Over seven percent of all children in the United States--more than 5 million children--have experienced a parental incarceration, and an estimated 2.7 million children currently have a parent who is incarcerated. An additional 5 million children under age 18 live with at least one parent who is unauthorized to be in the United States and faces deportation. Children and other dependents suffer the collateral consequences of "preventive justice" measures increasingly used by liberal democratic countries to combat a broad range of suspected crime and anti-state activities. But what does the state owe to the innocent dependents of accused caregivers? In Born Innocent, Michael J. Sullivan explores the impact of vicarious punishment on children, with a particular focus on children in socioeconomically disadvantaged and racialized communities that are disproportionately subject to family separation based on their identity, allegiances, and immigration status. Sullivan advocates a turn from retribution to rehabilitation for convicted offenders, with a view towards helping them to become more effective caregivers who can continue to support their dependents during their sentence. Born Innocent goes beyond the children's rights literature on the collateral consequences of punishment to consider how "punishment drift" creates problems for both retributive and utilitarian theories of punishment. He draws on care ethics theory to widen our understanding of the range of collateral victims of punishment as well as possible rehabilitative and restorative measures. Sullivan also considers the limits of this approach, especially where it pertains to offenders who victimize their families, and those who resist rehabilitation and persist in anti-state actions that harm others. Original and compelling, Born Innocent provides one of the first unified treatments of state-sponsored family separation and its impact on disadvantaged citizens and immigrants.

In this book Elijah T Sog is given rare deep insight into the subject matter of sin from God's perspective, as you dig into this book you will find that Christ already condemned sin and has given the power to put sin in subjection to all his children. You will find out that the issue of Sin is not one of the issues of life but the issue of life, it is your victory over sin that determines your placement in this life and the life to come, and as the Spirit of God pours out His heart you will get answers. If you ever want to be free from sin and stay free then read this book and study it and meditate on the content and you will find the truth in it will set you free. Whosoever is born of God doth not commit sin; for his seed remaineth in him: and he cannot sin, because he is born of God. 1 John 3:9 It is clear that in this physical life many people have struggled with this statement and the most difficult part is where God says "cannot sin"; this book will explain all that to you. John says if you are born of God, and God's seed remains in you and the Word is the seed, you can't sin, this is the summary of the content of this book, that God has made all provisions for you not to sin and this book reveals where the provisions are and how to use them, so that 1 John 3:9 may be fulfilled in your life. To live in sin is to serve sin and no man can serve two masters, this book is the manual on victory over sin and his works.

Born Innocent is a biographical account by the Superintendent of the Tecumseh Girls Reform School in Tecumseh, Oklahoma. It is now called the Central Oklahoma Juvenile Center. It used to be called Girls Town and various other names. It is an institution for disturbed teenaged girls. This place was recently in the news because of a violent outbreak similar to that depicted in the movie. The movie is considerably more famous than the book. The movie has caused tremendous outcries and court cases and has resulted in changes in the TV codes and obscenity laws. The most horrific scene in the movie occurs when the 14-year-old protagonist played by famous actress Linda Blair arrives in the reform school for girls and is initiated by a lesbian gang rape in the shower where the handle of a toilet brush is pushed inside her vagina. The public outcry occurred when this scene was shown on prime time TV. It was immediately pulled and has never been shown on TV again, not even on late night TV. Years later it was restored to the DVD version only. Almost everything about this scene pushes the edges of the obscenity laws. The girl being 14 and the real actress was also 14 is on the edges of the law. This movie could probably not be made nowadays. There are now laws against depicting underage children having sexual intercourse. However, she is not really having sexual intercourse. She is merely having a toilet brush handle pushed inside her vagina. It can certainly be argued that having a toilet brush handle pushed inside your vagina does not depict sexual intercourse or indeed sex of any kind. Sorry, guys! You will have to go elsewhere if you want to see a dirty movie.

The winner of the 2nd Fixi Novo Malaysian Novel Contest Inspector Dominic Wong was part of a task force to catch Shadowman, who started abducting and murdering children a decade earlier. The nickname stuck because many believed there was a supernatural element in the cases. Inspector Nadra Sunai’s ordeal begins when a child is abducted right under her nose. Nadra sees a white-haired man together with the girl, but her partner doesn’t. The case gets another twist when the kidnapper leaves an envelope addressed to her, with a cryptic message inside. Both inspectors suffer wrenching personal losses in their attempts to get closure. Their beliefs and principles are challenged when the quest for justice leads them down a mystifying path. NOT A MONSTER is a debut thriller about crime, retribution and the power of destiny. (Buku Fixi) (Fixi Novo)

Passengers disco dancing in The Love Boat’s Acapulco Lounge. A young girl walking by a marquee advertising Deep Throat in the made-for-TV movie Dawn: Portrait of a Teenage Runaway. A frustrated housewife borrowing Orgasm and You from her local library in Mary Hartman, Mary Hartman. Commercial television of the 1970s was awash with references to sex. In the wake of the sexual revolution and the women’s liberation and gay rights movements, significant changes were rippling through American culture. In representing—or not representing—those changes, broadcast television provided a crucial forum through which Americans alternately accepted and contested momentous shifts in sexual mores, identities, and practices. Wallowing in Sex is a lively analysis of the key role of commercial television in the new sexual culture of the 1970s. Elana Levine explores sex-themed made-for-TV movies; female sex symbols such as the stars of Charlie’s Angels and Wonder Woman; the innuendo-driven humor of variety shows (The Sonny and Cher Comedy Hour, Laugh-In), sitcoms (M*A*S*H, Three’s Company), and game shows (Match Game); and the proliferation of rape plots in daytime soap operas. She also uncovers those sexual topics that were barred from the airwaves. Along with program content, Levine examines the economic motivations of the television industry, the television production process, regulation by the government and the tv industry, and audience responses. She demonstrates that the new sexual culture of 1970s television was a product of negotiation between producers, executives, advertisers, censors, audiences, performers, activists, and many others. Ultimately, 1970s television legitimized some of the sexual revolution’s most significant gains while minimizing its more radical impulses.