WITH A NEW FOREWORD AND REVISED INTRODUCTION 'A superb biography ... full of compassion, perception' Roger Lewis, The Times 'I love this book. Douglas Murray is a genius' Rupert Everett Lord Alfred Douglas, known as 'Bosie', son of the Marquess of Queensberry, was known as one of the most beautiful young men of his generation. Aged twenty-one he met and became the lover and subsequent obsession of Oscar Wilde. Their relationship caused a scandal in 1895 when Wilde took Queensberry, Douglas's aggressive father, to court for libel. When the details of their relationship were aired in court, Wilde was convicted of gross indecency and later imprisoned. Wilde's story is well known, but this is the first book to tell it fully from Douglas's perspective. Written, and originally published in 2000, with access to never-before-seen papers , Bosie explores the contradictions, tensions and turmoils of Douglas's life with Wilde and beyond as a poet, husband and father. This compelling biography uncovers the life of one of the most notorious figures in literary history, and its course from gilded beautiful youth to semi-reclusive outcast, at the time of Douglas's death in 1945.

Oscar Wilde said of himself, "I put all my genius into my life; I put only my talent into my work." Now, for the first time, Neil McKenna focuses on the tormented genius of Wilde's personal life, reproducing remarkable love letters and detailing Wilde's until-now unknown relationships with other men. McKenna has spent years researching Wilde's life, drawing on extensive new material, including never-before published poems as well as recently discovered trial statements made by male prostitutes and blackmailers about Wilde. McKenna provides explosive evidence of the political machinations behind Wilde's trials for sodomy, as well as his central role in the burgeoning gay world of Victorian London. Dazzlingly written and meticulously researched, The Secret Life of Oscar Wilde fully charts Wilde's astonishing odyssey through London's sexual underworld and paints a frank and vivid psychological portrait of a troubled genius.

This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

David Leavitt displays his masterful range, his deep emotional intelligence and wit in these nine stories, a cosmopolitan selection set variously over the past century, from fin de siècle London to early-60s Hollywood, from Florida to Rome. Here is a survey of human relationships, from the most intimate to the most unexpected, and human experience, veering from the light into the dark, as in the title story, where a man tries to make sense of his partner's murder, and in “Black Box,” about the alliance of two souls left grieving after a plane crash. His fourth story collection since he burst onto the scene at age twenty-three, The Marble Quilt shows Leavitt maturing into one of the most accomplished and agile writers of short fiction today.

“Tells the poignant story of Constance in the aftermath of Wilde’s trials and imprisonment, and of her brave attempts to keep in contact with him despite her suffering.” —The Irish Times In the spring of 1895 the life of Constance Wilde changed irrevocably. Up until the conviction of her husband, Oscar, for homosexual crimes, she had held a privileged position in society. Part of a gilded couple, she was a popular children’s author, a fashion icon, and a leading campaigner for women’s rights. A founding member of the magical society The Golden Dawn, her pioneering and questioning spirit encouraged her to sample some of the more controversial aspects of her time. Mrs. Oscar Wilde was a phenomenon in her own right. But that spring Constance’s entire life was eclipsed by scandal. Forced to flee to the Continent with her two sons, her glittering literary and political career ended abruptly. She lived in exile until her death. Franny Moyle now tells Constance’s story with a fresh eye. Drawing on numerous unpublished letters, she brings to life the story of a woman at the heart of fin-de-siècle London and the Aesthetic movement. In a compelling and moving tale of an unlikely couple caught up in a world unsure of its moral footing, Moyle unveils the story of a woman who was the victim of one of the greatest betrayals of all time.

Focusing on the representation of same-sex desire in Victorian autobiographical writing, Oliver Buckton offers significant new readings of works by some of the most influential figures in late-nineteenth-century literature and culture. Combining original research, careful historical analysis, and contemporary theories of autobiography, gender, and sexual identity, he provides nuanced studies of confessional narratives by Edward Carpenter, John Henry Newman, John Addington Symonds, Oscar Wilde, and, in an epilogue, E. M. Forster. By examining the "confessional" elements of these writings, Buckton brings "secrecy" into focus as a central and productive component of autobiographical discourse. He challenges the conventional view of secrecy as the suppression of information, instead using the term to suggest an oscillation between authorial self-disclosure and silence or reserve--a strategy for arousing the reader's interest and establishing a relation based on shared knowledge while deferring or displacing the revelation of potentially incriminating and scandalous desires. Though their disclosures of same-sex desire jeopardized the cultural privilege granted these writers by Victorian codes of authorship and masculinity, their use of secrecy, Buckton shows, allowed them to protect themselves from Victorian stigma and to challenge prevailing constructions of sexual identity. Originally published in 1998. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.