"Disabled soldiers and veterans occupied a difficult space in the Civil War North. The realities of living with a disability were ever at odds with the expectations of manhood. Disability made it difficult for soldiers to adhere to the particular masculine standards of the Union Army, yet when soldiers were able to control their bodies in order to fit manly ideals, they were met with suspicion when they requested accommodation or support. The very definition of masculine disability was ever in dispute as soldiers, physicians, lawmakers, bureaucrats and civilians each questioned what made a war wound authentic. Further, they each pondered what role disabled soldiers should play, whether in the course of war, in the progression of medicine, or in Gilded Age politics. It is in this tension, between the demands of masculinity and the realities of disability, that we can see the murkier undercurrent of the history of disabled Civil War veterans: that even when surrounded by the triumphant cheers and sentimental sighs that praised war wounds as patriotic sacrifices, disabled Union veterans faced enormous difficulty as they negotiated a life spent walking the fine line between manliness and emasculation. Sarah Handley-Cousins's manuscript makes an important contribution to the burgeoning field of the Civil War veteran experience, Civil War medicine, masculinity, and the soldier transition to civilian life. She breaks new ground with her focus on invisible wounds, as most scholars have concentrated on amputees"--

A landmark book by marine biologist Wallace J. Nichols on the remarkable effects of water on our health and well-being. Why are we drawn to the ocean each summer? Why does being near water set our minds and bodies at ease? In Blue Mind, Wallace J. Nichols revolutionizes how we think about these questions, revealing the remarkable truth about the benefits of being in, on, under, or simply near water. Combining cutting-edge neuroscience with compelling personal stories from top athletes, leading scientists, military veterans, and gifted artists, he shows how proximity to water can improve performance, increase calm, diminish anxiety, and increase professional success. Blue Mind not only illustrates the crucial importance of our connection to water; it provides a paradigm shifting "blueprint" for a better life on this Blue Marble we call home.

Since the beginning of the wars in Iraq and Afghanistan, uncounted thousands of civilians have died in the fighting and as a result of the destruction. These are deaths for which no one assumes responsibility and which have been presented, historically, as fallout. No one knows their true number. In The Bodies in Person, Nick McDonell introduces us to some of the civilians who died, along with the rescue workers who tried to save them, U.S. soldiers grappling with their deaths, and everyone in between. He shows us how decent Americans, inside and outside the government and military, looked away from the mounting death toll, even as they claimed to do everything in their power to prevent civilian casualties. With a novelist's eye — and hundreds of hours of recorded interviews — McDonell brings us the untold story of the innocent dead in America's ongoing wars, from leveled cities to drone operation centers to Capitol back rooms. As we follow him around the world, The Bodies in Person raises questions not only about what it means to be an American, but about the value of a life, what it means to risk one, and what is owed afterward.

A new high point for a master novelist, an emotionally charged reckoning with art, marriage, and the past Kevin Pace is working on a painting that he won’t allow anyone to see: not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn’t know or, more accurately, doesn’t care. What Kevin does care about are the events of the past. Ten years ago he had an affair with a young watercolorist in Paris. Kevin relates this event with a dispassionate air, even a bit of puzzlement. It’s not clear to him why he had the affair, but he can’t let it go. In the more distant past of the late seventies, Kevin and Richard traveled to El Salvador on the verge of war to retrieve Richard’s drug-dealing brother, who had gone missing without explanation. As the events of the past intersect with the present, Kevin struggles to justify the sacrifices he’s made for his art and the secrets he’s kept from his wife. So Much Blue features Percival Everett at his best, and his deadpan humor and insightful commentary about the artistic life culminate in a brilliantly readable new novel.

In Beijing in 1904, multiple murderer Wang Weiqin became one of the last to suffer the extreme punishment known as lingchi, called by Western observers “death by a thousand cuts.” This is the first book to explore the history, iconography, and legal contexts of Chinese tortures and executions from the 10th century until lingchi’s abolition in 1905.

The accomplishments of pioneering doctors such as John Peter Mettauer, James Marion Sims, and Nathan Bozeman are well documented. It is also no secret that these nineteenth-century gynecologists performed experimental caesarean sections, ovariotomies, and obstetric fistula repairs primarily on poor and powerless women. Medical Bondage breaks new ground by exploring how and why physicians denied these women their full humanity yet valued them as “medical superbodies” highly suited for medical experimentation. In Medical Bondage, Cooper Owens examines a wide range of scientific literature and less formal communications in which gynecologists created and disseminated medical fictions about their patients, such as their belief that black enslaved women could withstand pain better than white “ladies.” Even as they were advancing medicine, these doctors were legitimizing, for decades to come, groundless theories related to whiteness and blackness, men and women, and the inferiority of other races or nationalities. Medical Bondage moves between southern plantations and northern urban centers to reveal how nineteenth-century American ideas about race, health, and status influenced doctor-patient relationships in sites of healing like slave cabins, medical colleges, and hospitals. It also retells the story of black enslaved women and of Irish immigrant women from the perspective of these exploited groups and thus restores for us a picture of their lives.

The first critical study of personal narrative by women with disabilities, Unruly Bodies examines how contemporary writers use life writing to challenge cultural stereotypes about disability, gender, embodiment, and identity. Combining the analyses of disability and feminist theories, Susannah Mintz discusses the work of eight American autobiographers: Nancy Mairs, Lucy Grealy, Georgina Kleege, Connie Panzarino, Eli Clare, Anne Finger, Denise Sherer Jacobson, and May Sarton. Mintz shows that by refusing inspirational rhetoric or triumph-over-adversity narrative patterns, these authors insist on their disabilities as a core--but not diminishing--aspect of identity. They offer candid portrayals of shame and painful medical procedures, struggles for the right to work or to parent, the inventive joys of disabled sex, the support and the hostility of family, and the losses and rewards of aging. Mintz demonstrates how these unconventional stories challenge feminist idealizations of independence and self-control and expand the parameters of what counts as a life worthy of both narration and political activism. Unruly Bodies also suggests that atypical life stories can redefine the relation between embodiment and identity generally.