In the early 1990s, Swedish death metal revolutionized the international music scene. Suddenly, the mild-mannered Scandinavian country found itself at the forefront of a new movement with worldwide impact thanks to bands such as Entombed, Dismember, and At the Gates. The birth of black metal drove the culture to even greater extremes, featuring a rawer, darker sound and non-ironic death-worship. Soon churches in both Norway and Sweden were aflame, and be- fore long Satanism emerged as more than just an image. But how did it all start? Why did Sweden become a hotbed for such aggressive, nihilistic music? And who are the people and bands that brought it all about? Blood, Fire, Death: A Swedish Metal Story recounts the evolution of the genre from the massive amplifier walls of 1970s rock, through the church-burning Satanic 1990s, to the diverse and paradoxical manifestations of the scene today. This book focuses on the phenomena that have propelled the scene forward in an evolution that has not only been musical, but aesthetic and ideological as well. This is a story about grotesque logos and icons that invoke death and darkness, but also a story of dedication, friendship, community, and a profound love for music.

The White Sister... The Bony Lady... The Godmother... The Pretty Girl... This is Santa Muerte, personification of death. A veiled skeleton with an unquenchable thirst for destruction, Santa Muerte is Mexico’s grim and vengeful goddess. She is worshipped by outcasts and sinners, those for whom the traditional Christian deities of Jesus and the Virgin Mary have no place. For the notorious drug cartels, Santa Muerte is venerated as the saint who does not judge. She provides divine protection against authority and from rival gangs, demanding human sacrifice in return. The cult of Santa Muerte has become inextricably linked to the Mexican cartels over the past decade, resulting in barbaric rituals that have escalated the tide of violence across the streets. Bodies of cartel members are executed en masse at Santa Muerte shrines, and rumors abound of even worse atrocities in the name of magical protection. This book is the story of unholy alliance, of drug gangs and Santa Muerte, and a galvanic passion for blood and death.

One Blood traces both the life of the famous black surgeon and blood plasma pioneer Dr. Charles Drew and the well-known legend about his death. On April 1, 1950, Drew died after an auto accident in rural North Carolina. Within hours, rumors spread: the man who helped create the first American Red Cross blood bank had bled to death because a whites-only hospital refused to treat him. Drew was in fact treated in the emergency room of the small, segregated Alamance General Hospital. Two white surgeons worked hard to save him, but he died after about an hour. In her compelling chronicle of Drew's life and death, Spencie Love shows that in a generic sense, the Drew legend is true: throughout the segregated era, African Americans were turned away at hospital doors, either because the hospitals were whites-only or because the 'black beds' were full. Love describes the fate of a young black World War II veteran who died after being turned away from Duke Hospital following an auto accident that occurred in the same year and the same county as Drew's. African Americans are shown to have figuratively 'bled to death' at white hands from the time they were first brought to this country as slaves. By preserving their own stories, Love says, they have proven the enduring value of oral history. General Interest/Race Relations

“Inspiring and deeply distressing.” —Ezekiel J. Emanuel, author of Which Country Has the World’s Best Health Care? How did a lifesaving medical breakthrough become a for-profit enterprise that threatens many of the people it’s meant to save? Six decades ago, visionary doctors achieved the impossible: the humble kidney, acknowledged since ancient times to be as essential to life as the heart, became the first human organ to be successfully replaced with a machine. Yet huge dialysis corporations, ambitious doctor-entrepreneurs and Beltway lobbyists soon turned this medical miracle into an early experiment in for-profit medicine—and one of the nation’s worst healthcare catastrophes. With powerful insight and on-the-ground reporting, New York Times best-selling author Tom Mueller introduces an unforgettable cast of characters. Heroic patients, including a Hollywood stuntman and body double, risk their lives to blow the whistle on how they’ve been mistreated. An unpaid activist living in a south Georgia trailer park fights to save patients from involuntary discharge from their lifesaving care. Industry insiders put their careers on the line to speak out about the endemic wrongs and pervasive inequality they’ve witnessed—and about dialysis executives who dress as musketeers and Star Wars characters to exhort their employees to more aggressive profit-seeking. Mueller evokes the scientific ingenuity and optimism of the 1950s and 1960s, when the burgeoning field of organ transplant and early dialysis machines offered long-awaited hope for lifesaving care. That is, until a New York salesman had himself dialyzed on the floor of the House, and Congress made renal disease the only “Medicare for All” condition—opening the financial floodgates for Big Dialysis. Of the thousands caught in a web of corporate greed, a disproportionate number are Black and Latino, highlighting the stark racial divides already endemic to American medicine. How to Make a Killing reveals dialysis as a microcosm of American medicine and poses a vital challenge: find a way to fix dialysis, and we’ll have a fighting chance of fixing our country’s dysfunctional healthcare system as a whole, restoring patients, not profits, as its true purpose.

After six months on leave in Maine, Homicide Detective Brie Beaumont returns home to Minnesota to make decisions about her life and career with the Minneapolis Police Department. But her partner's death still haunts her, and she soon realizes that, to be whole again, she must solve the case of Detective Phil Thatcher's murder-a case that went cold eighteen months ago. But threatening letters, a shadowy character, and a shooting on the North Shore where she is vacationing make Brie question her decision. When a tip from a confidential informant reveals surprising and disturbing new information about the case, Brie decides to undergo hypnosis in an attempt to recover the missing pieces from that terrible night in North Minneapolis. With locales on the north shore of Lake Superior, Minneapolis, and the coast of Maine, Death in the Blood Moon provides a canvas rich in both characters and settings as this page-turning double mystery unfolds.

When Lieutenant Caslin Ahn joined Wolf Squadron, she was prepared for the reality that she might one day be killed in the line of duty. She was less prepared for being shot down, assumed dead by her own people, and dragged off to the Cofah Empire as a prisoner of war. As if being thrust into a dungeon and interrogated wasn't bad enough, the sadistic commandant decides to give her a cellmate: the notorious pirate Deathmaker. Given the crimes he's committed against Iskandia, Cas owes it to her people to try and kill him. Part warrior and part scientist, Tolemek "Deathmaker" Targoson has not only slain thousands with his deadly concoctions, but he has a special loathing for Iskandian pilots. It was Ahn's commander, Colonel Zirkander, who ruined his military career, forcing him to leave his country in shame and join a pirate organization. Years later, he uses his dreadful reputation like a shield to keep people away; all he wants is to be left alone to work in his laboratory. But when fate lands him in a cell with Zirkander's protégé, he sees a chance for revenge. Why kill the lieutenant when he can use her to get to his old nemesis? There's just one problem: it's hard to plot against your enemies when you're in prison with them. Cas and Tolemek will have to work together if they hope to escape the Cofah dungeon. In the process, they may find that neither is what the other expects, and that they have far greater problems to worry about than ensnaring each other... Deathmaker is a full-length 85,000-word novel. It is set after the events in Balanced on the Blade’s Edge, but it can be enjoyed even if you haven’t read the first book.