The legendary Spartacus is recast as a fierce female warrior in this action-packed tale of a 17-year-old princess and a handsome gladiator who dared take on the Roman Republic.

On the June 6, 2004, while on assignment in Riyadh, BBC security correspondent Frank Gardner and cameraman Simon Cumbers were ambushed by Islamist gunmen. Simon was killed outright. Frank was hit in the shoulder and leg. As he lay in the dust, a figure stood over him and pumped four more bullets into his body at point-blank range... Against all the odds, Frank Gardner survived. Today, although partly paralysed, Frank continues to travel the world, reporting and making documentaries for the BBC. This acclaimed memoir was brought up to date with a new chapter that recounted his return to Saudi Arabia for the first time since he was shot and the story he tells continues to move and inspire, and remains an affirmation of his deep understanding of - and affection for - the Islamic world in these uncertain times. ___ 'Gardner tells his remarkable tale well and bravely, with an astonishing lack of anger and enduring love and respect for the Islamic world' SUNDAY TIMES 'Brave, unsentimental and genuinely inspiring' EVENING STANDARD 'What makes Gardner's moving, often humorous, deeply personal story so important is the fact that he has woven into it a brilliantly dispassionate, clear-eyed account of the Islamic world' SCOTSMAN 'A witty, self-deprecating, inspiring testament' DAILY TELEGRAPH

"From the lowest ranks of poverty to unprecedented heights of riches and popular acclaim-thus was the career of Juan Gallardo, Spanish bull fighter. In telling his story, Ibanez has achieved a novel even more dramatic and powerful than his legendary Four Horsemen. From his boyhood Juan longed to be a bull fighter and, as he climbs the ladder step by step, the reader lives with him in the very atmosphere of the arena. No detail of the picture is spared-one can see and almost hear the actual battle-the crowds-the many characters that stream through the pages. And Juan himself, with his vanities, his superstitions, his daring attacks, his wounds and recoveries, emerges as real, vital and colorful as the sport to which he and many others dedicated their lives."--Goodreads

In this adventure based on a true story, a Scottish soldier captured in the Napoleonic Wars converts to Islam and joins forces with the Ottoman Empire. 1807, Egypt. It is the height of the Napoleonic Wars. 6,000 British soldiers have invaded Alexandria in a bid to wrest the control of the country from the Ottoman Empire. Among their number is Private Thomas Keith of the 78th Highlanders. After the initial successful occupation of the city, however, the tide of the Alexandria campaign begins to turn against the British. At the Battle of El Hamed, Keith is captured by the Ottoman forces. While a prisoner of war, Keith is introduced to Islam and falls in love with the religion, making the decision to convert to the faith and join the Ottoman army. His conversion and skill with a sword impress the Ottoman general, who sends him to train with the Bedouin cavalry. So begins Keith’s unlikely journey up the ranks of the Ottoman military, which ultimately saw him become Emir of the Holy City of Medina . . . Praise of Blood and Sand: “[A] stirring native. . . . In this veteran British author’s hands, what might have become merely a harsh tale of violence in the deserts of Arabia becomes a memorable, sensitively rendered story.” —Publishers Weekly “An astonishing, exciting story with great imaginative power.” —The Daily Telegraph “The tone is dark and thoughtful, the detail carefully observed, and the flavor unmistakably exotic.” —The Lady

Jae is a slave in a dying desert world. Once verdant with water from a magical Well, the land is drying up, and no one remembers the magic needed to keep the water flowing. If a new source isn’t found soon, the people will perish. Jae doesn’t mind, in a way. By law, she is bound by a curse to obey every order given her, no matter how vile. At least in death, she’ll be free. Elan’s family rules the fading realm. He comes to the estate where Jae works, searching for the hidden magic needed to replenish the Well, but it’s Jae who finds it, and she who must wield it. Desperate to save his realm, Elan begs her to use it to locate the Well. But why would a slave—abused, beaten, and treated as less than human—want to save the system that shackles her? Jae would rather see the world burn. Though revenge clouds her vision, she agrees to help if the realm’s slaves are freed. Then Elan’s father arrives. The ruler’s cruelty knows no limits. He is determined that the class system will not change—and that Jae will remain a slave forever. "Ferocious and intelligent." —Kirkus Reviews "Allen’s lush debut mixes current, pressing questions with fantasy while exploring systematic injustice and historical oppression...readers will clamor for the sequel." —Publishers Weekly

A damning portrait of the U.S.-Mexico border, where militaristic fantasies are unleashed, violent technologies are tested, and immigrants are targeted. Over the past three decades, U.S. immigration and border security policies have turned the southern states into conflict zones, spawned a network of immigrant detention centers, and unleashed an army of ICE agents into cities across the country. As award-winning journalist John Carlos Frey reveals in this groundbreaking book, the war against immigrants has been escalating for decades, fueled by defense contractors and lobbyists seeking profits and politicians--Republicans and Democrats alike--who relied on racist fear-mongering to turn out votes. After 9/11, while Americans' attention was trained on the Middle East and the wars in Iraq and Afghanistan, the War on Terror was ramping up on our own soil--aimed not at terrorists but at economic migrants, refugees, and families from South and Central America seeking jobs, safety, and freedom in the U.S. But we are no safer. Instead, families are being ripped apart, undocumented people are living in fear, and thousands of migrants have died in detention or crossing the border. Taking readers to the Border Patrol outposts, unmarked graves, detention centers, and halls of power, Sand and Blood is a frightening, essential story we must not ignore.

In late February and early March of 1836, the Mexican Army under the command of General Antonio López de Santa Anna besieged a small force of Anglo and Tejano rebels at a mission known as the Alamo. The defenders of the Alamo were in an impossible situation. They knew very little of the events taking place outside the mission walls. They did not have much of an understanding of Santa Anna or of his government in Mexico City. They sent out contradictory messages, they received contradictory communications, they moved blindly and planned in the dark. And in the dark early morning of March 6, they died. In that brief, confusing, and deadly encounter, one of America's most potent symbols was born. The story of the last stand at the Alamo grew from a Texas rallying cry, to a national slogan, to a phenomenon of popular culture and presidential politics. Yet it has been a hotly contested symbol from the first. Questions remain about what really happened: Did William Travis really draw a line in the sand? Did Davy Crockett die fighting, surrounded by the bodies of two dozen of the enemy? And what of the participants' motives and purposes? Were the Texans justified in their rebellion? Were they sincere patriots making a last stand for freedom and liberty, or were they a ragtag collection of greedy men-on-the-make, washed-up politicians, and backwoods bullies, Americans bent on extending American slavery into a foreign land? The full story of the Alamo -- from the weeks and months that led up to the fateful encounter to the movies and speeches that continue to remember it today -- is a quintessential story of America's past and a fascinating window into our collective memory. In A Line in the Sand, acclaimed historians Randy Roberts and James Olson use a wealth of archival sources, including the diary of José Enrique de la Peña, along with important and little-used Mexican documents, to retell the story of the Alamo for a new generation of Americans. They explain what happened from the perspective of all parties, not just Anglo and Mexican soldiers, but also Tejano allies and bystanders. They delve anew into the mysteries of Crockett's final hours and Travis's famous rhetoric. Finally, they show how preservationists, television and movie producers, historians, and politicians have become the Alamo's major interpreters. Walt Disney, John Wayne, and scores of journalists and cultural critics have used the Alamo to contest the very meaning of America, and thereby helped us all to "remember the Alamo."