One serial killer, two serial killer, cops getting wrapped around a finger. This is the story from his point on view.

From international bestselling author Paul Cleave comes a gripping thriller about a dedicated family man, who may or may not have inherited his serial killer father’s penchant for violence. WINNER OF NEW ZEALAND’S PRESTIGIOUS NGAIO MARSH AWARD FOR BEST CRIME NOVEL OF 2011 Edward Hunter has it all—a beautiful wife and daughter, a great job, a bright future . . . and a very dark past. Twenty years ago, a serial killer was caught, convicted, and locked away in New Zealand’s most hellish penitentiary. That man was Edward’s father. Edward has struggled his entire life to put the nightmares of his childhood behind him. But a week before Christmas, violence once again makes an unwelcome appearance in his world. Is Edward destined to be just like his father, to become a man of blood? A true master of the genre, Paul Cleave unveils a brutally vivid picture of a killer’s mind and a city of fallen angels captured at the ends of the earth.

“Take my word for it, James Reece is one rowdy motherf***er. Get ready!” —Chris Pratt, star of the #1 Amazon Prime series The Terminal List The #1 New York Times bestselling Terminal List series continues as James Reece embarks on a global journey of vengeance. A woman boards a plane in the African country of Burkina Faso having just completed a targeted assassination for the state of Israel. Two minutes later, her plane is blown out of the sky. Over 6,000 miles away, former Navy SEAL James Reece watches the names and pictures of the victims on cable news. One face triggers a distant memory of a Mossad operative attached to the CIA years earlier in Iraq—a woman with ties to the intelligence services of two nations…a woman Reece thought he would never see again. Reece enlists friends new and old across the globe to track down her killer, unaware that he may be walking into a deadly trap.

“The history of the Old West written in blood and laced with dark humor, all set against a backdrop of ancient evil and a struggle for survival….You’re in for the ride of your life.” —James Rollins, New York Times bestselling author of The Devil Colony Already a New York Times bestselling author for his satiric, gore-soaked “songbooks” (It’s Beginning to Look a Lot like Zombies; Every Zombie Eats Somebody Sometime), author Michael P. Spradlin now dons a different hat and gallops hell for leather into a darker, wilder West. Blood Riders is the story of Civil War veteran Jonas R. Hollister, who’s recruited by the U.S. government to hunt down and destroy an ancient tribe of vampires that is terrorizing the frontier territories. An ingenious mash-up of western and dark fantasy—with an intriguing touch of American steampunk weaponry thrown in for good measure—Spradlin’s Blood Riders has Hollister joining up with real-life historical figures Samuel Colt and Alan Pinkerton and one of horror literature’s most famous monster hunters (Abraham Van Helsing from Bram Stoker’s Dracula) to rid the West of the undead scourge once and for all.

As a young man, Jan Verplaetse saw a hare suspended from a meat hook, skinned and gutted. What struck him so forcefully at the time was not the animal itself, but the blood gently dripping from its mouth. His reaction prompted the start of a quest he undertakes in this book: to investigate our fascination with blood, the most vital of fluids. Blood Rush shows how, throughout history, blood has had the capacity to intoxicate us, to the point that we lose ourselves, whether in violence, through hunting, fighting, or killing, or in the vicarious thrill of watching sporting events, horror films, or video games. Are these feelings physical, or in our imagination? Where does the magic of blood come from? In his deeply researched and provocative narrative, Verplaetse moves from antiquity to the present, from magic to experimental psychology, from philosophy to religion and scientific discoveries, to demonstrate why blood at once attracts and repels us.

The New York Times bestselling author and International Thriller Writers “Best Novel” finalist Lisa Unger returns to the dark psychological suspense that made Beautiful Lies a bestseller around the world. Lana Granger lives a life of lies. She has told so many lies about where she comes from and who she is that the truth is like a cloudy nightmare she can’t quite recall. About to graduate from college and with her trust fund almost tapped out, she takes a job babysitting a troubled boy named Luke. Expelled from schools all over the country, the manipulative young Luke is accustomed to controlling the people in his life. But, in Lana, he may have met his match. Or has Lana met hers? When Lana’s closest friend, Beck, mysteriously disappears, Lana resumes her lying ways—to friends, to the police, to herself. The police have a lot of questions for Lana when the story about her where­abouts the night Beck disappeared doesn’t jibe with eyewitness accounts. Lana will do anything to hide the truth, but it might not be enough to keep her ominous secrets buried: someone else knows about Lana’s lies. And he’s dying to tell. Lisa Unger’s writing has been hailed as “sensational” (Publishers Weekly) and “sophisticated” (New York Daily News), with “gripping narrative and evocative, muscular prose” (Associated Press). Masterfully suspenseful, finely crafted, and written with a no-holds-barred raw power, In the Blood is Unger at her best.

A young lawyer's outwardly perfect life spirals out of control as she takes on her first murder case in this "dark, original and utterly compelling" domestic noir for readers of Paula Hawkins, A.J. Finn, or Shari Lapena. (Lisa Jewell, New York Times bestselling author of Then She Was Gone) Alison has it all. A doting husband, adorable daughter, and a career on the rise--she's just been given her first murder case to defend. But all is never as it seems... Just one more night. Then I'll end it. Alison drinks too much. She's neglecting her family. And she's having an affair with a colleague whose taste for pushing boundaries may be more than she can handle. I did it. I killed him. I should be locked up. Alison's client doesn't deny that she stabbed her husband - she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself. I'm watching you. I know what you're doing. But someone knows Alison's secrets. Someone who wants to make her pay for what she's done, and who won't stop until she's lost everything....