The legions of Bob Dylan fans know that Dylan is not just a great composer, writer, and performer, but a great thinker as well. In Bob Dylan and Philosophy, eighteen philosophers analyze Dylan’s ethical positions, political commitments, views on gender and sexuality, and his complicated and controversial attitudes toward religion. All phases of Dylan’s output are covered, from his early acoustic folk ballads and anthem-like protest songs to his controversial switch to electric guitar to his sometimes puzzling, often profound music of the 1970s and beyond. The book examines different aspects of Dylan’s creative thought through a philosophical lens, including personal identity, negative and positive freedom, enlightenment and postmodernism in his social criticism, and the morality of bootlegging. An engaging introduction to deep philosophical truths, the book provides Dylan fans with an opportunity to learn about philosophy while impressing fans of philosophy with the deeper implications of his intellectual achievements.

The Philosophy of Modern Song is Bob Dylan's first book of new writing since 2004's Chronicles: Volume One -- and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers a masterclass on the art and craft of songwriting. He writes over 60 essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyses what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work's transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years and, like everything that Dylan does, it is a momentous artistic achievement.

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

This book features 27 integrated essays that offer access to the art, life, and legacy of one of the world's most influential artists.

WINNER OF THE NOBEL PRIZE IN LITERATURE Music legend Bob Dylan's only work of fiction—a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and offers unique insight into Dylan's creative evolution, capturing the stream-of-consciousness preoccupations of the legendary folk poet and his eclectic, erudite cool at a crucial juncture in his artistic development. It has since been welcomed into the Dylan canon, as Dylan himself has cemented his place in the cultural imagination, inspiring Todd Haynes’s acclaimed 2007 musical drama I’m Not There, selling more than 100 million records, and winning numerous prizes, including the Nobel Prize for Literature in 2017. In his acceptance speech for the Nobel, Dylan acknowledged the early influence on his work of Buddy Holly and Lead Belly as well as of wide-ranging classics like Don Quixote, All Quiet on the Western Front, and Moby Dick. Tarantula is a rare chance to see Dylan at a moment in which he was still deeply connected to his country roots and a folk vernacular while opening himself up to the influence of French 19th-century Surrealist writers like Arthur Rimbaud and the Comte de Lautreamont. A decade before the confessional singer-songwriter who would create the 1975 epic, Blood on the Tracks—which was just optioned by filmmaker Luca Guadagnino—here is Dylan at his most verbally playful and radically inventive. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music—a spirit of protest, a poetic spontaneity, and a chronicling of the eccentric and the everyday—which continue to make him a beloved artist and cultural icon.

An updated edition of the most comprehensive account of Bob Dylan's Nobel Prize-winning work yet published, with the full story of every recording session, every album, and every single released during his nearly 60-year career. Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.

Grant Maxwell examines the recorded music of popular culture with the same subtlety and care as he brings to the literary and philosophical texts of high culture. He seeks not just breadth of knowledge but coherence of insight; not just accumulation of knowledge but depth of understanding. Richard Tarnas, author of The Passion of the Western Mind Grant is a very distinguished cat. James Howard Kunstler, author of The Geography of Nowhere The first three chapters, about each title character and their particular artistic genesis, are good cultural history and excellent pop music analysis (his explication of Dylan's rejection of modernity is one of the better summations available of this complicated figure). . . . The accounts provide fresh, rewarding perspectives on historical moments that have been theorized to death, if not outright mythologized, and Maxwell's historical blow-by-blow does great service as a patient, careful examination of each watershed. . . . Grasping at any threads that might bind high culture with low . . . this very polar tension generates the ultimately subtle magnetism of Maxwell's book. Thomas Conner, H-Net Reviews How Does It Feel? traces the significance of rock and roll through the early careers of Elvis Presley, The Beatles, and Bob Dylan, drawing on some of the most profound philosophical ideas of the last few centuries. Through the artists' own words and intimate accounts, this study suggests that archaic modes of thought, including those associated with mysticism, alchemy, shamanism, and ecstatic spiritual practice, and even with often trivialized phenomena described by words like "magic," "destiny," and "prophecy," are vitally important for understanding how these musicians were able to catalyze the inception of an epochal revolution in human consciousness. From the recording of Presley's first hit at Sun studio to the Beatles' primal Hamburg initiation to Dylan's "transfiguration," this study shows how rock and roll has enacted the return of relational modes repressed since Descartes' equation of thought with human being in the seventeenth century. Although the privileging of rationality, materialism, and science has apparently been in service to the development of humanity's intellectual capacities, this "ascent of man" has come at the expense of intuitive, affective, and embodied ways of knowing. However, nothing can be repressed forever, and rock and roll appears to have been a compensatory reaction to the modern rationalization and disenchantment of culture. Through an engaging retelling of the familiar narratives from a novel philosophical perspective, How Does It Feel? illuminates how the renewed attention to bodily experience performed by these musicians has opened the door to even more deeply repressed premodern modes, mediating what appears to be the emergence of a new world view that integrates modern and premodern premises.