Cheri Kamei's Blood in the Thread is a retelling of "The Crane Wife". Content warning: This story contains fictional depictions of domestic violence. Nothing tears two women apart like the men who want and take indiscriminately. A makeup artist and her actress lover struggle to stay together as the glitz and glamour of old Hollywood transforms into a cruel and manipulative beast that threatens to pluck them apart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"This outstanding volume links the analysis of community and social organization with macro-level processes and history. Examines how gender, ethnicity, and local concepts of power relate to national identity, economy, and power. A fascinating discussionof Mexican society and the revolutionary change occurring along Mexico's northern border"--Handbook of Latin American Studies, v. 57.

The Miracle of the Scarlet Thread reveals God's order, sheds light on the Old Testament and demonstrates in clear language how the Old Testament and New Testament fit together.

When Sierra finds a quilt made by one of her ancestors, she begins to explore the young woman's life and rediscovers her own spirituality.

25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Originally published: New York: Random House, 1972.

A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today. Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived. Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians—notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475—were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions. The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.