Features photographs from the private archives of the Hollywood icon and includes coverage of his Oscar-winning performance in "The African Queen," his relationship with Lauren Bacall, and the ongoing legacy of "Casablanca."

Bogart paints an indelible portrait of a complex man, from the privilege and abuse he experienced in childhood to his triumphant 1935 acting breakthrough in The Petrified Forest to his classic roles as the cynical idealist Rick of Casablanca and the drunken yet lovable Charlie Allnut in The African Queen. Based on more than two hundred interviews, years of research, and documents ranging from Warner Brothers script reports to an extensive FBI file, this is the definitive account of the immortal actor, painted against a backdrop of studio politics during Hollywood’s Golden Age and the witch-hunts of the McCarthy era. Bogart is engrossing and unforgettable—a biography as towering as the legend at its heart.

Humphrey Bogart: it’s hard to think of anyone who’s had the same lasting impact on the culture of movies. Though he died at the young age of fifty-seven more than half a century ago, his influence among actors and filmmakers, and his enduring appeal for film lovers around the world, remains as strong as ever. What is it about Bogart, with his unconventional looks and noticeable speech impediment, that has captured our collective imagination for so long? In this definitive biography, Stefan Kanfer answers that question, along the way illuminating the private man Bogart was and shining the spotlight on some of the greatest performances ever captured on celluloid. Bogart fell into show business almost by accident and worked for nearly twenty years before becoming the star we know today. Born into a life of wealth and privilege in turn-of-the-century New York, Bogart was a troublemaker throughout his youth, getting kicked out of prep school and running away to join the navy at the age of nineteen. After a short, undistinguished stint at sea, Bogart spent his early twenties drifting aimlessly from one ill-fitting career to another, until, through a childhood friend, he got his first theater job. Working first as a stagehand and then, reluctantly, as a bit-part player, Bogart cut his teeth in one forgettable role after another. But it was here he began to develop a work ethic; deciding that there were “two kinds of men: professionals and bums,” Bogart, for the first time in his life, wanted to be the former. After the Crash of ’29, Bogart headed west to try his luck in Hollywood. That luck was scarce, and he slogged through more than thirty B-movie roles before his drinking buddy John Huston wrote him a part that would change everything; with High Sierra, Bogart finally broke through at the age of forty—being a pro had paid off. What followed was a string of movies we have come to know as the most beloved classics of American cinema: The Maltese Falcon, Casablanca, The Big Sleep, The African Queen . . . the list goes on and on. Kanfer appraises each of the films with an unfailing critical eye, weaving in lively accounts of behind-the-scenes fun and friendships, including, of course, the great love story of Bogart and Bacall. What emerges in these pages is the portrait of a great Hollywood life, and the final word on why there can only ever be one Bogie.

For countless millions, Humphrey Bogart’s screen performances and real-life persona merged to make him one of the world’s most fabled figures—a legend of mythic proportions. Or, as his Sam Spade would have put it—the stuff that dreams are made of. But for his only son, Stephen, eight years old in 1957 when his father died of lung cancer, Humphrey Bogart’s giant shadow was a burden he carried until he finally came to understand the private man behind his father’s public face. And now, in this candid and insightful biography, Stephen Bogart explores and illuminates Humphrey Bogart’s life, work, and relationships as they never have been before. Writing with the encouragement of his famous mother, Lauren Bacall, Stephen calls on his memories, and take full advantage of the extraordinary access he has had to friends and colleagues of his father. The result is an intimate and personal profile of an enigmatic man whose tough image contrasted with very human ambitions and vulnerabilities. It is also a vastly entertaining book, filled with fascinating stories involving Frank Sinatra, Katharine Hepburn, “Swifty” Lazar, John Huston, Stephen Bogart’s stepfather, Jason Robards, and many others. Here is Humphrey Bogart, the pro’s pro on the set and the Hollywood renegade off it. The man’s man, the ladies’ man, the hard worker, and the man who liked to drink too much. The husband in three roller-coaster marriages and finally one perfect match, the proud father and absentee parent, the good friend and even better enemy. Here are eye-witness accounts of his most celebrated public misdeeds and moving testimonies of his most unexpected private moments. And finally, in perhaps the most compelling chapter of this shining saga, here is the close-up of Bogart’s last months, where his courage, dignity, and humor made his most stirring celluloid roles seem pale. Combining the drama of Humphrey Bogart’s life with that of a son whose path of reconciliation first had to move through a very difficult time, this is biography at its best—at once a loving tribute and a fascinating revelation. This ebook edition includes photographs directly from Stephen Bogart's personal collection.

Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.

Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.