A new edition of the classic guide to book collecting includes a new section on Internet resources.

Art collecting can be time-consuming, complicated and confusingfor the beginner . . . but it doesn't have to be.In this clear and easy-to-follow guide, you'll gain the necessary knowledge and skills to begin building your own art collection. The purest form of hope, dreams, and sentiments, a single art image can reveal long-held secrets, spark the imagination, offer a sense of belonging.Art conveys the words the artist often might not have been able to speak out loud. In The Black Market: A Guide to Art Collecting, long-time art collector and art historian Charles Moore introduces novice collectors and would-be collectors to the art world, its deep roots, its connections to our past, and its hope for our future. If you ever wanted to become a collector, sought to learn more about African American art, or want to deepen your art knowledge, The Black Market is an immersive and essential tool for developing a meaningful and awe-inspiring collection.

The Complete DC Comic's Phantom Volume 1: ISBN 978-1-61345-247-9; 11.75 x 8.25 inches; full color; hardcover; printed laminated cover; special endpapers; 224 pages of action packed of the first six stories of the DC Comic Phantom, with the first mini-series by Peter David with art by Joe Orlando, following that is two stories from the next series with script by Mark Verheiden and pencils and inks by Luke McDonnell; colors by Anthony Tollin; first of three volumes; includes introductory essay, extra art; $50; available May 2021.

Jordan Kelly is delighted to make money tracking down rare and valuable mystery novels for her employer, Vera Van Alst, an avid collector and the most difficult woman in Harrison Falls, New York. But now her boss’s complete set of Dorothy Sayers is missing, and finding them may lead Jordan to a murder suitable for Sayers’s esteemed sleuth, Lord Peter Wimsey… When Jordan manages to locate her boss’s missing books, they are in the possession of Randolph Adams, an elderly man in a nearby town. Offering a valuable Hemingway first edition as an incentive, Jordan thinks she’s about to seal the deal—but some of Randolph’s relatives think he should hold out for more. Then the entire family disappears—and a dead body shows up. It’s up to Jordan to collect the clues—and make sure a killer gets booked.

Slicing through blunt theories of supply and demand, Callon presents a rigorously researched but counterintuitive model of how everyday market activity gets produced. If you’re convinced you know what a market is, think again. In his long-awaited study, French sociologist and engineer Michel Callon takes us to the heart of markets, to the unsung processes that allow innovations to become robust products and services. Markets in the Making begins with the observation that stable commercial transactions are more enigmatic, more elusive, and more involved than previously described by economic theory. Slicing through blunt theories of supply and demand, Callon presents a rigorously researched but counterintuitive model of market activity that emphasizes what people designing products or launching startups soon discover—the inherent difficulties of connecting individuals to things. Callon’s model is founded upon the notion of “singularization,” the premise that goods and services must adapt and be adapted to the local milieu of every individual whose life they enter. Person by person, thing by thing, Callon demonstrates that for ordinary economic transactions to emerge en masse, singular connections must be made. Pushing us to see markets as more than abstract interfaces where pools of anonymous buyers and sellers meet, Callon draws our attention to the exhaustively creative practices that market professionals continuously devise to entangle people and things. Markets in the Making exemplifies how prototypes, fragile curiosities that have only just been imagined, are gradually honed into predictable objects and practices. Once these are active enough to create a desired effect, yet passive enough to be transferred from one place to another without disruption, they will have successfully achieved the status of “goods” or “services.” The output of this more ample process of innovation, as redefined by Callon, is what we recognize as “the market”—commercial activity, at scale. The capstone of an influential research career at the forefront of science and technology studies, Markets in the Making coherently integrates the empirical perspective of product engineering with the values of the social sciences. After masterfully redescribing how markets are made, Callon culminates with a strong empirical argument for why markets can and should be harnessed to enact social change. His is a theory of markets that serves social critique.