The award-wining collection Blue Talk and Love tells the stories of girls and women of color navigating the moods and mazes of urban daily life. Set in various enclaves of New York City — including the middle-class Hamilton Heights section of Harlem, the black queer social world of the West Village, the Spanish-speaking borderland between Harlem and Washington Heights, and historic Tin Pan Alley — the collection uses magic realism, historical fiction, satire and more to highlight young black women's inner lives. The storylines range widely: a big-bodied teenage girl from Harlem discovers her sexuality in the midst of racial tensions at her Upper East Side school; four young women from Newark, New Jersey, are charged with assaulting the man who threatens to rape them; a pair of conjoined black female twins born into slavery, make their fame as stage performers in the Big City. In each story, the characters push past what is expected of them, learning to celebrate their voices and their lives. In honor of Mecca Sullivan’s being named the recipient of the 2018 Judith A. Markowitz Lambda Award as an emerging LGBTQ writer, Riverdale Avenue Books has released a second edition of her acclaimed collection for which the Lambda judges called Sullivan, "An essential writer of our present moment.” "We are so proud of Mecca for receiving this prestigious award. She made her fiction debut with Riverdale Avenue Books five years ago, when we were both new to the literary scene, and we are publishing an updated second edition with the wonderful quote from Ntozake Shange on the cover to commemorate this achievement,” said Publisher Lori Perkins.

In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson's All Boys Aren't Blue explores their childhood, adolescence, and college years in New Jersey and Virginia. A New York Times Bestseller! Good Morning America, NBC Nightly News, Today Show, and MSNBC feature stories From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys. Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults. (Johnson used he/him pronouns at the time of publication.) Velshi Banned Book Club Indie Bestseller Teen Vogue Recommended Read Buzzfeed Recommended Read People Magazine Best Book of the Summer A New York Library Best Book of 2020 A Chicago Public Library Best Book of 2020 ... and more!

This lively and thoughtful book explores what it means to be black in an allegedly postracial America

From the New York Times bestselling author of Circus Mirandus comes the magic-infused story of a golden gator, two cursed kids, and how they take their destinies into their own hands. When the red moon rises over the heart of the Okefenokee swamp, legend says that the mysterious golden gator Munch will grant good luck to the poor soul foolish enough to face him. But in 1817, when TWO fools reach him at the same time, the night’s fate is split. With disastrous consequences for both . . . and their descendants. Half of the descendants have great fates, and the other half have terrible ones. Now, Tumble Wilson and Blue Montgomery are determined to fix their ancestors’ mistakes and banish the bad luck that’s followed them around for all of their lives. They’re going to face Munch the gator themselves, and they’re going to reclaim their destinies. But what if the legend of Munch is nothing but a legend, after all? Full of friendship, family, and the everyday magic and adventure that readers of Savvy and A Snicker of Magic love, Cassie Beasley’s newest middle grade book is another crowd-pleasing heart-warmer—perfect for reading by yourself, or sharing with someone you love.

Winner of the Modern Language Association (MLA)’s William Sanders Scarborough Prize From Audre Lorde, Ntozake Shange, and Bessie Head, to Zanele Muholi, Suzan-Lori Parks, and Missy Elliott, Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women’s queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference. Black women’s literary cultures have long theorized the complexities surrounding nation and class, the indeterminacy of gender and race, and the multiple meanings of sexuality. Yet their ideas and work remain obscure in the face of indifference from Western scholarship. Innovative and timely, The Poetics of Difference illuminates understudied queer contours of black women’s writing.

For fans of Kate DiCamillo’s Louisiana’s Way Home, this heartwarming novel tells the story of ten-year-old Glory Bea as she prepares for a miracle of her very own—her father’s return home. Glory Bea Bennett knows that miracles happen in Gladiola, Texas, population 3,421. After all, her grandmother—the best matchmaker in the whole county—is responsible for thirty-nine of them. Now, Glory Bea needs a miracle of her own. The war ended three years ago, but Glory Bea’s father never returned home from the front in France. Glory Bea understands what Mama and Grams and Grandpa say—that Daddy died a hero on Omaha Beach—yet deep down in her heart, she believes Daddy is still out there. When the Gladiola Gazette reports that one of the boxcars from the Merci Train (the “thank you” train)—a train filled with gifts of gratitude from the people of France—will be stopping in Gladiola, she just knows daddy will be its surprise cargo. But miracles, like people, are always changing, until at last they find their way home.

Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.