An updated and enlarged edition of an annotated collection originally published more than 20 years ago, Bloody Versicles serves as two books in one: an anthology of ribald, moralistic, sad, yet amusing and entertaining verse relating to specific crimes; and a small encyclopedia of select criminals and their wrongdoings.Some of the "crhymes," such as "Lizzie Borden took an axe...," are famous, but most are familiar only to students of particular cases. They have been selected from sources in the United States, England and Scotland, Australia, and France and are representative of all major categories of offenses, with murder inspiring the largest section.

Examining the role of violence in America's past, this collection of essays explores its history and development from slave patrols in the colonial South to gun ownership in the 20th century. The contributors focus not only on individual acts such as domestic violence, murder, duelling, frontier vigilantism and rape, but also on group and state-led acts such as lynchings, slave uprisings, the establishment of rifle clubs, legal sanctions of heterosexual aggression, and invasive medical experiments on women's bodies.

A collection of original poems about Creation, Christmas, Hunting, Wildlife, Bible Characters, and some just for fun.

From veteran true crime master Harold Schechter comes a unique look into the history of crime told through the dark objects left behind. The false teeth of a female serial killer from 1908, the cut-and-paste confession of the Black Dahlia killer, the newly cracked cipher of the Zodiac killer, the shotgun used in the Clutter family murders, which were made famous by Truman Capote's true crime classic In Cold Blood—these are more than simple artifacts that once belonged to notorious murderers. They are objets of fascination to the legion of true crime obsessives around the world. And not merely for fleeting dark thrills, but because they represent a way to better understand those who we typically label monsters in lieu of learning how they actually became one. In Murderabilia, veteran true crime writer Harold Schechter presents 100 murder-related artifacts spanning two centuries (1808–2014), with accompanying stories of various lengths. A visual and literary journey, it presents a history unlike any previously told in the true crime genre, one that speaks to the dark fascination of true crime fans while also presenting a larger historical timeline of how and why we continue to be captivated by the most sensational crimes and killers among us.

When Viscount Castlereagh, leader of the House of Commons and architect of the Grand Alliance, committed suicide in 1822, the coroner's inquest could consider only two legal verdicts: insanity or self-murder. Public outrage greeted his burial in Westminster Abbey; the tradition lingered that a suicide's burial place be at a crossroads, with a stake through the heart to keep the lost soul from wandering. Probing a remarkable variety of sources and individual cases, Barbara Gates shows how attitudes toward suicide changed between Castlereagh's death and the end of the century. By 1900 the Victorians' moral censure of suicide and the accompanying denial that it was a widespread problem had been replaced by a more compassionate response--and also by an unfounded belief in a "suicide epidemic," which Thomas Hardy described as a "coming universal wish not to live.". Exposing a rich area of interaction between history and literature, and utilizing the methodology of the new historicism, Gates discusses topics ranging from the plot for Wuthering Heights to Victorian shilling shockers. Among other findings she includes evidence that Victorian middle-class men, particularly, tended to make suicide the province of other selves--of men belonging to other times or places, of "monsters," or of women. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Oxford Handbook of Criminal Law reflects the continued transformation of criminal law into a global discipline, providing scholars with a comprehensive international resource, a common point of entry into cutting edge contemporary research and a snapshot of the state and scope of the field. To this end, the Handbook takes a broad approach to its subject matter, disciplinarily, geographically, and systematically. Its contributors include current and future research leaders representing a variety of legal systems, methodologies, areas of expertise, and research agendas. The Handbook is divided into four parts: Approaches & Methods (I), Systems & Methods (II), Aspects & Issues (III), and Contexts & Comparisons (IV). Part I includes essays exploring various methodological approaches to criminal law (such as criminology, feminist studies, and history). Part II provides an overview of systems or models of criminal law, laying the foundation for further inquiry into specific conceptions of criminal law as well as for comparative analysis (such as Islamic, Marxist, and military law). Part III covers the three aspects of the penal process: the definition of norms and principles of liability (substantive criminal law), along with a less detailed treatment of the imposition of norms (criminal procedure) and the infliction of sanctions (prison law). Contributors consider the basic topics traditionally addressed in scholarship on the general and special parts of the substantive criminal law (such as jurisdiction, mens rea, justifications, and excuses). Part IV places criminal law in context, both domestically and transnationally, by exploring the contrasts between criminal law and other species of law and state power and by investigating criminal law's place in the projects of comparative law, transnational, and international law.