FLASH! CRASH! BOOM! BOOM! BOOM! One rainy night, in the midst of a storm, A brave little boy is cozy and warm. He's all snuggled up, safe in his room— When "ARROOO" howls dog, "is there room?" Of course there's room—and all is well— Until . . . FLASH! CRASH! BOOM! BOOM! BOOM! What happens when too many friends start to squish in? That's when the fun is sure to begin! Even the youngest of readers are invited to count along as each of the family pets seeks refuge from the thunder and lightning in this lively and adorable picture book about bedtime, fears, and friendship.

As a thunderstorm sweeps into the city, the people of the neighborhood rush into the subway to wait out the wind and weather.

When his parents tell him it’s time for bed, a little boy enlists the help of his bedroom toys, one by one, to noisily emphasize his retort: GO AWAY! Definitely not your typical lullaby, the book’s repetitive beat of booms and dings and clinks and blings forms a rhythm all its own that will have kids joining in and marching right off to dreamland.

A told B, and B told C, "I'll meet you at the top of the coconut tree" Countless children -- and there parents -- can joyfully recite the familiar words of this beloved alphabet chant. The perfect pairing of Bill Martin Jr and John Archambault's lively rhymes, and Caldecott Honor artist Lois Ehlert's bright, bold, cheerful pictures made Chicka Chicka Boom Boom an instant hit and a perennial favorite. This full-sized, quality paperback edition will bring even more fans to this endearing, enduring classic. Chicka chicka boom boom will there be enough room? There will always be room for Chicka Chicka boom Boom on every child's bookshelf!

UPC 654979197355 was removed and replaced with UPC 654979048947, per Cecilia Williams' request.

An exploration of the four seasons, told through each season's distinct sounds.

The meteoric rise of the largest unregulated financial market in the world-for contemporary art-is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers-Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth-along with dozens of other dealers-from Irving Blum to Gavin Brown-who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.