This volume was first published by Inter-Disciplinary Press in 2014. The body is unveiled, not as a terra incognita, but as terra to be rediscovered. The authors – whose diverse origins echo the multiple media used to convey their ideas – establish a link between bodily metamorphosis and psychological fissures. The body is a locus of paradoxes: deformed, infected, monstrosized or negated but at the same time fascinating, intimate or sensual. Here, readers will open the door of disruption. They will explore the flesh or the inner processes of the body, the idea of its degeneration, even its perception as a gaping wound. The authors in this volume question the very notion of identity as they embark on a journey to reflect on the self. Life itself is a shapeshifting dance we unknowingly join in its myriad of colours and moves.

Media narratives inform our ideas of the future - and Games are currently making a significant contribution to this medial reservoir. On the one hand, Games demonstrate a particular propensity for fantastic and futuristic scenarios. On the other hand, they often serve as an experimental field for the latest media technologies. However, while dystopias are part of the standard gaming repertoire, Games feature utopias much less frequently. Why? This anthology examines playful utopias from two perspectives. It investigates utopias in digital Games as well as utopias of the digital game; that is, the role of ludic elements in scenarios of the future.

The purpose of this thesis is not to provide a stand-in or voice for the queer body, nor is its purpose to create an index of films that fall under the sub-genre of 'Body Horror,' but to explore how films in this genre that seem to privilege performances of able-bodiedness and heteronormativity actually treat queerness and queer topics in very different ways. This thesis wishes to explore these bodies as they cruise through their respective dystopian techno-fetishistic worlds; as their bodies are infected, their figures transformed, and their psyches liberated as they attain physical, sexual or psychological release.

Winner of the Pulitzer Prize and a documentary from Ken Burns on PBS, this New York Times bestseller is “an extraordinary achievement” (The New Yorker)—a magnificent, profoundly humane “biography” of cancer—from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with—and perished from—for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.