New York Times and USA Today best-selling author Cynthia Eden continues her "Bound" paranormal romance series with...BOUND IN DEATH. She can’t remember him… He can never forget her. For over two hundred years, alpha werewolf Alerac O’Neill has been searching for his mate, Keira McDonough, a woman who was taken from him and imprisoned by a dark vampire master. He’s hunted for her, endlessly, using vampire blood to extend his life. He has become a vicious predator, feared by all the supernaturals. His hold on reality seems to slip more each day because he is consumed by her. Only…the woman he discovers in a small Miami bar isn’t the Keira that he remembers. In fact, this woman doesn’t remember anything. She calls herself Jane Smith, and she has no memory at all of Alerac—or of her own past. Now that she’s been found, Alerac knows that his enemies are going to start closing in on her. Jane may try to act human, but she’s not. She’s a pureblood vampire princess, incredibly powerful and incredibly valuable. His enemies want to use her, her enemies want to destroy her, and Alerac—he just wants her. If he can’t make her remember him, then Alerac has to seduce Jane into loving him once again. Because now that he’s found her, he’ll fight hell—and every sadistic vampire that stalks the night—in order to keep her safe at his side. Some bonds go deeper than the flesh. Some go beyond life. Beyond death. Jane will soon learn that a werewolf’s claiming…is forever. Author's Note: BOUND IN DEATH is a dark and sensual paranormal romance. It contains a hot alpha wolf, a vampire heroine with no memory, and some dangerous killers. Adult language and sexy situations are included. Total word count for BOUND IN DEATH is 60,000. Cynthia Eden's BOUND books: BOUND BY BLOOD (Bound, Book 1) BOUND IN DARKNESS (Bound, Book 2) BOUND IN SIN (Bound, Book 3) BOUND BY THE NIGHT (Bound, Book 4) BOUND IN DEATH (Bound, Book 5) Or you can purchase the FOREVER BOUND anthology that includes: BOUND BY BLOOD, BOUND IN DARKNESS, BOUND IN SIN, and BOUND BY THE NIGHT.

Recruited by Wild Bill Donovan to set up an airline that will be an OSS front in 1943 Argentina, Marine pilot Cletus Frade monitors two German operations, including a concentration-camp smuggling ring and a Nazi protection group. 350,000 first printing.

During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the “relationship of the American Negro to the American scene [was] essentially violent,” and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright’s position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright’s work and thought. JanMohamed argues that Wright’s oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might “free” themselves by overcoming their fear of death and redeploying death as the ground for their struggle. Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson’s notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright’s major publications: his short-story collection Uncle Tom’s Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward.

Cars! Guns! Entropy! Chased by an unstoppable killer, Izzy Tyburn has decided that if the world won't have her in it, it can have nothing of her at all. She's re-treading her life, leaving nothing but burned rubber, ash, and the sun-scorched bones of those who get in her way. Join writer DAN WATTERS (Sandman Universe: Lucifer, LIMBO), artist DANI (2000AD, Girl with No Name), and colorist BRAD SIMPSON (JESUSFREAK, MCMLXXV) on a road trip through a blood-splattered life.

New Orleans scrapbooking shop owner Carmela Bertrand's pre-wedding party is overshadowed when a friend's intended groom is murdered. Asked by the heartbroken bride to look into the case, Carmela must help her friend pick up the pieces while wrapping up a murder that has more than one lethal loose end.

On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.