In 'Bohemian Paris of To-day', editors W.C. Morrow and Edward Cucuel present a vivid mosaic of essays, narratives, and illustrations that plunge the reader into the heart of late 19th-century Parisian bohemia. This collection is distinguished not only by its rich thematic diversityencompassing art, literature, and the uniquely liberated lifestyle of the Parisian bohemianbut also by its commitment to showcasing a range of literary and artistic styles. Through its pages, the anthology captures the essence of a period marked by radical artistic innovation and intense cultural dynamism, offering readers an intimate glimpse into the lives of those who defined the boundaries of creative freedom and expression. The work stands as a testament to the enduring allure and complexity of bohemian Paris, inviting readers to explore this vibrant world through a blend of narrative vignettes and artistic representations. The contributors, W.C. Morrow and Edward Cucuel, themselves embody the spirit of the collection, having navigated the artistic and literary circles of their time. Their firsthand experiences and observations lend authenticity and depth to the anthology, bridging the gap between observer and participant. The collection aligns with the broader cultural and artistic movements of the erasuch as Symbolism and Decadencecapturing the zeitgeist of a period characterized by a fervent quest for aesthetic and philosophical liberation. The fusion of Morrow's narrative prowess with Cucuel's artistic vision creates a holistic portrayal of bohemian Paris, emphasizing the collective's contribution to the rich tapestry of cultural and artistic history. 'Bohemian Paris of To-day' is an essential read for anyone intrigued by the allure of bohemian culture, the evolution of modern art, and the literary movements of the late 19th century. Through its diverse array of perspectives and styles, the collection offers a unique opportunity to dive deep into the lifeblood of Parisian bohemia, enriching the reader's understanding and appreciation of this pivotal era in artistic and cultural history. This anthology is not merely a collection of works; it is an invitation to explore the intersection of art, life, and liberty as experienced by the bohemians of Paris, making it a valuable addition to the libraries of scholars, enthusiasts, and anyone fascinated by the confluence of creativity and rebellion.

“[An] epic account of life and loves among artists and writers in Paris from belle époque to world slump.” —William Feaver, The Spectator A legendary capital of the arts, Paris hosted some of the most legendary developments in world culture—particularly at the beginning of the twentieth century, with the flowering of fauvism, cubism, dadaism, and surrealism. In Bohemian Paris, Dan Franck leads us on a vivid and magical tour of the Paris of 1900–1930, a hotbed of artistic creation where we encounter Apollinaire, Modigliani, Cocteau, Matisse, Picasso, Hemingway, and Fitzgerald, working, loving, and struggling to stay afloat. Sixteen pages of black-and-white illustrations are featured. “Franck spins lavish historical, biographical, artistic, and even scandalous details into a narrative that will captivate both serious and casual readers . . . Marvelous and informative.” —Carol J. Binkowski, Library Journal

ÊFor two weeks we had been lodging temporarily in the top of a comfortable little hotel, called the Grand something (most of the Parisian hotels are Grand), the window of which commanded a superb view of the great city, the vaudeville playhouse of the world. Pour la premi�re fois the dazzle and glitter had burst upon us, confusing first, but now assuming form and coherence. If we and incomprehensible at could have had each a dozen eyes instead of two, or less greed to see and more patience to learn! Day by day we had put off the inevitable evil of finding a studio. Every night found us in the cheapest seats of some theatre, and often we lolled on the terraces of the CafŽ de la Paix, watching the pretty girls as they passed, their silken skirts saucily pulled up, revealing dainty laces and ankles. From the slippery floor of the Louvre galleries we had studied the masterpieces of David, Rubens, Rembrandt, and the rest; had visited the PanthŽon, the MusŽe Cluny; had climbed the Eiffel Tower, and traversed the Bois de Boulogne and the Champs-ElysŽes. Then came the search for a studio and the settling to work. It would be famous to have a little home of our very own, where we could have little dinners of our very own cooking! It is with a shudder that I recall those eleven days of ceaseless studio-hunting. We dragged ourselves through miles of Quartier Latin streets, and up hundreds of flights of polished waxed stairs, behind puffing concierges in carpet slippers, the puffing changing to grumbling, as, dissatisfied, the concierges followed us down the stairs. The Quartier abounds with placards reading, "Atelier d'Artiste ˆ Louer!" The rentals ranged from two hundred to two thousand francs a year, and the sizes from cigar-boxes to barns. But there was always something lacking. On the eleventh day we found a suitable place on the sixth (top) floor of a quaint old house in a passage off the Rue St.- AndrŽ-des-Arts. There were overhead and side lights, and from the window a noble view of Paris over the house-tops.

From roaring nightlife to peaceful yoga retreats, Ibiza’s hippie-chic atmosphere is its hallmark. This quintessential Mediterranean hot spot has served as an escape for artists, creatives, and musicians alike for decades. It is a place to reinvent oneself, to walk the fine line between civilization and wilderness, and to discover bliss. Ibiza Bohemia explores the island’s scenic Balearic cliffs, its legendary cast of characters, and the archetypal interiors that define its signature style.

"A vivid investigation into the seamy underside of nineteenth and twentieth century Paris"--

Bohemia in America, 1858–1920 explores the construction and emergence of "Bohemia" in American literature and culture. Simultaneously a literary trope, a cultural nexus, and a socio-economic landscape, la vie bohème traveled to the United States from the Parisian Latin Quarter in the 1850s. At first the province of small artistic coteries, Bohemia soon inspired a popular vogue, embodied in restaurants, clubs, neighborhoods, novels, poems, and dramatic performances across the country. Levin's study follows la vie bohème from its earliest expressions in the U.S. until its explosion in Greenwich Village in the 1910s. Although Bohemia was everywhere in nineteenth- and twentieth-century American culture, it has received relatively little scholarly attention. Bohemia in America, 1858–1920 fills this critical void, discovering and exploring the many textual and geographic spaces in which Bohemia was conjured. Joanna Levin not only provides access to a neglected cultural phenomenon but also to a new and compelling way of charting the development of American literature and culture.