Tasked with protecting humanity from harm, the last thing Ashe Granger was searching for on his mission was his destined mate. Then, a mysterious dark-eyed beauty reluctantly offered him shelter. A spark of danger--and a soul-deep recognition--ignited a burning, carnal need.... Since her family's exile, Juliana Sabin had borne full responsibility for their safety. So when evil struck, she had no choice but to ally herself with the sexy guardian vampire. Now, months later, Ashe is back and tempting Juliana to reveal her darkest secrets...and desires. For the killer stalking the shadows isn't acting alone--and he won't rest until his deadly cravings are fulfilled.

When James Cross, a grieving San Francisco Detective, is given what is thought to be an easy and simple case, he quickly realises that there is far more to it than meets the eye. And nothing is as ever as it seems. An unseen enemy. A deadly weapon. As the body count piles up, he must learn to cast his inner demons aside to focus and find who, and what, is causing the deaths of innocent civilians in the city.

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

A necromancer and a vampire walk into a cemetery...and if you're wondering how this joke ends, that makes two of us.I'm Seraphina Mason, Buffalo's only resident necromancer. While other people are on normal sleep schedules doing regular human things, I spend my nights conjuring spirits, resurrecting the dead, and sometimes a bit of poltergeist removal, if you need it. But I'm not even the most dangerous nocturnal creature lurking around the cemeteries. That's where vampire Nathaniel Caligari waltzes in-all devastating eternal beauty and brooding charm, ready to ruin my life. He'd rather have a wooden stake shoved through his chest than ask for my help, yet here we are. Turns out the bloodsucker has something of a heart after all because he's desperate, fearing his missing son is dead. Neither of us are excited about this, but I could really use the paycheck. So, we're just going to have to set aside our petty insults and work together before this city buries his kid. If we don't kill each other first. KISS ME DEADLY is the first book in an enemies to lovers paranormal romance trilogy perfect for fans of Kelly St. Clare, Linsey Hall, C.N. Crawford, K.M. Shea, and Helen Harper.

Table of contents

This comprehensive overview of Icelandic syntax contains new analyses of word order and long-distance reflexivization, detailed studies of case-marking, and the first systematic description of the -st middles. It presents a complete picture of modern Icelandic syntax as seen in the tradition of generative grammar, striking a good balance between theory and description.

LEGENDARY founding KISS drummer Peter “Catman” Criss has lived an incredible life in music, from the streets of Brooklyn to the social clubs of New York City to the ultimate heights of rock ’n’ roll success and excess. KISS formed in 1973 and broke new ground with their elaborate makeup, live theatrics, and powerful sound. The band emerged as one of the most iconic hard rock acts in music history. Peter Criss, the Catman, was the heartbeat of the group. From an elevated perch on his pyrotechnic drum riser, he had a unique vantage point on the greatest rock show of all time, with the KISS Army looking back at him night after night. Peter Criscuola had come a long way from the homemade drum set he pounded on nonstop as a kid growing up in Brooklyn in the fifties. He endured lean years, street violence, and the rollercoaster music scene of the sixties, but he always knew he’d make it. Makeup to Breakup is Peter Criss’s eye-opening journey from the pledge to his ma that he’d one day play Madison Square Garden to doing just that. He conquered the rock world—composing and singing his band’s all-time biggest hit, “Beth” (1976)—but he also faced the perils of stardom and his own mortality, including drug abuse, treatment in 1982, near-suicides, two broken marriages, and a hard-won battle with breast cancer. Criss opens up with a level of honesty and emotion previously unseen in any musician’s memoir. Makeup to Breakup is the definitive and heartfelt account of one of rock’s most iconic figures, and the importance of faith and family. Rock ’n’ roll has been chronicled many times, but never quite like this.