Blonde Poison is based on the true story of a Jewish woman during World War II who betrayed up to 3,000 fellow Jews. Gail Louw's powerful play examines the motivation of evil. Stella Goldschlag was living illegally in war-torn Berlin when she herself was betrayed and tortured. When offered the chance of saving herself and her parents from the death camps, she agreed to be a 'Greifer' for the Gestapo and inform on Jews in hiding. She was extraordinarily successful in this and her activities increased after her parents had finally been deported. The vast dimensions of Stella's character range from tortured victim to cruel killer, from loving daughter to betrayer of friends, from gentle lover to depraved promiscuity. She was given the name 'Blonde Poison' by the Gestapo who revelled in her treachery. Decades after the war Stella agrees to be interviewed by a well-respected journalist – her last chance for redemption. Can she ever be released from her past? Winner of an Argus Angel Award for artistic excellence (Brighton Festival 2012). Winner of the San Francisco Best Fringe Award 2016.

A gripping new novel in the three-time Shamus Award-winning Amos Walker series. The New York Times calls Amos Walker a "streetwise indestructible tiger with an ethical code that keeps him with the good guys." In a sharp new thriller, Detroit's most savvy private eye is up to his neck in international drug-smuggling, hit squads, double-identities, music-industry gangsters, and a client who's nothing but trouble. Gilia Cristobal is a singer with a complicated past. Her name isn't really Gilia. In her country she's wanted for a murder she didn't commit, and she needs Walker to find a missing woman whose name she's using, whom she's been paying monthly so she can stay in the U.S. But when the decomposing body of the real Gilia Cristobal is found next door to her mother's house, what was merely an odd case becomes downright nasty. And when an undercover death squad from the singer's home country is spotted, the Feds think they're planning an assassination. But Walker isn't so sure. His client is involved in a lot more than just music, and all of it's deadly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The story of Stella Goldschlag, whom Wyden knew as a child, and who later became notorious as a "catcher" in wartime Berlin, hunting down hundreds of hidden Jews for the Nazis. A harrowing chronicle of Stella's agonizing choice, her three murder trials, her reclusive existence, and the trauma inherited by her illegitimate daughter in Israel. 16 pages of B&W photographs.

In the aftermath of a cataclysmic event, 16-year-old Evie, from a well-to-do Louisiana family, learns that her terrible visions are actually prophecies and that there are others like herselfNembodiments of Tarot cards destined to engage in an epic battle.

Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines. But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them—for good?

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin, those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people. Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime. A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.