This work provides an interpretive history of Russia from earliest times to today, recounting the story of Russia's past. It discusses Russia's strengths and weaknesses as a civilization, and the challenges posed by the contemporary effort to remake Russia.

Chekhov and Russian Religious Culture is an innovative study of the Virgin Mary and the "saintly harlots"--Mary of Egypt and Mary Magdalene--as a cultural paradigm encoded in Chekhov's prose. De Sherbinin establishes the authority of the Marian paradigm in nineteenth-century Russian culture with a comprehensive overview of salient religious and literary texts, then offers critical readings of more than fifteen Chekhov stories, including key works such as "Peasants," "Peasant Women," and "My Life." De Sherbinin argues that Chekhov inverts and displaces the Christian meanings of Marian texts in order to reveal a vasy array of problematized relationships to the canonized figures. This illuminating semiotic reading of Chekhov explores questions of female identity as it probes the mindset of Russian Orthodox popular culture.

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

In modern Russia, the question is raised about the revival of the spirituality of the population, which increases interest in studying the history of the church. In the pre-revolutionary period, the Orthodox Church in the Russian Empire had a significant impact on the formation of national culture and statehood. Actively cooperating with the state, the Orthodox Church has accumulated vast experience in the field of education, missionary work, and charity. This experience in today’s Russia can be used to solve the most important tasks in the moral education of young people who will contribute to the future of Russia. Examining the Relationship Between the Russian Orthodox Church and Secular Authorities in the 19th and 20th Centuries focuses on the system of spiritual education, the social and psychological characteristics of the clergy of the Russian Orthodox Church, and the tradition of Orthodox pilgrimage. It explores the key areas of charitable and educational activities of the Orthodox Church during the period of religious transformation in the 19th and 20th centuries. Covering topics such as missionary activity, secular authority, and church land tenure, this premier reference source is a dynamic resource for historians, anthropologists, sociologists, researchers in politics and religion, librarians, students and faculty of higher education, and academicians.

Since the early twentieth century, 'balkanization' has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey. While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.

This guide to this little known but deeply rewarding country, includes comprehensive accounts of all the sights from the capital Sofia to the time-warped villiages and wayside monasteries. It includes practical advice on outdoor pursuits - the best hikes, ski centres and Black Sea beaches - plus a run-dwon on all the folk festivals and informed commentaries on Bulgaria's turbulent history.

“Will spark debate . . . and hopefully further research into points of contact between the monotheistic religions, and others.” —The Levantine Review While devotional practices are usually viewed as mechanisms for reinforcing religious boundaries, in the multicultural, multiconfessional world of the Eastern Mediterranean, shared shrines sustain intercommunal and interreligious contact among groups. Heterodox, marginal, and largely ignored by central authorities, these practices persist despite aggressive, homogenizing nationalist movements. This volume challenges much of the received wisdom concerning the three major monotheistic religions and the “clash of civilizations,” as contributors examine intertwined religious traditions along the shores of the Near East from North Africa to the Balkans.