Motorcycles, guns, heroin. These things were not a part of Alex Crossman’s life. He was a simple young man, leading a peaceful, mundane existence. Right up to the moment he accidentally injures a member of Montreal’s most nefarious motorcycle club, the Chevaux de Fer. As recompense, Alex is forced to travel to India and escort the Club’s latest drug shipment home. While under the watchful eye of the Club’s Indian contingent and ensnared by the seductive charms of its president’s mistress, Ipsita Chaudhary, Alex begins his dark and agonizing metamorphosis from a law-abiding citizen to outlaw biker. Now, inescapably leveraged into the gang’s sinister world and with the Narcotics Control Bureau in hot pursuit, he struggles to resist the incessant pull of this dark and unfamiliar lifestyle. A lifestyle fraught with tainted love and criminal behaviour. Long dead ghosts from his past whisper to his subconscious, luring him down a twisted and terrifying path of self-realization. During a final showdown in the jungles of Goa, Alex’s conscience and ego clash in a culmination of good versus evil, love versus hate, and face off in a battle for dominance of his soul. With his moral compass skewed, he is left directionless and desperate. Will Alex embrace the passionate call of his renegade self and make the impossible choices that will change his life forever? Or could there be another, less dangerous way out?

As we unveil Tribute's special edition, dedicated to honouring the Top 10 authors of 2024, we invite all our readers to accompany them on their incredible journey. The journey of an author is not without its challenges. Behind every triumph lies countless hours of toil, self-doubt, and rejection. Yet, it is precisely this resilience in the face of adversity that defines the true essence of a writer. As we raise ourselves to applaud these literary gems let us also take a moment to reflect on the transformative power of storytelling. These authors have a variety to offer to their readers.

Afrodiasporic Forms explores the epistemological possibilities of the “Black world” paradigm and traces a literary and cultural cartography of the monde noir and its constitutive African diasporas across multiple poetic, visual, and cultural permutations. Examining the transatlantic slave trade and modern racial slavery, Raquel Kennon challenges the US-centric focus of slavery studies and draws on a transnational, eclectic archive of materials from Lusophone, Hispanophone, and Anglophone sources in the Americas to inspect evolving, multitudinous, and disparate forms of Afrodiasporic cultural expression. Spanning the 1830s to the twenty-first century, Afrodiasporic Forms traverses national, linguistic, and disciplinary boundaries as it investigates how cultural products of slavery’s afterlife—including poetry, prose, painting, television, sculpture, and song—shape understandings of the African diaspora. Each chapter uncovers multidirectional pathways for exploring representations of slavery, considering works such as a Brazilian telenovela based on Bernardo Guimarães’s novel A Escrava Isaura, Robert Hayden’s poem “Middle Passage,” Kara Walker’s sculpture A Subtlety, and Juan Francisco Manzano’s Autobiografía de un esclavo. Kennon’s expansive method of comparative reading across the diaspora uses eclectic pairings of canonical and popular textual and artistic sources to stretch beyond disciplinary and national borders, promoting expansive diasporic literacies.

A boy from a small fishing village must face a new reality after his father is murdered and he is rescued by a mysterious ninja in this heart-stopping first novel in the Blood Ninja trilogy. Could Taro, a fisherman’s son, be destined for greatness? In the course of a day, Taro’s entire life changes: His father is murdered before his eyes, and Taro is taken by a mysterious ninja on a perilous journey toward safety. Someone wants Taro dead, but who—and why? With his best friend, Hiro, and their ninja guide, Shusaku, Taro gets caught in the crossfire of a bitter conflict between rival lords for control of imperial Japan. As Taro trains to become a ninja himself, he’s less and less sure that he wants to be one. But when his real identity is revealed, it becomes impossible for Taro to turn his back on his fate.

"Index medicus" in v. 1-30, 1895-1924.

For fifty years, Bob Dylan’s music has been a source of wonder to his fans and endless fodder for analysis by music critics. In Counting Down Bob Dylan, rock journalist Jim Beviglia dares to rank these songs in descending order from Dylan’s 100th best to his #1 song.