Throughout the 1820s and 1830s, Paulding wrote a number of Christmas tales, the best of which are brought together in this collection and which predate Charles Dickens's A Christmas Carol. Paulding presents his stories as they have been translated from the original Dutch by a fictitious author. In them Saint Nicholas - a sixteenth-century Dutch Protestant baker - miraculously befriends those who uphold Dutch traditions and sets straight those who are either mean or given to "newfangled notions".

This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.

In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti discloses the nature of the philosophical culture of Antwerp at the time, show its importance in the lives of cultivated citizens, and reveals the patterns of thought and visual stratagems by which his landscapes underwrite the pursuit of wisdom. The book presents a new model for the interpretation of a range of visual genres, including various types of landscape, that were popular in the Antwerp picture trade.

Excerpt from The Book of Saint Nicholas: Translated From the Original Dutch Everybody has heard of St. Nicholas, that honest Dutch saint, whom I look upon as having been one of the most liberal, good-natured little fat fellows in the world. But, strange as it may Seem, though everybody has heard, nobody seems to know anything about him. The place of his birth, the history of his life, and the manner in which he cameto be the dispenser of Newyear Cakes, and the patron of good boys, are matters that have hitherto not been investigated, as they ought to have been long and long ago. I am about to supply this deficiency, and pay a debt of honour which is due to illustrious and obscure tute lary geniaasf t 6.me9wmm It hath often been justly remarked that the birth, parentage, and education of. The most illustrious personages of antiquity, are usually enveloped in the depths of obscurity. And this obscurity, so far 2 b d) r g3a legend or st. Nicholas. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.