Joanne Lagrasse is a newly graduated college student living the life. Well, if the life is sitting in your apartment all day trying to research monsters for a novel. The strange book her favorite professor gave her is full of ramblings by what must be a mad man, which makes for uneasy reading and a loner lifestyle. She pushes herself to go out to the beach, though she takes the tome with her. When she decides to not heed her professor's warning and reads a chant out loud, she finds herself faced with a giant monster and its lewd tentacles, each one eager to fill her holes.

She's a stripper. He's a werewolf. Neither of them expected to fall into obsession. Belle is like a princess when she gets up on that stage, enchanting even the most hard-hearted men. When kind and manly Jack goes to a strip club to celebrate his birthday with a group of co-workers, he expected just a normal lap dance. What he got instead was obsession. What Belle got was a fear for her life. Neither of them seem able to control themselves around each other. Belle just wants to focus on her studies. She isn't ready to lose her virginity. She refuses him and thinks that's that, until she's abducted and finds herself in a huge library... with a beast breathing down her neck. This 3000 word story includes a hot strip tease and dubious consent sex, perfect for anyone who loves stories about virgins being bred by beast men.

Reviews of over 300 graphic adventure games, focusing on games from prominent publishers such as LucasArts, Sierra On-Line, and Legend Entertainment but covering games from independent developers as well. Reviews primarily cover games published 1984-2000. Interviews with game creators/developers Al Lowe, Corey Cole, Bob Bates, and Josh Mandel are included.

In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the process of fictioning in contemporary art through three focal points: performance fictioning, science fictioning and machine fictioning.

See the world through the eyes of a search engine, if only for a millisecond; throw the workings of power into sharper relief by any media necessary; reveal access points to other worlds within our own. In the anthology Fiction as Method, a mixture of new and established names in the fields of contemporary art, media theory, philosophy, and speculative fiction explore the diverse ways fiction manifests, and provide insights into subjects ranging from the hive mind of the art collective 0rphan Drift to the protocols of online self-presentation. With an extended introduction by the editors, the book invites reflection on how fictions proliferate, take on flesh, and are carried by a wide variety of mediums—including, but not limited to, the written word. In each case, fiction is bound up with the production and modulation of desire, the enfolding of matter and meaning, and the blending of practices that cast the existing world in a new light with those that participate in the creation of new openings of the possible. Contributors Justin Barton, Delphi Carstens & Mer Roberts, Tim Etchells, Matthew Fuller, David Garcia, Dora García, M. John Harrison, Simon O'Sullivan, Erica Scourti, Jon K Shaw and Theo Reeves-Evison

This horror story has a man unable to distinguish between what is real and not real in a museum and finding out in a very horrific way. Stephen King said "H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."

"This volume also includes two short stories by Miles--'Toy Story' and 'Grass'--plus an essay by Miles on the mechanics of the Faction Paradox universe"--P. [4] of cover.