Blues Music in the Sixties
Title | Blues Music in the Sixties PDF eBook |
Author | Ulrich Adelt |
Publisher | Rutgers University Press |
Pages | 204 |
Release | 2010 |
Genre | Music |
ISBN | 0813547504 |
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties discusses these developments, including the international aspects of the blues. It highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.
How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom
Title | How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom PDF eBook |
Author | Dr Roberta Freund Schwartz |
Publisher | Ashgate Publishing, Ltd. |
Pages | 298 |
Release | 2013-01-28 |
Genre | Music |
ISBN | 1409493768 |
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
How Belfast Got the Blues
Title | How Belfast Got the Blues PDF eBook |
Author | Noel McLaughlin |
Publisher | Intellect (UK) |
Pages | 0 |
Release | 2020 |
Genre | Popular music |
ISBN | 9781789382747 |
Highly original and fascinating cultural and political history told through Belfast's popular music scene in the 1960s in the context of Northern Ireland's sociopolitical milieu. With particular emphasis on Van Morrison, Them, and Ottilie Patterson; also features the Peter Whitehead film of TheRolling Stones. 15 b/w illus.
Black, White and Blue
Title | Black, White and Blue PDF eBook |
Author | Ulrich Adelt |
Publisher | |
Pages | 448 |
Release | 2007 |
Genre | African Americans |
ISBN |
Going Up the Country
Title | Going Up the Country PDF eBook |
Author | Marina Bokelman |
Publisher | Univ. Press of Mississippi |
Pages | 309 |
Release | 2022-11-08 |
Genre | Music |
ISBN | 1496842014 |
At the height of the blues revival, Marina Bokelman and David Evans, young graduate students from California, made two trips to Louisiana and Mississippi and short trips in their home state to do fieldwork for their studies at UCLA. While there, they made recordings and interviews and took extensive field notes and photographs of blues musicians and their families. Going Up the Country: Adventures in Blues Fieldwork in the 1960s presents their experiences in vivid detail through the field notes, the photographs, and the retrospective views of these two passionate researchers. The book includes historical material as well as contemporary reflections by Bokelman and Evans on the times and the people they met during their southern journeys. Their notes and photographs take the reader into the midst of memorable encounters with many obscure but no less important musicians, as well as blues legends, including Robert Pete Williams, Mississippi Fred McDowell, Al Wilson (cofounder of Canned Heat), Babe Stovall, Reverend Ruben Lacy, and Jack Owens. This volume is not only an adventure story, but also a scholarly discussion of fieldwork in folklore and ethnomusicology. Including retrospective context and commentary, the field note chapters describe searches for musicians, recording situations, social and family dynamics of musicians, and race relations and the racial environment, as well as the practical, ethical, and logistical problems of doing fieldwork. The book features over one hundred documentary photographs that depict the field recording sessions and the activities, lives, and living conditions of the artists and their families. These photographs serve as a visual counterpart equivalent to the field notes. The remaining chapters explain the authors’ methodology, planning, and motivations, as well as their personal backgrounds prior to going into the field, their careers afterwards, and their thoughts about fieldwork and folklore research in general. In this enlightening book, Bokelman and Evans provide an exciting and honest portrayal of blues field research in the 1960s.
Sixties Rock
Title | Sixties Rock PDF eBook |
Author | Michael Hicks |
Publisher | University of Illinois Press |
Pages | 196 |
Release | 1999 |
Genre | Music |
ISBN | 9780252069154 |
Traces "garage" and "psychedelic" rock from the 50's through the sixties, unfolds the history and the sonic structures of some of rock's core repertoire
White Bicycles
Title | White Bicycles PDF eBook |
Author | Joe Boyd |
Publisher | Profile Books |
Pages | 304 |
Release | 2010-07-09 |
Genre | Biography & Autobiography |
ISBN | 1847652166 |
When Muddy Waters came to London at the start of the '60s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running the coolest club in London, the UFO; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd. More than any previous '60s music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. His greatest coup is bringing to life the famously elusive figure of Nick Drake - the first time he's been written about by anyone who knew him well. As well as the '60s heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, The Incredible String Band to Fairport Convention.