A first-year medical student describes an anatomy class during which she studied the donated body of a cadaver dubbed "Eve," an experience that profoundly influenced her subsequent studies and understanding of the human form.

AN INSTANT NATIONAL BESTSELLER Memoir meets craft master class in this “daring, honest, psychologically insightful” exploration of how we think and write about intimate experiences—“a must read for anybody shoving a pen across paper or staring into a screen or a past" (Mary Karr) In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it. How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author’s way of writing, or living, to be dismissed as “navel-gazing”—or else hailed as “so brave, so raw”? And to whom, in the end, do our most intimate stories belong? Drawing on her own path from aspiring writer to acclaimed author and writing professor—via addiction and recovery, sex work and academia—Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas—and occasional notes of caution—to anyone who has ever hoped to see themselves in a story.

These days it's increasingly rare to have a stable career in any field. More and more of us are blending big company jobs, startup gigs, freelance work, and volunteer side projects. We take chances to expand our knowledge, capabilities, and experience. But how do we make sense of that kind of career - and explain it? Pamela Slim, the acclaimed author of Escape from Cubicle Nation, gives us the tools to have meaningful careers in this new world of work. She shows how to find the connections among diverse accomplishments, sell your story, and continually reinvent and relaunch your brand.

David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as “the most exciting male dancer in the western world,” presents a look at his artistic life—up to the moment he returns to the stage after a devastating injury that almost cost him his career. Beginning with his real-life Billy Elliot childhood—an all-American story marred by intense bullying—and culminating in his hard-won comeback, Hallberg’s “moving and intelligent” (Daniel Mendelsohn) memoir dives deep into life as an artist as he wrestles with ego, pushes the limits of his body, and searches for ecstatic perfection and fulfillment as one of the world’s most acclaimed ballet dancers. Rich in detail ballet fans will adore, Hallberg presents an “unsparing…inside look” (The New York Times) and also reflects on universal and relatable themes like inspiration, self-doubt, and perfectionism as he takes you into daily classes, rigorous rehearsals, and triumphant performances, searching for new interpretations of ballet’s greatest roles. He reveals the loneliness he felt as a teenager leaving America to join the Paris Opera Ballet School, the ambition he had to tame as a new member of American Ballet Theatre, and the reasons behind his headline-grabbing decision to be the first American to join the top rank of Bolshoi Ballet, tendered by the Artistic Director who would later be the victim of a vicious acid attack. Then, as Hallberg performed throughout the world at the peak of his abilities, he suffered a crippling ankle injury and botched surgery leading to an agonizing retreat from ballet and an honest reexamination of his entire life. Combining his powers of observation and memory with emotional honesty and artistic insight, Hallberg has written a great ballet memoir and an intimate portrait of an artist in all his vulnerability, passion, and wisdom. “Candid and engrossing” (The Washington Post), A Body of Work is a memoir “for everyone with a heart” (DC Metro Theater Arts).

Poetry. Women's Studies. "I once wrote to a poetry advice column because I was afraid of my emotions and the havoc they wreaked on me. I called them 'a huge problem' but Diana Hamilton comforted me and wrote: 'Feeling pleasure is a legitimate way of developing as a person-writer!' We got a kitten and I tried to write poems for her. Or some other (many) times I had a thought and realised I shouldn't say it out loud only to find myself speaking it. When these turned to poems. Could there be a poet in the sense of a hare or another graceful creature or perhaps bitter and less warm-blooded..."--Elena Gomez

“V.I. Warshawski is back—intelligent, tough, sarcastic and trouble-prone as ever....Body Work isn’t just a satisfying whodunnit; it’s a rich, well-written why-dunnit, striking some surprising chords that will resonate long after you finish the final page.”—St. Louis Post-Dispatch Chicago’s Club Gouge attracts an eclectic audience, from bohemian types to Ukranian mobsters to young men just back from the war. And tonight, V.I. Warshawski is in the crowd too. The edgy stage show stars The Body Artist, who invites audience members to draw on her naked flesh. But things get a lot edgier when a woman sketches a picture on the Body Artist—and one of the veterans flies into a drunken rage. Next thing V.I. knows, she’s cradling the woman’s dying body in an alley, and a PTSD-stricken soldier is presumed guilty. But he’s also comatose after a drug overdose, and the mystery of what exactly set him off—and what kinds of shady activities are really happening at Club Gouge—will lead V.I. to a truth as explosive as the IEDs that lurk on the roadsides of Iraq. Bonus in this Edition: A Short Story Featuring V.I. Warshawski

This catalog documents the Dutch Pavilion at the 2018 Venice Architecture Biennale, which gathers contributions from architects, designers, historians and theorists exploring the emerging technologies of automation. Contributors include Amal Alhaag, Beatriz Colomina, Marten Kuijpers, Victor Muñoz Sanz, Simone C. Niquelle and Mark Wigley.