Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Colorblindness has become an integral part of the national conversation on race in America. Given the assumptions behind this influential metaphor—that being blind to race will lead to racial equality—it's curious that, until now, we have not considered if or how the blind "see" race. Most sighted people assume that the answer is obvious: they don't, and are therefore incapable of racial bias—an example that the sighted community should presumably follow. In Blinded by Sight,Osagie K. Obasogie shares a startling observation made during discussions with people from all walks of life who have been blind since birth: even the blind aren't colorblind—blind people understand race visually, just like everyone else. Ask a blind person what race is, and they will more than likely refer to visual cues such as skin color. Obasogie finds that, because blind people think about race visually, they orient their lives around these understandings in terms of who they are friends with, who they date, and much more. In Blinded by Sight, Obasogie argues that rather than being visually obvious, both blind and sighted people are socialized to see race in particular ways, even to a point where blind people "see" race. So what does this mean for how we live and the laws that govern our society? Obasogie delves into these questions and uncovers how color blindness in law, public policy, and culture will not lead us to any imagined racial utopia.

Seventeen-year-old Luke Prescott has been brought up in a bohemian matriarchy, surrounded by his divorced New Age mother, his religious grandmother, and two precocious half-sisters. He is writing his college applications when his father—a famous television star— invites him to Los Angeles for the summer. Luke accepts and is plunged into a world of location shooting, celebrity interviews, glamorous parties, and premieres. But as he begins to know the difference between his father’s public persona and his private one, Luke finds himself questioning the new history he has created for himself.

Ever notice that all watch ads show 10:10 as the time? Or that all fast-food restaurants use red or yellow in their logos? Or that certain stores are always having a sale? You may not be aware of these details, yet they've been influencing you all along. Every time you purchase, swipe, or click, marketers are able to more accurately predict your behavior. These days, brands know more about you than you know about yourself. Blindsight is here to change that. With eye-opening science, engaging stories, and fascinating real-world examples, neuroscientist Matt Johnson and marketer Prince Ghuman dive deep into the surprising relationship between brains and brands. In Blindsight, they showcase how marketing taps every aspect of our mental lives, covering the neuroscience of pain and pleasure, emotion and logic, fear and safety, attention and addiction, and much more. We like to think of ourselves as independent actors in control of our decisions, but the truth is far more complicated. Blindsight will give you the ability to see the unseeable when it comes to marketing, so that you can consume on your own terms. On the surface, you will learn how the brain works and how brands design for it. But peel back a layer, and you'll find a sharper image of your psychology, reflected in your consumer behavior. This book will change the way you view not just branding, but yourself, too.

Firefall is the omnibus edition of the novels Blindsight and Echopraxia. February 13, 2082, First Contact. Sixty-two thousand objects of unknown origin plunge into Earth's atmosphere - a perfect grid of falling stars screaming across the radio spectrum as they burn. Not even ashes reach the ground. Three hundred and sixty degrees of global surveillance: something just took a snapshot. And then... nothing. But from deep space, whispers. Something out there talks - but not to us. Two ships, Theseus and the Crown of Thorns, are launched to discover the origin of Earth's visitation, one bound for the outer dark of the Kuiper Belt, the other for the heart of the Solar System. Their crews can barely be called human, what they will face certainly can't. 'A tour de force, redefining the First Contact story for good' Charles Stross. 'If you only read one science fiction novel this year, make it this one!... It puts the whole of the rest of the genre in the shade... It deserves to walk away with the Clarke, the Hugo, the Nebula, the BSFA, and pretty much any other genre award for which it's eligible. It's off the scale... F**king awesome!' Richard Morgan. 'State-of-the-art science fiction: smart, dark and it grabs you by the throat from page one' Neal Ascher.

"Seeing Beyond Sight illuminates the surprising power and creative potential of photography in an astonishing collection of images created by visually impaired teens"--P. [4] of cover.

With a theme reminiscent of Coma, here is Robin Cook at his disturbing, electrifying best. Set in Manhattan, Blindsight tells of city forensic pathologist Dr. Laurie Montgomery's battle to foil a plot of unimaginable evil. When a series of unrelated yuppie deaths by cocaine overdose are reported to the medical examiner's office, Dr. Montgomery's curiosity is piqued. As the friends and families of the deceased uniformly swear that their loved ones weren't involved with drugs, that curiosity intensifies. But her feelings turn to anger and frustration when she attempts to autopsy the bodies and investigate the deaths, only to find herself at odds with her superiors, the police department, and the relatives themselves. The reason for the opposition range from political expediency to religious belief, but Laurie senses that something far more menacing links the so-called random deaths. Jeopardizing her professional future, Laurie Montgomery sets out to uncover the truth—which leads her to a distinguished New York hospital and, beyond that, to nightmare. Robin Cook's Blindsight creates a chilling, haunting aura of terror and suspense, where fact and fiction imperceptibly merge.