***This is the SWEET version of Bound by Joy, edited to be suitable for a younger audience*** Kenna McFadden has waited more than two hundred years for her mate and she finds him in a most unexpected way. On a mission to find his missing niece, prince Gunnar Baldersson finds someone far more precious to him. Join in their bonding as they fall in love while celebrating the sweetness and joy of Christmas. *** The Party What better place for a little eggnog fueled drama than your boss’s annual Christmas party? Join ‘George’ and ‘Margie’ on a high-stakes holiday heist. The Party is the eighth in a series of short stories in the Bound by Time collection, available exclusively in the Cauld Ane Series Tenth Anniversary Editions.

Devotional texts in late medieval England were notable for their flamboyant piety and their preoccupation with the tortured body of Christ and the grief of the Virgin Mary. Generations of readers internalized and shaped the "cultures of piety" represented by these works. Anne Clark Bartlett and Thomas H. Bestul here gather seven examples of this literature, all written in the period 1350–1450, one in Anglo-Norman, the remainder in Middle English. (The volume includes an appendix containing the original texts of the latter six pieces.) The collection illustrates the polyglottal, conflicting, and often polemical nature of devotional culture in the Middle Ages. It provides a valuable context for and interesting counterpoint to the Canterbury Tales and other classic works of late medieval England. The introduction and the translators' headnotes discuss crucial aspects of the texts' histories and thematics, including the importance of the body in spiritual practices, the development of female patronage and of a wide audience for this literature, and the indivisibility of the political and the religious in medieval times.

NEW YORK TIMES BESTSELLER • Kristin Hannah is beloved by readers around the world for her unique blend of powerful emotion and exquisite storytelling. In Comfort & Joy, she offers a modern-day fairy tale—the story of a woman who gets a miraculous chance at happiness. Joy Candellaro once loved Christmas more than any other time of the year. Now, as the holiday approaches, she is at a crossroads in her life; recently divorced and alone, she can’t summon the old enthusiasm for celebrating. So without telling anyone, she buys a ticket and boards a plane bound for the beautiful Pacific Northwest. When an unexpected detour takes her deep into the woods of the Olympic rainforest, Joy makes a bold decision to leave her ordinary life behind—to just walk away—and thus begins an adventure unlike any she could have imagined. In the small town of Rain Valley, six-year-old Bobby O’Shea is facing his first Christmas without a mother. Unable to handle the loss, Bobby has closed himself off from the world, talking only to his invisible best friend. His father Daniel is beside himself, desperate to help his son cope. Yet when the little boy meets Joy, these two unlikely souls form a deep and powerful bond. In helping Bobby and Daniel heal, Joy finds herself again. But not everything is as it seems in quiet Rain Valley, and in an instant, Joy’s world is ripped apart, and her heart is broken. On a magical Christmas Eve, a night of impossible dreams and unexpected chances, Joy must find the courage to believe in a love—and a family—that can’t possibly exist, and go in search of what she wants . . . and the new life only she can find.

A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."--Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources--codices and scrolls, documents and ephemera, works of craft and art--that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy.