NORTHERN LIGHTS TRILOGY BOOK ONE Leaving England in a hurry, Peter Arnett - thief, grifter, vagabond - requires someplace where no one would think to look for him; and who ever heard of a bank robber hiding out in Denmark? Keeping out of trouble, one low paid honest job follows another but it's hard to lay low when the Danes will befriend even a grumpy ex-con. Following a chance encounter with an ambitious small-town cop he finds himself pulled back into The Life but who exactly is corrupting who? Sure, the girl's a looker but she might also be deadlier than anyone he's ever met, himself included. With his old life becoming tangled in the new, Peter soon realises that his best odds for survival lay in the planning and execution of a score so reckless that no one in their right mind would even dream of attempting it. He can expect a few surprises that day but the prime suspect will not be one

The city of Salinas, California, is the birthplace of John Steinbeck and the setting for his epic masterpiece, East of Eden, but it is also the home of Nuestra Familia, one of the most violent gangs in America. Born in the prisons of California in the late 1960s, Nuestra Familia expanded to control drug trafficking and extortion operations throughout the northern half of the state, and left a trail of bodies in its wake. Prize-winning journalist and Nieman Fellow Julia Reynolds tells the gang's story from the inside out, following young men and women as they search for a new kind of family, quests that usually lead to murder and betrayal. Blood in the Fields also documents the history of Operation Black Widow, the FBI's questionable decade-long effort to dismantle the Nuestra Familia, along with its compromised informants and the turf wars it created with local law enforcement agencies. Written as narrative nonfiction, journalist Reynolds used her unprecedented access to gang members, both in and out of prison, as well as undercover wire taps, depositions, and court documents to weave a gripping, comprehensive history of this brutal criminal organization and the lives it destroyed. Julia Reynolds coproduced and wrote the PBS documentary Nuestra Familia, Our Family, and reported on the northern California gang for more than a decade. She currently works as a staff writer at the Monterey County Herald, and has reported for National Public Radio, the Discovery Channel, The Nation, Mother Jones, the San Francisco Chronicle, and more.

"One of the best history books I've read in the last few years." —Chris Hayes The Field of Blood recounts the previously untold story of the violence in Congress that helped spark the Civil War. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR AN NPR BEST BOOK OF THE YEAR ONE OF SMITHSONIAN'S BEST HISTORY BOOKS OF THE YEAR Historian Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.

A sweeping exploration of religion and the history of human violence—from the New York Times bestselling author of The History of God • “Elegant and powerful.... Both erudite and accurate, dazzling in its breadth of knowledge and historical detail.” —The Washington Post In these times of rising geopolitical chaos, the need for mutual understanding between cultures has never been more urgent. Religious differences are seen as fuel for violence and warfare. In these pages, one of our greatest writers on religion, Karen Armstrong, amasses a sweeping history of humankind to explore the perceived connection between war and the world’s great creeds—and to issue a passionate defense of the peaceful nature of faith. With unprecedented scope, Armstrong looks at the whole history of each tradition—not only Christianity and Islam, but also Buddhism, Hinduism, Confucianism, Daoism, and Judaism. Religions, in their earliest days, endowed every aspect of life with meaning, and warfare became bound up with observances of the sacred. Modernity has ushered in an epoch of spectacular violence, although, as Armstrong shows, little of it can be ascribed directly to religion. Nevertheless, she shows us how and in what measure religions came to absorb modern belligerence—and what hope there might be for peace among believers of different faiths in our time.

On Many a Bloody Field follows one of the Civil War's most famous combat organizations - Company B, 19th Indiana Volunteers of the Iron Brigade, in a vivid account of ordinary people thrust into extraordinary circumstances. Alan D. Gaff follows the men from recruitment through mustering out, from the tedium of camp to the excitement of battle. Marches and battles are described in detail, but Gaff also devotes close attention to how the war affected individuals, both physically and emotionally. Formed into a brigade with the 2nd, 6th, and 7th Wisconsin, these Indiana soldiers fought their first real battle at Brawner Farm. Over four difficult years they fought on many a bloody field: Second Bull Run, South Mountain, Antietam, Fredericksburg, Fitzhugh Crossing, Gettysburg, Wilderness, Laurel Hill, North Anna River, Cold Harbor, Petersburg, and Weldon Railroad. With meticulous care, Alan Gaff recounts the experience of war from the soldier's perspective, often in the words of the men themselves. This intimate portrait of men at war is an important contribution to the literature of the Civil War.

Deftly combining archival sources with evocative life histories, Anastasia Karakasidou brings welcome clarity to the contentious debate over ethnic identities and nationalist ideologies in Greek Macedonia. Her vivid and detailed account demonstrates that contrary to official rhetoric, the current people of Greek Macedonia ultimately derive from profoundly diverse ethnic and cultural backgrounds. Throughout the last century, a succession of regional and world conflicts, economic migrations, and shifting state formations has engendered an intricate pattern of population movements and refugee resettlements across the region. Unraveling the complex social, political, and economic processes through which these disparate peoples have become culturally amalgamated within an overarchingly Greek national identity, this book provides an important corrective to the Macedonian picture and an insightful analysis of the often volatile conjunction of ethnicities and nationalisms in the twentieth century. "Combining the thoughtful use of theory with a vivid historical ethnography, this is an important, courageous, and pioneering work which opens up the whole issue of nation-building in northern Greece."—Mark Mazower, University of Sussex

Immortalized by Shakespeare and historians, Richard III is history's royal villain. This book offers a look at the case of Richard and the princes in the tower. It outlines and evaluates the arguments on both sides, weighs the evidence, and offers the truth about this man. It also attempts to answer the questions inherent in the drama.