Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."

"In 2003, an independent film called The room ... made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head,' the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The room is an international cult phenomenon ... In [this book], actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans ... as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made?"--

In this award-winning novel, James Roy uses the short story to explore the lives of the young residents of an Australian town and the social tapestry of their community. This town doesn't have a name. But if it seems familiar, its because we recognise the people who walk its streets. From the serendipity of an unexpected moment of connection, to...

From the acclaimed, award-winning author—when a dinner-party guest named Miles locks himself in an upstairs room and refuses to come out, he sets off a media frenzy. He also sets in motion a mesmerizing puzzle of a novel, one that harnesses acrobatic verbal playfulness to a truly affecting story. Miles communicates only by cryptic notes slipped under the door. We see him through the eyes of four people who barely know him, ranging from a precocious child to a confused elderly woman. But while the characters’ wit and wordplay soar, their story remains profoundly grounded. As it probes our paradoxical need for both separation and true connection, There but for the balances cleverness with compassion, the surreal with the deeply, movingly real, in a way that only Ali Smith can.

The renowned novelist and author of This Year You Write a Novel shares a “compact but insight-rich” guide to fiction writing (Publishers Weekly). In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this complementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. For writers who want to approach the genius of Melville, Dickens, or Twain, The Elements of Fiction is a must-read. Mosley demonstrates how to master fiction’s most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.

From the New York Times bestselling author of Writing All Wrongs, it’s a rotten state of affairs in Oyster Bay, and the Bayside Book Writers are out to end a nasty plot... Restaurant owner and aspiring novelist Olivia Limoges is happily enjoying her new marriage. Sadly, the same doesn’t hold true for Laurel, a fellow Bayside Book Writer. While struggling with a demanding job, twin boys, and a terminally ill mother-in-law, Laurel learns that her perfect marriage is mostly fictional. When she catches her husband fooling around with his mother’s hospice nurse, she issues impassioned threats that will later come back to haunt her. After the nurse meets a deadly denouement, Chief Rawlings is forced to take Laurel into custody. While Olivia protests the arrest, the rest of the Bayside Book Writers become a group divided, with Rawlings and Harris on one side and Olivia and Millay on the other. Now the women must race against the clock to prove that Laurel’s not the sort for murder before her story ends in tragedy…

In this electrifying follow-up to Kwame Alexander's Newbery winner The Crossover, soccer, family, love, and friendship take center stage. A New York Times bestseller and National Book Award Longlist nominee. Twelve-year-old Nick learns the power of words as he wrestles with problems at home, stands up to a bully, and tries to impress the girl of his dreams. Helping him along are his best friend and sometimes teammate Coby, and The Mac, a rapping librarian who gives Nick inspiring books to read. This electric and heartfelt novel-in-verse bends and breaks as it captures all the thrills and setbacks, action and emotion of a World Cup match. "A novel about a soccer-obsessed tween boy written entirely in verse? In a word, yes. Kwame Alexander has the magic to pull off this unlikely feat, both as a poet and as a storyteller. " —The Chicago Tribune Can’t nobody stop you Can’t nobody cop you… ILA-CBC Children's Choice List· ALA Notable Children’s Book · Book Links’ Lasting Connections · Kirkus Best Book · San Francisco Chronicle Best Book· Washington Post Best Book· BookPage Best Book