From one of our most preeminent writers, a tale that captures the shifting meanings of the past and how our experience colors those meanings In Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.

With dashing originality and in prose that sings like an entire choir of sirens, Cynthia Ozick relates the life and times of her most compelling fictional creation. Ruth Puttermesser lives in New York City. Her learning is monumental. Her love life is minimal (she prefers pouring through Plato to romping with married Morris Rappoport). And her fantasies have a disconcerting tendency to come true - with disastrous consequences for what we laughably call "reality." Puttermesser yearns for a daughter and promptly creates one, unassisted, in the form of the first recorded female golem. Laboring in the dusty crevices of the civil service, she dreams of reforming the city - and manages to get herself elected mayor. Puttermesser contemplates the afterlife and is hurtled into it headlong, only to discover that a paradise found is also paradise lost. Overflowing with ideas, lambent with wit, The Puttermesser Papers is a tour de force by one of our most visionary novelists. "The finest achievement of Ozick's career... It has all the buoyant integrity of a Chagall painting." -San Francisco Chronicle "Fanciful, poignant... so intelligent, so finely expressed that, like its main character, it remains endearing, edifying, a spark of light in the gloom." -The New York Times "A crazy delight." -The New York Time Book Review

'Sparky, mischievous, witty, dazzlingly clever' Ali Smith 'A cause for celebration. Here we have a heroine to love, a story we can't let go of' Ann Patchett It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. 1930s New York is filling with Europe's ousted dreamers, turned overnight into refugees. Rose Meadows, book-loving and orphaned at eighteen, takes a job as assistant to the eccentric Professor Mitwisser. Cast out from Berlin's elite, the Mitwisser family's household is chaotic and Rosie's fate there hangs on the arrival of the Mitwissers' mysterious benefactor, James A'Bair. Inspired by the real Christopher Robin, James is the Bear Boy, the son of a famous children's author. Running from his own fame, James was boy adored by the world but has grown into a bitter man. It falls to Rosie to help them all resist James's reckless orbit.

In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared — if all we had were reviews that treated books like any other commodity — could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age.

A collection of readings relevant to the development of an intercultural psychology which takes into account the different circumstances, needs, values, constructions of reality, and worldviews and belief systems that significantly shape the experience and behavior of cultural groups. The 34 papers and introductory essay are arranged in four parts: the politics of difference; development, adaption, and the acquisition of culture; self and other in cultural context; and diagnostic assessment, treatment, and cultural bias. Annotation copyright by Book News, Inc., Portland, OR