Orphaned, disgraced, and stripped of her title, Rho is ready to live life quietly, as an aid worker in the Cancrian refugee camp on House Capricorn. But news has spread that the Marad--a group of unbalanced Risers determined to overturn harmony in the Galaxy--could strike any House at any moment. Then, unwelcome nightmare that he is, Ochus appears to Rho, bearing a cryptic message that leaves her with no choice but to fight. Now Rho must embark on a high-stakes journey through an all-new set of Houses, where she discovers that there's much more to her Galaxy--and to herself--than she could have ever imagined. And just when Rho has started to come to terms with the pain of losing Mathias, the stars deliver their most shocking surprise yet.

“An uproarious, sprawling masterpiece by a grand Yiddish storyteller.” —O, The Oprah Magazine Translated in full for the first time, one hundred years after its original publication, the acclaimed epic love story set in the colorful world of the Yiddish theater. Wandering Stars spans ten years and two continents, relating the adventures of Reizel and Leibel, young shtetl dwellers in late nineteenth-century Russia who fall under the spell of a traveling acting company. Together they run away from home to become entertainers themselves, and then tour separately around Europe, ultimately reuniting in New York. Wandering Stars is an engrossing romance, a great New York story, and an anthem for the magic of the theater.

"A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnapping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing"--Scripts.com

Jewish Science Fiction and Fantasy? Yes! Wandering Stars is the landmark collection of Jewish science fiction and fantasy. The first of its kind, it is an established and enduring classic. This is the first time in a science fiction collection that the Jewish People—and the richness of their themes and particular points of view—appear without a mask. Wandering Stars is a showpiece of Jewish wit, culture, and lore, of the blend of humor and sadness, cynicism, and faith. In these pages you’ll find superlative tales of fantasy and science fiction by masters.

Råd og vejledning til at skrive sangtekster til rock og popmusik

More delightful fun with the Brainwaves. This time they blast off into space to bring the science to you - in fabulously fun--and funny--text. Stars, galaxies, black holes, nebulae, asteroids, and more are discussed in clear text, meant to engage and entertain readers of all ages.

Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.