The Back Bay was one of Boston's premier residential neighborhoods between 1837 and 1901. From its quagmire beginnings and with the creation of the Boston Public Garden in the 1830s, the Back Bay was envisioned as an urbane and sophisticated streetscape of stone and brick row houses. The major center of the neighborhood became Art Square, now known as Copley Square, which was surrounded by Trinity Church, New Old South Church, Second Church of Boston, the Boston Public Library, and S.S. Pierce and Company. With images of swan boats and architectural delights, Boston's Back Bay in the Victorian Era illuminates a particularly vibrant period in this intriguing and relatively new neighborhood's past.

The Back Bay was one of Boston's premier residential neighborhoods between 1837 and 1901. From its quagmire beginnings and with the creation of the Boston Public Garden in the 1830s, the Back Bay was envisioned as an urbane and sophisticated streetscape of stone and brick row houses. The major center of the neighborhood became Art Square, now known as Copley Square, which was surrounded by Trinity Church, New Old South Church, Second Church of Boston, the Boston Public Library, and S.S. Pierce and Company. With images of swan boats and architectural delights, Boston's Back Bay in the Victorian Era illuminates a particularly vibrant period in this intriguing and relatively new neighborhood's past.

One of the largest development projects in nineteenth-century America, Boston's Back Bay was essentially a tidal basin until the construction of the Mill Dam (present-day Beacon Street) just after the War of 1812. By 1837, the area bounded by Charles, Boylston, Beacon, and Arlington Streets was filled in and laid out as the Public Garden, later the site of Boston's famous swanboats. In the late 1850s, the massive infill of the Back Bay commenced, and the earth collected from the hills of Needham was deposited in the city's "west end" for nearly four decades. As the new land began to reach Muddy River, the streets assumed a grid-like plan. The grand avenues eventually comprised Victorian Boston's premier neighborhood, and became home to the most impressive religious, educational, and residential architecture in New England.

“An entertaining and well-illustrated anecdotal survey of ‘vice’ and efforts to control it in mid- and late 19th century Boston” (The Boston Guardian). Victorian Boston was more than just stately brownstones and elite society that graced neighborhoods like Beacon Hill. As the population grew, the city developed a seedy underbelly just below its surface. Illegal saloons, prostitution, and sports gambling challenged the image of the Puritan City. Daughters of the Boston Brahmins posed for nude photographs. The grandson of President John Adams was roped into an elaborate confidence game. Reverend William Downs, a local Baptist pastor, was caught in bed with a married parishioner. Author Robert Wilhelm reveals the sinful history behind Boston’s Victorian grandeur. Includes photos! “Amusingly and quaintly illustrated . . . about, for example, such lovely late 19th Century activities as prostitution, drinking in illegal saloons, animal fighting, sports gambling, opium dens and daughters of Boston Brahmins posing nude for photos.” —New England Diary

Provides information on hotels, restaurants, driving and walking tours, shopping and sightseeing, and nighttime entertainment

A fascinating look at the people, politics, and technology behind the massive landfill project that filled Boston's Back Bay

This book presents the meticulous case studies of three individual houses from different eras, which serve to depict the social, political, and cultural effects that domestic architecture and interior design had on the upper class, the city of Boston, and a national American identity. It takes the reader on a journey to 18th and 19th century Boston and provides insight into the lives of these prominent men and women as seen through the perspective of their homes. It is a novel examination of the cultural significance of domestic architecture and interior design and, because of its story-telling character and extensive attention to detail, it is fascinating for curious readers and cultural historians alike.