In Erin Beaty's fantasy mystery-thriller, Blood and Moonlight, an orphan with a secret, magical sight gets caught between a mysterious, genius detective and the serial killer she’s hunting. Rising about the city of Collis is the Holy Sanctum. Catrin, an orphan girl, watches over its many spires with a unique skill that serves the Sanctum’s master architect. Then Catrin witnesses a murder and she is pulled into a dangerous chain of events where the only certainty is that the killer will strike again. The detective on the case is the brilliant and enigmatic Simon, whose insights into the mind of a predator are frighteningly accurate. As the grisly crimes continue, Catrin finds herself caught between killer and detective. But she’s hiding her own secret — and it might be the only thing that saves her and those she loves from becoming the next victims. . . Continue the magic with Silence and Shadow.

Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included.

As Faith Reynolds enters her freshman year of college, she is a complete and utter nervous wreck. With her best friend Derek suddenly pulling out the romance card and her dark, mysterious classmate staring her down at every turn, Faith somehow feels stuck in the middle without dating either one. And fortune may or may not be with her when a devilshly sexy stranger offers her a welcome escape. Boys, romance, classes, and annoying roommates are all within the realm of the expected for a college frosh. Trying to solve the mysterious murders of young college coeds near campus is not. Darkness seems to be creeping into every corner of Faith's life, no matter the hour. And when she seeks the truth, danger seems to be the only thing that finds her. Faith is well aware of the strange currents in the air, particularly when she sets off static sparks with everything she touches. Before long, she finds herself entrenched in the deep-seeded battle between werewolves and vampires. The war has reached the tipping point, and Faith has the power to determine where the scales fall. But the most important question may be with whom does her loyalty lie? Deliciously suspenseful and immediately addictive, Blood on the Moon features a headstrong heroine and all of the thrills, chills, and otherworldly boys with deadly charm that a human could ask for.

David Rivers is a second-generation oilman. From Houston, he runs the multinational oil company built by his father, former Apollo astronaut Michael Rivers, one of the last men alive to walk on the moon. Michael now spends his days confined to an assisted-living facility, his mind succumbing to the ravages of Alzheimer's disease. Somewhere in Michael's crumbling memory is a devastating secret he has revealed to no one in over forty years, not even to his sole surviving child. The secret is the location of a small capsule Michael brought back from the moon in 1972 containing proof that conventional wisdom is a deliberate lie. With the cryptic aid of an anonymous benefactor deep within the ancient and powerful secret society of the Hostmen of Newcastle, David races to unravel the mysteries shrouding his father's legacy while wars, terrorism, and riots over dwindling oil reserves enflame the planet, and a corrupted American presidential election teeters in the balance. David finds himself confronting the same crisis of conscience his father faced decades before. Should he risk his life and company to expose the Hostmen's lies? Or will he bury what he uncovers and let the world burn?

In occupied Japan in 1946, an American military investigator is sent to Yokohama Base to research a number of bizarre deaths. His encounters with a mysterious, sword-wielding stranger and a series of supernatural events lead him to believe that the murderer isn't human. Something more sinister lurks within the shadows! Paying homage to the previous Blood series - but telling a wholly new story - Blood-C: Demonic Moonlight is the prequel fans have been waiting for!

Learn to Work with the Magick of the Dark Moon Shadow magick occupies a critical but often misunderstood role in the rich history of witchcraft. This book explores topics such as the ethical use of animal parts and bones, blood magick, dark moon energy, and other rarely discussed aspects of witchcraft. With a focus on ethically sourcing materials and suggestions for plant-based substitutions, author Kate Freuler provides much-needed information and hands-on techniques to help you strengthen your witchcraft practice, connect to nature, protect yourself (and your kith and kin), and know yourself in a deep way. Within these pages, you will also discover methods for hexing, scrying, sex magick, and working with dark deities in addition to the magickal use of graveyard dirt and performing spells to assist the crossing of a dying loved one. The shadow work explored in Of Blood and Bones reminds us that not everything is love and light, and that facing the dark side supports the quest to achieve spiritual wholeness.

A hand slowly reaches out a crack in the window to feel the light sprinkles of rain. The hand, cemented with dirt, sweat, and blood, trembles like a withered leaf clinging to a dead branch. Although filthy, the hand emits a history of grace and elegance long lost to the evils of torture and imprisonment . . . From what Willa recalls, seeing this pitiful hand, and, eventually, the person connected to it, was the catalyst to the discovery of her true self. Willa is a witch, and it turns out her boyfriend, Simon, is a witch, too.