Recounts the daring adventures of Bomba the jungle boy among strange people in strange lands.

This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions, helps them build stronger selves, leaves them less at the mercy of the pop-culture industry, and strengthens parent-child bonds. Jones has written for the Spider-Man, Superman, and X-Men comic books and created the Haunted Man series for the Web. He has also explored the cultural meanings of comic books and sitcoms in two well-received books. In Killing Monsters he presents a fresh look at children's fantasies, the entertainment industry, and violence in the modern imagination. This reassuring book, as entertaining as it is provocative, offers all of us-parents, teachers, policymakers, media critics-new ways to understand the challenges and rewards of explosive material. News From Killing Monsters: Packing a toy gun can be good for your son-or daughter. Contrary to public opinion, research shows that make-believe violence actually helps kids cope with fears. Explosive entertainment should be a family affair. Scary TV shows can have a bad effect when children have no chance to discuss them openly with adults. It's crucial to trust kids' desires. What excites them is usually a sign of what they need emotionally. Violent fantasy is one of the best ways for kids to deal with the violence they see in real life.

When his archaeologist parents go missing in Central America, fourteen-year-old Max embarks on a wild adventure through the Mayan underworld in search of the legendary Jaguar Stones, which enabled ancient Mayan kings to wield the powers of living gods. Includes cast of characters, glossary, facts about the Maya cosmos and calendar, and a recipe for chicken tamales.

Science Fiction Encyclopedia described this as a "hard-edged" tale of the 24th-century conquest of Earth by an alien empire the humans had judged too stupid to pull off such a coup. Only a handful of humans escaped the effects of a mutated narcoleptic drug that put humanity into protracted hibernation. The battle to liberate Earth is fought by those few with the aid of a vengeful ghost called "Gremper" by the aliens. The action is fast and furious, while the genius general of the invading fleet goes slowly insane at the disruption of his well-laid plans. "A natural-born storyteller," said bestselling author Frank G. Slaughter. A classic reprint of a sci-fi masterpiece.

"From Andy Hardy and the Dead End Kids to Spin and Marty and Bomba the Jungle boy, romantic relationships between teenage boys were a staple in American popular culture from 1900 through World War II. Here, Jeffery Dennis reveals how masculine, red-blooded, all-American boys were supposed to ignore girls during high school, becoming interested only after graduation, and documents the later shift to the presumption that teenage boys are heterosexually active and aware."--BOOK JACKET.

The exciting adventures of the fondly remembered Hardy Boys, Tom Swift and 27 other different sets of boys' series books will come vividly to life with this first time coverage of this topic. The author, John Axe, has brought together a rich treasury of book covers and information about 29 different boy's series authors and their books, from the early volumes of Edward Stratemeyer to Tom Swift and Tom Swift, Jr. In between, there are Rick Brant, Tom Slade, Roy Blakeley, Ted Scott, Andy Blake, Jerry Todd, Poppy Ott, Mark Tidd, Bronc Burnett, Chip Hilton, The Hardy Boys, Tom Quest, Ken Holt, Biff Brewster, and others. With this book many youthful memories will flood back -- climbing on the roof of the garage so you did not have to share with your younger brother or reading under the covers with a torch. Several series show each different cover. The Hardy Boys alone have 119 different 'classic series' cover designs. For each series, each different printing is identified, dated and valued.Researched and documented to identify rarities -- or to identify which book from your youth you need to locate and buy -- this book guides collectors through ALL of the different editions and printings.