After her apprenticeship was done and a place in the guild of villains secured, Tori's life was supposed to get simpler. Unfortunately, a poorly timed errand sees Tori caught in the debut of a new team of capes, one wearing an all-too-familiar name. Thrust into the spotlight, Tori will have to navigate her unwanted fame as well as the suspiciously superheroic new neighbors down the hall, all while keeping up with her own villainous enterprises. With the guild no longer a secret, Hephaestus needs to grow as strong as possible to face her mounting threats. Ambitious gangs, battling against mechanized traps, and brawling with capes are only the beginning. Behind the scenes, a hidden enemy works to settle an old score, one that has burned for decades. This secret scheme will not only endanger Tori, her friends, and the guild, but the very world itself.

Gifted with metahuman powers in a world full of capes and villains, Tori Rivas kept away from the limelight, preferring to work as a thief in the shadows. But when she's captured trying to rob a vault that belongs to a secret guild of villains, she's offered a hard choice: prove she has what it takes to join them or be eliminated. Apprenticed to one of the world's most powerful (and supposedly dead) villains, she is thrust into a strange world where the lines that divide superheroes and criminals are more complex than they seem. The education of a villain is not an easy one, and Tori will have to learn quickly if she wants to survive. On top of the peril she faces from her own teacher, there are also the capes and fellow apprentices to worry about, to say nothing of having to keep up a civilian cover. Most dangerous of all, though, are those who loathe the guild's very existence. Old grudges mean some are willing to go to any length to see the guild turned to ash, along with each one of its members. Even the lowly apprentices.

A stand-alone sequel to Lisle's Fire in the Mist. A young girl marked for sacrifice, a band of outcast children, an ancient scholar, a head-hunting mage, and an insane historian travel into the jungle searching for a legendary lost city and discover that the deadly bones of the past are alive . . . and stalking them. "(The) entrancing characters . . . will hold you spellbound".--Mercedes Lackey.

The #1 NYT bestselling authors Preston & Child bring the true story of the ill-fated Donner Party to new life in this thrilling novel of archaeology, history, murder, and suspense. Nora Kelly, a young curator at the Santa Fe Institute of Archaeology, is approached by historian Clive Benton with a once-in-a-lifetime proposal: to lead a team in search of the so-called "Lost Camp" of the tragic Donner Party. This was a group of pioneers who earned a terrible place in American history when they became snow-bound in the California mountains in 1847, their fate unknown until the first skeletonized survivors stumbled out of the wilderness, raving about starvation, murder-and cannibalism. Benton tells Kelly he has stumbled upon an amazing find: the long-sought diary of one of the victims, which has an enigmatic description of the Lost Camp. Nora agrees to lead an expedition to locate and excavate it-to reveal its long-buried secrets. Once in the mountains, however, they learn that discovering the camp is only the first step in a mounting journey of fear. For as they uncover old bones, they expose the real truth of what happened, one that is far more shocking and bizarre than mere cannibalism. And when those ancient horrors lead to present-day violence on a grand scale, rookie FBI agent Corrie Swanson is assigned the case...only to find that her first investigation might very well be her last.

Saums continues the adventures of Mrs. Thistle and Mrs. Twigg, two of the most unlikely sleuths readers are liable to find on either side of the Mason-Dixon Line. When a thunderstorm knocks down a tree on Jane Thistle's property, a grisy discovery is made.

The Civil War is at an end, but for thirteen-year-old Eulinda, it is no time to rejoice. Her younger brother Zeke was sold away, her older brother Neddy joined the Northern war effort, and her master will not acknowledge that Eulinda is his daughter

It is 1958 and the Phelan clan has gathered to hear Peter Phelan's will, read by the living Peter himself, an artist whose paintings about members of the family have given him belated critical recognition. The paintings illuminate the lives of his brother Francis (the exiled hero of Ironweed), and a family ancestor, Malachi McIlhenny, a true madman beset by demons, and determined to send them back to hell. Orson Purcell, bastard son of Peter, and half-mad himself, encounters his first true solace through this obsessive and close-knit family he has never quite entered; most especially through his Aunt Molly, whose intense love affair holds secrets that only another love can resurrect. It is through Orson's modern eye that we see the tragedies, obsessions, and clandestine joys of this singular family. This is climatic work in William Kennedy's Albany Cycle, riding on the melody of its language and the power of its story, which is full of surprise, comedy, terror, and earthly delight.