Andrzej Sapkowski’s New York Times bestselling Witcher series has inspired the hit Netflix show and multiple blockbuster video games, and has transported millions of fans around the globe to an epic, unforgettable world of magic and adventure. For over a century, humans, dwarves, gnomes, and elves have lived together in relative peace. But that peace has now come to an end. Geralt of Rivia, the hunter known as the Witcher, has been waiting for the birth of a prophesied child. The one who has the power to change the world for good—or for evil. As the threat of war hangs over the land and the child is pursued for her extraordinary powers, it will become Geralt’s responsibility to protect them all. And the Witcher never accepts defeat. Join Geralt of Rivia; his beloved ward and the child of prophecy, Ciri; and his ally and love, the powerful sorceress Yennefer as they battle monsters, demons, and prejudices alike in Blood of Elves, the first novel of The Witcher Saga. Witcher story collections The Last Wish Sword of Destiny Witcher novels Blood of Elves The Time of Contempt Baptism of Fire The Tower of Swallows Lady of the Lake Season of Storms (stand alone) Hussite Trilogy The Tower of Fools Warriors of God Light Perpetual Translated from original Polish by Danusia Stok

Herein lies the main saga of Geralt the Witcher - revered and hated - who holds the line against the monsters plaguing humanity. These five novels make up the bestselling series that inspired the Witcher video games and a major Netflix show. Geralt of Rivia is a Witcher, a man whose magic powers and lifelong training have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary killer: he hunts the vile fiends that ravage the land and attack the innocent. But not everything monstrous-looking is evil; not everything fair is good . . . and in every fairy tale there is a grain of truth. Read the epic Witcher saga now with this eBook boxset, which contains all five novels in the ground-breaking series. Blood of Elves translated by Danusia Stok. Time of Contempt, Baptism of Fire, The Tower of the Swallow, The Lady of the Lake translated by David French. Andrzej Sapkowski, winner of the World Fantasy Lifetime Achievement award, started an international phenomenon with his Witcher series. The Last Wish is the perfect introduction to this one-of-a-kind fantasy world.

By day, Eska de Caraval digs for ancient treasure in the dust and dirt and sweltering sun. By night, she dons the embroidered silks and jewels that are the markings of her family's success. Spurred by a relentless thirst to lay bare the world's secrets, Eska has led Firenzia Company to renown across the Seven Cities of Bellara, and far beyond. But when she comes into possession of a priceless reliquary with a harrowing history-one of six lost to the centuries-and the treacherous artifact within, Eska unwittingly sets off a race to uncover the other five and the powers they contain. Bankrupt and bitter, Manon Barca supports a brother and a failing company on loans she cannot repay, all while her disgraced father rots in prison. Determined to drag her family name out of oblivion, Manon does not fear to take on the might of Eska de Caraval and Firenzia Company, even if it means sabotaging an excavation and endangering innocent lives. When her reckless decisions put her at the mercy of one of the most powerful men in the Seven Cities, Manon finds herself caught in a storm beyond her making, one that will see the sundering of alliances that have stood for three hundred years.As the de Caraval and Barca rivalry surges, Eska must wield intellect and steel against a web of enemies and deceit, all while Manon battles tirelessly to preserve the final remnants of her family and its legacy.Neither, however, is prepared to contend with the rising tide of an ancient menace unleashed upon the world once more?.

Peace and Turmoil is the first installment in an epic fantasy series following heirs from across the land of Abra'am as they try to navigate magic, politics, and fiends.

This lecture introduces fundamental principles of online multiplayer games, primarily massively multiplayer online role-playing games (MMORPGs), suitable for students and faculty interested both in designing games and in doing research on them. The general focus is human-centered computing, which includes many human-computer interaction issues and emphasizes social computing, but also, looks at how the design of socio-economic interactions extends our traditional notions of computer programming to cover human beings as well as machines. In addition, it demonstrates a range of social science research methodologies, both quantitative and qualitative, that could be used by students for term papers, or by their professors for publications. In addition to drawing upon a rich literature about these games, this lecture is based on thousands of hours of first-hand research experience inside many classic examples, including World of Warcraft, The Matrix Online, Anarchy Online, Tabula Rasa, Entropia Universe, Dark Age of Camelot, Age of Conan, Lord of the Rings Online, Tale in the Desert, EVE Online, Star Wars Galaxies, Pirates of the Burning Sea, and the non-game virtual world Second Life. Among the topics covered are historical-cultural origins of leading games, technical constraints that shape the experience, rolecoding and social control, player personality and motivation, relationships with avatars and characters, virtual professions and economies, social relations inside games, and the implications for the external society. Table of Contents: Introduction / Historical-Cultural Origins / Technical Constraints / Rolecoding and Social Control / Personality and Motivation / Avatars and Characters / Virtual Professions and Economies / Social Relations Inside Games / Implications for External Society

An exploration of the popular online role-playing game World of Warcraft as a virtual prototype of the real human future. World of Warcraft is more than a game. There is no ultimate goal, no winning hand, no princess to be rescued. WoW is an immersive virtual world in which characters must cope in a dangerous environment, assume identities, struggle to understand and communicate, learn to use technology, and compete for dwindling resources. Beyond the fantasy and science fiction details, as many have noted, it’s not entirely unlike today’s world. In The Warcraft Civilization, sociologist William Sims Bainbridge goes further, arguing that WoW can be seen not only as an allegory of today but also as a virtual prototype of tomorrow, of a real human future in which tribe-like groups will engage in combat over declining natural resources, build temporary alliances on the basis of mutual self-interest, and seek a set of values that transcend the need for war. What makes WoW an especially good place to look for insights about Western civilization, Bainbridge says, is that it bridges past and future. It is founded on Western cultural tradition, yet aimed toward the virtual worlds we could create in times to come.

The man was determined to see what happened and he climbed and climbed the mountain while in distance he was hearing the sound of scared animals even the monsters were scared and crying. But he did not let this stop him and he pushed forward and forward until he reached the pick of the Mountain; there he saw something that he had never seen before it was a blue but bright light that was eating the vegetation even the stones seem to cry, a bluish light. He approached a big blue and broken object it seemed to be a stone, he tried to touch it but it was too hot; he could not understand what he was seeing; he approached the liquid and the liquid itself was hot and hurt his hand as he was approaching the blue stone that was in front of him it seem to create a heat around him and it was sending more and more heat. He felt extremely tired and decided to sleep next to the big and broken rock that was next to him, it was beautiful, it was blue it seemed to affect everything in its path and yet it was warm, it seemed like safety, it seemed like home, so he closed his eyes and started to dream. In his dream he saw for the first time in his life images that were not familiar to him that were coming like a movie inside his head something that he had never experienced before; he was not controlling this, he was like a spectator and another person was the narrator.