Explores the fascinating and surprising stories behind the most mysterious and inscrutable lyrics in rock & roll history. In Billy Joel's famous tune Piano Man, he sings: "Now Paul is a real-estate novelist, who never had time for a wife". This strange lyric cries out for an explanation. What in the world is "a real estate novelist"? Blinded By The Lyrics has the unusual answer.

The inspiration for the smash Sundance hit, soon to be a major motion picture, "Blinded by the Light": The acclaimed memoir about the power of Bruce Springsteen's music on a young Pakistani boy growing up in Britain in the 1970s. Sarfraz Manzoor was two years old when, in 1974, he emigrated from Pakistan to Britain with his mother, brother, and sister. Sarfraz spent his teenage years in a constant battle, trying to reconcile being both British and Muslim, trying to fit in at school and at home. But it was when his best friend introduced him to the music of Bruce Springsteen that his life changed completely. From the age of sixteen on, after the moment he heard the harmonica and opening lines to “The River,” Springsteen became his personal muse, a lens through which he was able to view the rest of his life. Both a tribute to Springsteen and a story of personal discovery, Greetings from Bury Park is a warm, irreverent, and exceptionally perceptive memoir about how music transcends religion and race.

In addition to citing case law, Judges have traditionally used recognized legal maxims or treatise citations to support their rulings. But today’s judiciary is becoming more apt to use pop culture, modern music, as well as humor in their decisions. This book gives examples of how songs and their lyrics have influenced judges, provided themes for their decisions, and helped make existing law more accessible to lay persons. Mark W. Klingensmith examines the clever ways judges have used them to enhance their judicial writings and how modern day musical lyrics that have effectively become recognized legal maxims by the courts. judicial writings.

Jim Cole has spent years tramping into the depths of places like Alaska, Yellowstone National Park and Glacier National Park in search of grizzlies, seeing these magnificent, powerful and reclusive animals at their most unguarded—foraging, fishing, caring for cubs, or simply lying in the backcountry sunshine. At times, he's been surrounded by dozens of bears deep in the wilderness, yet has never felt threatened by these incredible and misunderstood creatures. Even after being mauled by a grizzly in 1993, Jim eagerly trekked annually into the bears' habitat, armed only with bear spray, his camera, and his knowledge of how to stay safe. But nothing could have prepared him for May 23, 200, when he was attacked in Yellowstone by a mother grizzly who felt that his presence threatened her cub. The bear literally ripped off most of his face, blinded him in one eye, and savaged him nearly to the point of death. Jim was left sightless, bleeding, wounded and alone in the wilderness. He managed to find his way several miles through the wild country back to a main road, where passersby found him. In part, Blindsided is a gripping, detailed account of that fateful day—how Jim survived an assault by one of the most unstoppable predators on earth and managed to carry himself to safety despite his gruesome injuries. It's also the story of how he recovered with the help and support of friends, family and a dedicated medical team, but perhaps most importantly, the book is a love story between and man and animal, a clear-eyed and affectionate look at the marvel that is the grizzly bear—its astonishing habits and intelligence, the threats it faces at the hand of man, and its hopes for the future.

Andrew Marvell's Liminal Lyrics: The Space Between is an interdisciplinary study of the major lyric poems of seventeenth-century British metaphysical poet Andrew Marvell. The poet and his work have generally proven enigmatic to scholars because both refuse to fit into normal categories and expectations. This study invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality as developed by Victor Turner and enriched by Arnold Van Gennep, Jacques Lacan, and other observers of the in-between aspects of experience. The approach differs from previous attempts to "explain" Marvell in that it allows multidisciplinary and multi-media contexts in a broad matrix of the areas of experience and representation that defy boundaries, that blur the line at which entrance becomes exit. This study acknowledges that the poems discussed, and, by implication, the entire corpus of Marvell's work and the life that produced it, derive from a refusal to draw a definite divide. In analyzing a small selection of Marvell's life and lyrics as explorations of various realms of liminality in word and image, readers can see a passageway to the poet's works that never really reaches a destination; instead, the unlimited possibilities of the journey remain. Thus, the in-between aspects of the poet and his poetry actually define his technique as well as his brilliance.