"Body of Clay, Soul of Fire" will delight art lovers, potters, and collectors, as well as everyone who is interested in Japanese and Benedictine traditions. Richard Bresnahan is a preeminent American potter and an ambassador for the natural environment. Reared on a farm in North Dakota, he graduated from Saint John's University in Collegeville, Minnesota, and apprenticed as a potter in Japan. Returning to Saint John's, where he is an artist in residence, he built a massive wood-burning kiln, which, with its innovative flame flues and water channels, dwarfs all other North American kilns. By digging his own clay, using local seeds and hulls as glazing materials, and firing with deadfall, Bresnahan also practices a brand of environmentalism worthy of his Benedictine surroundings.

"Anam Cara is a rare synthesis of philosophy, poetry, and spirituality. This work will have a powerful and life-transforming experience for those who read it." —Deepak Chopra John O'Donohue, poet, philosopher, and scholar, guides you through the spiritual landscape of the Irish imagination. In Anam Cara, Gaelic for "soul friend," the ancient teachings, stories, and blessings of Celtic wisdom provide such profound insights on the universal themes of friendship, solitude, love, and death as: Light is generous The human heart is never completely born Love as ancient recognition The body is the angel of the soul Solitude is luminous Beauty likes neglected places The passionate heart never ages To be natural is to be holy Silence is the sister of the divine Death as an invitation to freedom

Treasure in Clay provides a lifetime’s worth of wisdom from one of the most beloved and influential figures in twentieth-century Catholicism. Completed shortly before his death in 1979, Treasure in Clay is the autobiography of Fulton J. Sheen, the preeminent teacher, preacher, and pastor of American Catholicism. Called “the Great Communicator” by Billy Graham and “a prophet of the times” by Pope Pius XII, Sheen was the voice of American Catholicism for nearly fifty years. In addition to his prolific writings, Sheen dominated the airwaves, first in radio, and later television, with his signature program “Life is Worth Living,” drawing an average of 30 million viewers a week in the 1950s. Sheen had the ears of everyone from presidents to the common men, women, and children in the pews, and his uplifting message of faith, hope, and love shaped generations of Catholics. Here in Sheen’s own words are reflections from his childhood, his years in seminary, his academic career, his media stardom, his pastoral work, his extensive travels, and much more. Readers already familiar with Sheen and as well as those coming to him for the first time will find a fascinating glimpse into the Catholic world Sheen inhabited, and will find inspiration in Sheen’s heartfelt recollections. Treasure in Clay is a classic book and a lasting testament to a life that was worth living.

This book brings together a variety of approaches, interpretations, expressions, and technical prowess. It is the first and a long time coming effort to bring the practice of naked raku into a single reference manual by which the reader can observe, attempt, experiment, and practice with confidence

Metaphor and Thought, first published in 1979, reflects the surge of interest in and research into the nature and function of metaphor in language and thought. In this revised and expanded second edition, the editor has invited the contributors to update their original essays to reflect any changes in their thinking. Reorganised to accommodate the shifts in central theoretical issues, the volume also includes six new chapters that present important and influential fresh ideas about metaphor that have appeared in such fields as the philosophy of language and the philosophy of science, linguistics, cognitive and clinical psychology, education and artificial intelligence.

At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.