Why are we so restless? All of us have a little wanderlust—a desire for that next thing, that new place, but this competes with our longings for security, control, and safety. We don’t like how it feels to be unsettled and uprooted. Whether we’re navigating a season of transition, dealing with the fallout of broken relationships, or wrestling with a deep sense of restlessness, we are all experiencing some form of exile. And most of us do whatever we can to numb the feelings of unbelonging, powerlessness, and unsettledness that come with it. But the truth is that exile has a profound purpose if we can just learn to lean in. Over and over again Scripture tells us that the people of God are exiles and wanderers. And this is good news because exile is what transforms us into pilgrims. In Christ, we are no longer directionless wanderers, but pilgrim followers who have a clear purpose and a secure identity. In Born to Wander, Michelle Van Loon weaves together personal stories and keen insights on the biblical themes of pilgrimage and exile. She will help you embrace your own pilgrim identity and reorient your heart toward the God who leads you home. Engaging and thoughtful, enhanced with practical suggestions, prayers, and questions, Born to Wander will teach how to trust God even when you don’t understand what’s happening around you and follow Him even when it hurts. If you keep chasing security, you’ll never find it. Embrace the purpose behind the wandering and discover the freedom and safety of resting in God alone. “Every one of us carries a restlessness that runs as deep as the marrow of our born-again bones. Our relationships shift like tectonic plates. We change jobs. We switch churches. And our culture tells us the cure for our restlessness is to buy a new mattress, a new car, or a new tube of toothpaste.”

Embark on an enchanting journey with “Beyond Horizons: Verses of Adventure,” a mesmerizing poetry collection that captures the essence of wanderlust and the thrill of exploration. Within the pages of this evocative anthology, readers will discover 100 poems that traverse the landscapes of travel, unveiling the beauty and excitement that lie beyond the familiar horizons. Through lyrical prose and vivid imagery, each poem paints a tapestry of destinations – from bustling cities to serene natural wonders – inviting readers to join the poet on a quest for self-discovery and awe-inspiring encounters. The verses resonate with the universal longing for adventure, offering a poetic passport to unexplored territories and a celebration of the transformative power of the journey. “Beyond Horizons” is more than a collection of poems; it is a symphony of emotions that delves into the connections between traveler and terrain, exploring the profound impact of exploration on the soul. As readers traverse the poetic landscapes, they will find themselves amidst the hustle of foreign streets, beneath starlit skies, and atop majestic peaks. Whether you are a seasoned explorer or an armchair adventurer, “Beyond Horizons: Verses of Adventure” invites you to discover the extraordinary in the ordinary and to embrace the spirit of adventure that resides within us all. Let these verses be your guide as you navigate the uncharted realms of the heart and find inspiration in the boundless possibilities that await those who dare to explore

A Summer To Remember Fourteen-year-old Clay Lancaster has been dreaming for years of the adventure he calls The Big Wander -- a summer in the Southwest with his older brother, Mike, searching for their uncle Clay. When Mike decides to return home to Seattle and the girlfriend he left behind, Clay chooses to stay on and continue the search on his own. Following a tip about his uncle, he heads out into the most remote canyons of the Navajo reservation, with only a burro and a dog named Curly for company. Clay loses his heart to the vast, rugged land -- and to an adventurous girl with a long, dark braid -- but finds his uncle in big trouble. Can Clay pull off a risky plan to save his uncle -- and the wild horses Uncle Clay has put his own life in jeopardy to protect?

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength-building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff-it was clear that the singer was ready to make a stand.