lives that are shaped as much by literal and symbolic ties to the Philippines as they are by social, economic, and political realities in the United States. Espiritu deftly weaves vivid first-person narratives with larger social and historical contexts as she discovers the meaning of home, community, gender, and intergenerational relations among Filipinos. Among other topics, she explores the ways that female sexuality is defined in contradistinction to American mores and shows how this process becomes a way of opposing racial subjugation in this country. She also examines how Filipinos have integrated themselves into the American workplace and looks closely at the effects of colonialism.

A revelatory account of the life of beloved American music icon, Paul Simon, by the bestselling rock biographer Peter Ames Carlin To have been alive during the last sixty years is to have lived with the music of Paul Simon. The boy from Queens scored his first hit record in 1957, just months after Elvis Presley ignited the rock era. As the songwriting half of Simon & Garfunkel, his work helped define the youth movement of the '60s. On his own in the '70s, Simon made radio-dominating hits. He kicked off the '80s by reuniting with Garfunkel to perform for half a million New Yorkers in Central Park. Five years later, Simon’s album “Graceland” sold millions and spurred an international political controversy. And it doesn’t stop there. The grandchild of Jewish emigrants from Galicia in the Austro-Hungarian empire, the 75-year-old singer-songwriter has not only sold more than 100 million records, won 15 Grammy awards and been installed into the Rock ‘n’ Roll Hall of Fame twice, but has also animated the meaning—and flexibility—of personal and cultural identity in a rapidly shrinking world. Simon has also lived one of the most vibrant lives of modern times; a story replete with tales of Carrie Fisher, Leonard Bernstein, Bob Dylan, Woody Allen, Shelley Duvall, Nelson Mandela, drugs, depression, marriage, divorce, and more. A life story with the scope and power of an epic novel, Carlin’s Homeward Bound is the first major biography of one of the most influential popular artists in American history.

Lovers of the printed book, arise! Thirty of today’s top writers are here to tell you you’re not alone. In Bound to Last,an amazing array of authors comes to the passionate defense of the printed book with spirited, never-before-published essays celebrating the hardcover or paperback they hold most dear—not necessarily because of its contents, but because of its significance as a one-of-a-kind, irreplaceable object. Whether focusing on the circumstances behind how a particular book was acquired, or how it has become forever “bound up” with a specific person, time, or place, each piece collected here confirms—poignantly, delightfully, irrefutably—that every book tells a story far beyond the one found within its pages. In addition to a foreword by Ray Bradbury, Bound to Last features original contributions by:Chris Abani, Rabih Alameddine, Anthony Doerr, Louis Ferrante, Nick Flynn, Karen Joy Fowler, Julia Glass, Karen Green, David Hajdu, Terrence Holt, Jim Knipfel, Shahriar Mandanipour, Sarah Manguso, Sean Manning, Joyce Maynard, Philipp Meyer, Jonathan Miles, Sigrid Nunez, Ed Park, Victoria Patterson, Francine Prose, Michael Ruhlman, Elissa Schappell, Christine Schutt, Jim Shepard, Susan Straight, J. Courtney Sullivan, Anthony Swofford, Danielle Trussoni, and Xu Xiaobin

Washington. The widow Washington ; Martha Dandridge ; Married lady ; Mistress of Mount Vernon ; Revolutionary war ; First lady ; Slaves in the president's house ; Home again -- Jefferson. Martha Wayles ; Mistress of Monticello I ; War in Virginia ; Birth and death at Monticello ; Patsy Jefferson and Sally Hemings ; First lady ; Mistress of Monticello II ; The Hemingses ; Death of Thomas Jefferson -- Madison. Dolley Payne ; Mrs. Madison ; First lady ; Mistress of Montpelier ; Decline of Montpelier ; The widow Madison ; Sale of Montpelier ; In Washington ; Death of Dolley Madison -- Epilogue inside and outside

At the time of George Washington's death in 1799, more than 300 enslaved men, women, and children lived on his Mount Vernon plantation. Lives Bound Together: Slavery at George Washington's Mount Vernon, published to accompany a 2016-2018 exhibition, explores this important example of eighteenth-century slavery through brief biographies of 19 enslaved individuals, 10 essays, and 130 illustrations (including paintings, prints, objects, buildings, landscapes, documents, charts, maps, and conjectural silhouettes that suggest the presence of the enslaved). The text illuminates three key themes: first, the lives, families, and experiences of the enslaved people of Mount Vernon; second, Washington's changing views on slavery, culminating in his pioneering action to free his slaves per the terms of his will; and third, the extent to which his public career and his family's lives were inextricably entwined with the labor of Mount Vernon's enslaved people. The biographies represent a range of experiences, including men and women; natives of Africa and the Virginia Tidewater; field-workers, artisans, and domestic laborers; some who escaped and some who were recaptured and sold as punishment; some who died in slavery and some who became free. Compiled by Mount Vernon Associate Curator Jessie MacLeod, these biographies draw upon documentary references, from Washington's diaries, letters, account books, invoices, farm managers' reports, visitor descriptions, and public records, supplemented by archaeology and oral histories. The essays provide a broader context for understanding the individual life stories, focusing on George Washington's changing attitude toward slavery; the resistance actions of the enslaved; the nineteenth-century history of slavery at Mount Vernon and images created by nineteenth-century artists; the kinds of evidence found in documents, databases, archaeology, and landscapes; and personal reflections by members of families descended from individuals enslaved at Mount Vernon. Harvard law professor and historian Annette Gordon Reed contributes the introduction; an appendix presents a timeline linking key events in the lives of people enslaved at Mount Vernon with George Washington's public and private actions relating to slavery as well as landmark events of national history. Detailed reference notes and suggestions for further readings complete the work.

‘Londoner Eva Verde’s Lives Like Mine explores the theme of a school-run affair and the complications and joys it brings to a dual-heritage mother struggling with her intolerant in-laws’ Independent 'A bitter sweet story of longing and self-discovery, of deceit and regret. Visceral, authentic and funny, Eva’s prose reads like something between a conversation and a confession. An exciting new voice and a joy to read' Kit de Waal ‘Eva's writing breaks new ground in a confident and original voice, with a sharp eye for detail, wonderful characterisation and some seriously badass humour’ Yvvette Edwards, author of the Man Booker Prize longlisted novel, A Cupboard Full of Coats ‘Lives Like Mine is an assured debut from a writer who’s going to go far' Red Online 'Londoner Eva Verde's breathtaking novel' New! Mother. To three small children, their heritage dual like hers. Daughter. To a mother who immigrated to make a better life but has been rejected by her chosen country. Wife. To a man who loves her but who will not defend her to his intolerant family. Woman… Whose roles now define her and trap her in a life she no longer recognises… Meet Monica, the flawed heroine at the heart of LIVES LIKE MINE. With her three children in school, Monica finds herself wondering if this is all there is. Despite all the effort and the smiles, in the mirror she sees a woman hollowed out from putting everyone else first, tolerating her in-laws’ intolerance, and wondering if she has a right to complain when she’s living the life that she has created for herself. Then along comes Joe, a catalyst for change in the guise of a flirtatious parent on the school run. Though the sudden spark of their affair is hedonistic and oh so cathartic, Joe soon offers a friendship that shows Monica how to resurrect and honour the parts of her identity that she has long suppressed. He is able to do for Monica what Dan has never managed to, enabling her both to face up to a past of guilty secrets and family estrangements, and to redefine her future.