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Our Island Story is the "history" of England up to Queen Victoria's Death. Marshall used these stories to tell her children about their homeland, Great Britain. To add to the excitement, she mixed in a bit of myth as well as a few legends.

Written in a detailed and fascinating manner, this book is ideal for general readers interested in the English language.

We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the internet, in email, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Lynne Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

As a spokesman for a country, a continent and the developing world, Thabo Mbeki played a crucial role in world politics, but to many people he remained an enigma throughout his presidency. Is this simply because he was a secretive man, or were there complicated political factors at play? Who was the real Mbeki? In this book, multiple-award-winning journalist William Mervin Gumede chronicles Mbeki’s spectacular rise to dominate Africa’s oldest liberation movement. He explores the complex position that Mbeki occupied – following in Nelson Mandela’s footsteps, holding together an alliance with deep ideological differences, and ruling an intensely divided country. Revealing the political and personal tensions behind the scenes, Gumede explains how Mbeki sought to mould the ANC into his image through tight control, and exposes the intrigues behind the battle for succession. Covering Mbeki’s attempts to modernise the economy and kick-start an African Renaissance, and investigating his controversial stance on issues from AIDS to Zimbabwe, the book offers invaluable insights into the arcane machinations behind political decisions that touch the lives of millions every day.