A story of love, honor, and courage. You would think the life of a prince would be great, but for the crown prince of Brinley that’s far from the truth. The only others near his age in the palace are children of the servants who all tease him for having no name. When he goes into the military he must conceal his identity but finally gains some friends. When he is sent to deliver a message to the overthrown tyrant King Burkhart he falls in love with the one woman he knows he can’t have. Aurita knows everyone hates her and her father but everyone is forbidden to tell her why. What she does know is that for her and her father the village is their prison and to leave seals their deaths. King Langward controls their lives including who she will marry when she is of age but he is kind to her. When King Langward’s son sends her a gift her father teaches her to read and write so she can send him a note to thank him. They begin to exchange letters. As the years pass she looks forward to the letters she gets from the prince but doesn’t dare admit she has fallen in love with him. When she meets the handsome corporal sent to deliver a message to her father her heart is torn between him and the prince. Blood of Ancient Kings won an award for Young Adult Fiction in the DIY Book Festival.

The University of Pittsburgh campus is anything but quiet the summer Jamie, a hunky college sophomore, feeling brokenhearted after being dumped by his first boyfriend, decides to audit a summer class on Egyptology taught by the magnetic Dr. Danilo. Several of the university’s star athletes are then found murdered, their bodies completely desiccated, but Jamie has other things on his mind, as Danilo’s attention turns decidedly unprofessorial. Soon, he is swept up in a passionate affair with his teacher. When Danilo invites Jamie to travel with him, first to Paris and then to Egypt, the young man leaps at the chance, but in Paris, events turn sinister. At the Louvre, an exhibit of Egyptian artifacts includes a relief of a pharaoh kissing his son and successor, who bears more than a slight resemblance to Danilo. Taken alone, this means little, but a murder identical to those in Pittsburgh occurs, and Jamie begins to have uneasy suspicions. In Egypt, Jamie questions Danilo and learns of an ancient cult of kings connected by a single bloodline extending through centuries. Danilo is on a quest to invigorate this line of kings by initiating them and training them to use their power. Those who had been denied their own birthright died so that Danilo might live. Now Jamie must choose whether to return to the world he has known, or to join his lover and mentor in a life of passion, power and blood.

Praise for Blood of Kings: 'Extremely compelling..... an almost Game of Thrones feel at times. The novel is certainly a page-turner...I look forward to reading a continuation' Ancient Warfare Magazine 'This is a brilliantly written and scrupulously researched historical novel that uniquely captures the atmosphere surrounding the rise to power of Darius, the greatest king of Ancient Persia. His story is interwoven with parallel events in Egypt and Greece, making this novel of absorbing interest to anybody with an interest in the ancient world' Dr John Curtis, OBE, FBA, formerly Keeper of the Department of Middle East, the British Museum It is 530 BC and Cyrus the Great has carved out the largest Empire the world had ever seen, making Persia the undisputed superpower of the ancient world. But there is treachery afoot, and Cyrus's life is in danger. In a fast paced tale of love, war, betrayal and revenge, Blood of Kings sweeps the reader up on an epic journey from the mud brick cities of Ancient Persia to the burning heart of Pharaoh's Egypt. Packed full of dramatic and authentic battle scenes, it recreates the sweat, blood and fear of ancient warfare, as Persia smashes Egypt's army and brings the reign of the Pharaohs to a violent end. But it is also a book that will delight Herodotus fans, bringing the ancient Greek historian's characters to life like never before, as it follows the doomed 'lost army of Cambyses' into the Libyan Desert, marching towards a fate that would baffle archaeologists for millennia to come. 'You must read Blood of Kings. . . a masterpiece of historical fiction' Dr Bryan Wood, Author 'Vivid...original and fascinating' F. Bailey, Scriptwriter for BBC's 'Peak Practice' 'Andrew James has captured the very spirit of the Ancient Achaemenids . . . he literally takes the reader back in time to the Persians of old. I would highly recommend this historical novel . . .' Dr Kaveh Farrokh, Lecturer and Reader of History at the University of British Columbia Continuing Studies Division

In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on a case involving the savage murder of the wealthy, sybaritic Sextus Roscius. Charged with the murder is Sextus's son, greed being the apparent motive. The punishment, rooted deep in Roman tradition, is horrific beyond imagining. The case becomes a political nightmare when Gordianus's investigation takes him through the city's raucous, pungent streets and deep into rural Umbria. Now, one man's fate may threaten the very leaders of Rome itself.

02 Retratos2,000 Years of Latin American PortraitsMarion Oettinger, Jr., Miguel A. Bretos, Carolyn Kinder Carr et al.A landmark survey of Latin American portraiture and its powerful significance throughout historyThe tradition of portraiture in Latin America is astonishingly long and rich. For over 2,000 years, portraits have been used to preserve the memory of the deceased, bolster the social standing of the aristocracy, mark the deeds of the mighty, advance the careers of politicians, record rites of passage, and mock symbols of the status quo. This beautiful and wide-ranging book—the first to explore the tradition of portraiture in Latin America from pre-Columbian times to the present day—features some 200 works from fifteen countries. Retratos (Portraits) presents an engaging variety of works by such well-known figures as Diego Rivera, Frida Kahlo, Fernando Botero, and José Campeche as well as stunning examples by anonymous and obscure artists. Distinguished contributors discuss the significance of portraits in ancient Mayan civilizations, in the world of colonial Iberians, in the political struggles of the nineteenth and twentieth centuries, and in a remarkable range of other times and locations. With a wealth of informative details and exquisite color illustrations, Retratos invites readers to appreciate Latin American portraits and their many meanings as never before.F This book is the catalogue for the first exhibition of Latin American portraiture ever organized in the United States. The exhibition is on view at El Museo del Barrio, New York (December 3, 2004 to March 20, 2005); the San Diego Museum of Art (April 16 to June 12, 2005); the Bass Museum of Art, Miami Beach (July 23 to October 2, 2005); the National Portrait Gallery, Smithsonian, Washington, D.C. (October 21, 2005, to January 8, 2006; and the San Antonio Museum of Art (February 4 to April 30, 2006).Marion Oettinger, Jr., is senior curator and curator of Latin American art at the San Antonio Museum of Art; Miguel A. Bretos is senior scholar at the National Portrait Gallery, Washington; Caroline Kinder Karr is deputy and chief curator at the National Portrait Gallery, Washington. Contributors to the book include Elizabeth P. Benson; Christopher B. Donnan; Kirsten Hammer; María Concepción García Sáiz; Renato Gonzáles Mello; Luis Pérez Oramos; Luis-Martin Lozano; and Teodoro Vidal. Retratos2,000 Years of Latin American PortraitsMarion Oettinger, Jr., Miguel A. Bretos, Carolyn Kinder Carr et al.A landmark survey of Latin American portraiture and its powerful significance throughout historyThe tradition of portraiture in Latin America is astonishingly long and rich. For over 2,000 years, portraits have been used to preserve the memory of the deceased, bolster the social standing of the aristocracy, mark the deeds of the mighty, advance the careers of politicians, record rites of passage, and mock symbols of the status quo. This beautiful and wide-ranging book—the first to explore the tradition of portraiture in Latin America from pre-Columbian times to the present day—features some 200 works from fifteen countries. Retratos (Portraits) presents an engaging variety of works by such well-known figures as Diego Rivera, Frida Kahlo, Fernando Botero, and José Campeche as well as stunning examples by anonymous and obscure artists. Distinguished contributors discuss the significance of portraits in ancient Mayan civilizations, in the world of colonial Iberians, in the political struggles of the nineteenth and twentieth centuries, and in a remarkable range of other times and locations. With a wealth of informative details and exquisite color illustrations, Retratos invites readers to appreciate Latin American portraits and their many meanings as never before.F This book is the catalogue for the first exhibition of Latin American portraiture ever organized in the United States. The exhibition is on view at El Museo del Barrio, New York (December 3, 2004 to March 20, 2005); the San Diego Museum of Art (April 16 to June 12, 2005); the Bass Museum of Art, Miami Beach (July 23 to October 2, 2005); the National Portrait Gallery, Smithsonian, Washington, D.C. (October 21, 2005, to January 8, 2006; and the San Antonio Museum of Art (February 4 to April 30, 2006).Marion Oettinger, Jr., is senior curator and curator of Latin American art at the San Antonio Museum of Art; Miguel A. Bretos is senior scholar at the National Portrait Gallery, Washington; Caroline Kinder Karr is deputy and chief curator at the National Portrait Gallery, Washington. Contributors to the book include Elizabeth P. Benson; Christopher B. Donnan; Kirsten Hammer; María Concepción García Sáiz; Renato Gonzáles Mello; Luis Pérez Oramos; Luis-Martin Lozano; and Teodoro Vidal.

Magic is returning. Or so say the old prophesies cobbled from wandering soothsayers, women huffing broken gas lines, and the back of comic tomes. The Evil Empire of Avar and its perfectly sane, in no way crazy Emperor risks others' life and limb to stop it from coming to pass. Ciara, a black servant into her sixteenth year, finds herself on a quest across the countryside to get the second son and only hope of the severed Ostero line onto his throne. Along the way, she and Aldrin - the rather simple and OH GODS KEEP HIM AWAY FROM ANYTHING SHARP prince - find themselves at the mercy of assassins, witches, traveling historians, killer doctors, and the unblinkers. Can two teens survive an Empire crashing down upon them while a shambling army of corpses waits patiently in the shadows? Will the religious fight for and against magic rip apart the world they all became rather fond of? And just how can a fifteen year old take over a throne dangling precariously over the edge of war?

“And he has made from one blood every nation of men to dwell on all the face of the earth, and has determined their preappointed times and the boundaries of their dwellings” (Acts 17:26). Science has proven that the human race is related by blood, and the Bible reveals how God’s eternal covenant with mankind is based on blood. Learn why this is a vital key for daily living. Without the atoning blood of Jesus, sinful man is separated from God. Believers are redeemed by the power of the blood of Jesus, which Christ himself has placed on the mercy seat in heaven. Christians obtain righteousness and power over sin by the blood of Jesus, by the merit of that blood which he offered up as an atoning sacrifice. Christ’s blood brings us into fellowship with God: “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ” (Ephesians 2:13). The ability to enter God’s presence is founded upon the blood of Jesus and his high priestly ministry. Jesus says in John 14:6, “I am the way, the truth, and the life. No one comes to the Father except through me.” Jesus, the High Priest, is the living way through whom we can draw near to God to honor and devote ourselves to him with diligence with all our heart and without selfish motives. Believers must be aware they are dependent upon God’s divine grace and should have no other purpose but to please him. Learn how the sacrificial blood of God’s very own Son, Jesus Christ, becomes the spiritual DNA of all who receive him as Lord and Savior. You, too, can experience a victorious life in this challenging world and know you have eternal life!