This is an important resource for designers, textile lovers, and African art scholars. Over 200 color photographs beautifully illustrate the mud-cloth art of the Bogolan people in Mali, Africa. Their art form, in which geometric, abstract, and semi-abstract patterns are hand painted with mud dyes on hand woven cloth, has gained enormous popularity internationally. The CD included with the book contains over 200 patterns, and is compatible with most graphic, design, and editing programs.

Focusing on a single Malian textile identified variously as bogolanfini, bogolan, or mudcloth, Victoria L. Rovine traces the dramatic technical and stylistic innovations that have transformed the cloth from its village origins into a symbol of new internationalism. Rovine shows how the biography of this uniquely African textile reveals much about contemporary culture in urban Africa and about the global markets in which African art circulates. Bogolan has become a symbol of national and ethnic identities, an element of contemporary, urban fashion, and a lucrative product in tourist art markets. At the heart of this beautifully illustrated book are the artists, changing notions of tradition, nationalism, and the value of cloth making and marketing on a worldwide scale.

Traces a boy's journey across India as he searches for a sacred buffalo bell stolen from his tribe.

This book is a visual feast, illustrating the richness and diversity of the African textile tradition, and providing designers at all levels with inspiration for their own work. Over 30 textiles from The British Museum's renowned collection are explored in detail: magnificent blue-and-white, indigo-resist-dyed cloths from West Africa; multi-coloured, tie-dyed and woven North African textiles; "mud cloths" from Mali; the unique wrap-striped weaves and ikats from Madagascar; "adinkra" block-print and painted "caligraphy" cloths from Ghana; and the "adire" cloths from Yorubaland

Featuring African textiles, clothing, headwear, and jewellery, this book celebrates African dress as a product of global interactions, generational conflict and continuity, and expressions of gender. Featuring African textiles, clothing, headwear, and jewellery, this book celebrates African dress as a product of global interactions, generational conflict and continuity, and expressions of gender. The book highlights the strength and resilience of long-standing practices that characterise African dress; the wide variety of cultural, religious, and political motivations for adorning oneself; and the varying identities reflected in analysing African material culture of the last century and a half. Textile selections include hand-woven and dyed examples alongside factory-woven and machine-printed cloth. Items of adornment include amber and silver jewellery from North Africa, beadwork-embellished clothing from South Africa, and various headdresses from across the continent, to name a few examples. From formal European colonisation, to independence for African countries, to the liberalisation of African economies, this book will demonstrate how dress practices reveal personal and group identities, cultural traditions, religious associations, political affiliations, and aspirations.

This updated 2nd edition features a revised chapter. True Colors is about artists who create color from natural materials and about the historical importance and environmental sustainability of this practice. Deep conversations with 26 artisans from every part of the globe reveal their wisdom, traditions, and know-how—and suggest that we ignore what they know at our peril. Traditional approaches to making color offer sustainable options to a fashion system badly in need of them and memorable cultural narratives to a world hungry for beauty and spirituality. True Colors provides an immersive visual experience and an inspiring travelogue of personal stories and practical information from artists who are leaving their mark on the world.