This volume provides an introduction to Borelli’s theory on the movement of animals and demonstrates the nature of the energy of percussion, its causes, properties and effects. Building on and moving away from the theory of mechanics as formulated by Aristotle and Galileo and countering objections expressed by Stephani degli Angeli among others, Borelli presents a completely mechanical account of the action of muscles and analyzes the way in which the center of gravity of the animal shifts in locomotion. Originally published in Italian in 1667, then translated into Latin in 1686, the text of this volume has now been translated into English, making the text accessible to a wide readership. This volume is the first of two volumes that contain the Introduction and physical-mathematical illustrations necessary to understand Giovanni Alfonso Borelli’s work On the Movement of Animals, the founding text of seventeenth century biomechanics. The second volume, entitled On The Natural Motions Resulting From Gravity, describes his theory and scientific experiments relating to the natural movements of bodies in a fluid environment.

This volume provides an introduction to Borelli’s theory on the movement of animals and describes his theory and scientific experiments relating to the natural movements of bodies in a fluid environment. It describes in great detail why and how bodies which present with different magnitudes, weights and shapes move at a greater or a smaller velocity in certain proportion in the fluid environment. Originally published in Italian in 1667, then translated into Latin in 1686, the text of this volume has now been translated into English, making the text accessible to a wide readership. This volume is the second of two volumes that contain the Introduction and physical-mathematical illustrations necessary to understand Giovanni Alfonso Borelli’s work On the Movement of Animals, the founding text of seventeenth century biomechanics. The first volume, entitled On the Force of Percussion, demonstrates the nature of the energy of percussion, its causes, properties and effects.

De Motu animalium is sometimes referred to in the medical literature. But who has read it? The book, originally published in Latin, seemingly constitutes the very first treatise on biomechanics. The author, Giovanni Alfonso Borelli (1608 - 1679), was professor of mathematics and physics in Pisa where he worked with Malpighi, who was professor of theoretical medicine and focused Borelli's interest on the movements of living creatures. This was the time of Galileo, Descartes, Newton and many others, when sciences exploded, sometimes leading to conflicts with religious authorities. De Motu animalium, Borelli's life work, has two parts. In the first part, he analyses the action of the muscles, the movements of the limbs and motions of man and animals, including skating, running, jumping, swimming and flying. The second part deals with what is now called physiology, considered from the point of view of a mechanist: heart beat, blood circulation, breathing, separation of urine from the blood in the kidneys, liver function, reproduction, fatigue, thirst, hunger, fever, and so on. This work shows Borelli to be a genial precursor. He expresses his opinion as a mathematician on problems which afterwards further stimulated the curiosity and endeavours of many generations of researchers. This book will be welcomed by anybody who is interested in the working of living bodies and in the history of human knowledge.

Steno and the Philosophers offers an account of the life and works of the Danish scientist and theologian Nicolas Steno (1638-1686). Its aim is to study the intricate relations between philosophy, theology, and the emerging sciences (anatomy, medicine and geology in particular) in the early modern Republic of Letters through the biographical prism of one of its most fascinating members. Concentrating on Steno’s contributions to natural philosophy and his relations to philosophers, the volume portrays Steno, not only as an influential scientist and theologian, but also as a natural philosopher who played a pivotal, albeit ambivalent, role in the intellectual networks amongst philosophers and natural scientists in the late seventeenth century. Contributors include Raphaële Andrault, Jakob Bek-Thomsen, Daniel Garber, Vasiliki Girgoropoulo, Eric Jorink, Troels Kardel, Mogens Lærke, Sebastian Olden-Jørgensen, Justin E. H. Smith, Frank Sobiech and Pina Totaro.

This engaging book places Leonardo da Vinci’s scientific achievements within the wider context of the rapid development that occurred during the Renaissance. It demonstrates how his contributions were not in fact born of isolated genius, but rather part of a rich period of collective advancement in science and technology, which began at least 50 years prior to his birth. Readers will discover a very special moment in history, when creativity and imagination were changing the future—shaping our present. They will be amazed to discover how many technological inventions had already been conceived or even designed by the engineers and inventors who preceded Leonardo, such as Francesco di Giorgio and Taccola, the so-called Siena engineers. This engaging volume features a wealth of illustrations from a variety of original sources, such as manuscripts and codices, enabling the reader to see and judge for him or herself the influence that other Renaissance engineers and inventors had on Leonardo.

The unfolding influence of music and sound on the fundamental structure of the biomedical sciences, from ancient times to the present. Beginning in ancient Greece, Peter Pesic writes, music and sound significantly affected the development of the biomedical sciences. Physicians used rhythmical ratios to interpret the pulse, which inspired later efforts to record the pulse in musical notation. After 1700, biology and medicine took a “sonic turn,” viewing the body as a musical instrument, the rhythms and vibrations of which could guide therapeutic insight. In Sounding Bodies, Pesic traces the unfolding influence of music and sound on the fundamental structure of the biomedical sciences. Pesic explains that music and sound provided the life sciences important tools for hearing, understanding, and influencing the rhythms of life. As medicine sought to go beyond the visible manifestations of illness, sound offered ways to access the hidden interiority of body and mind. Sonic interventions addressed the search for a new typology of mental illness, and practitioners used musical instruments to induce hypnotic states meant to cure both psychic and physical ailments. The study of bat echolocation led to the manifold clinical applications of ultrasound; such sonic devices as telephones and tuning forks were used to explore the functioning of the nerves. Sounding Bodies follows Pesic’s Music and the Making of Modern Science and Polyphonic Minds to complete a trilogy on the influence of music on the sciences. Enhanced digital editions of Sounding Bodies offer playable music and sound examples.

This book examines the life and works of Santorio Santori and his impact on the history of medicine and natural philosophy. Reputed as the father of experimental medicine and procedures, he is also known for his invention of numerous scientific instruments, including early precision medical devices (pulsimeters, hygrometers, thermometers, anemometers), as well as clinical and surgical tools. The chapters in this volume explore Santorio’s legacy through the seventeenth and eighteenth centuries. They highlight the role played by medical practitioners such as Santorio in the development of corpuscularian ideas, central to the ‘new science’ of the period, and place new emphasis on the role of the life sciences, chemistry and medicine in encouraging new forms of experimentation and instrument-making. Chapters 1 and 2 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.