The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.

A look at the artist and his work, including his illustrations for T.S. Eliot's Old Possum's Book of Practical Cats and the animated credits for the Mystery! series on public television.

A vivid self-portrait in words of one of the great American artists of the twentieth century. Designed to appeal to Gorey lovers as well as those seeking an introduction to his work, Ascending Peculiarity includes reproductions of previously unpublished drawings and photographs. Edited by Karen Wilkin. Edward Gorey's extraordinary and disconcerting books are avidly sought and treasured throughout the world, but until now little has been known about the man himself. While he was notoriously protective of his privacy, Gorey did grant dozens of interviews over the course of his life. And as the conversations collected in this book demonstrate, he proved to be unfailingly charming, gracious, and fascinating. Here is Gorey in his own words, ruminating on everything from French symbolist poetry to soap operas, from George Balanchine and the unique beauty of ballet to Victorian photographs of dead children. We meet the artist in his ramshackle book-lined studio in Manhattan and his equally bizarre house on Cape Cod. We listen as he describes his legendary upbringing and vast range of influences, as well as how he managed to work amid all his cats.

Mark Dery takes us on an electrifying tour of the high-tech underground.

"Published on the occasion of the exhibition Gorey's Worlds, organized by the Wadsworth Atheneum Museum of Art."

Essays on electronic communication, cyberpunk culture, and rants and flames in cyberspace consider subjects such as the magazine Mondo 2000, the typewriter, virtual reality, feminism, comics, and erotica for cybernauts. Includes blurry b&w photos and illustrations, and an interviews with science fictions writers Samuel R. Delaney, Greg Tate, and Tricia Rose. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR.

Drawing from a multitude of reference and his own personal relationship to Gorey, literary heavyweight Alexander Theroux has accomplished an amazing feat of illuminating the real Edward Gorey with ambiguity, wit, fervor and reverence, combined with honest and clear-eyed appraisals of his work. No Gorey fan can be without it. Black-and-white illustrations and photographs throughout.