A revelatory portrait of eight Indigenous communities from across North America, shown through never-before-published archival photographs--a gorgeous extension of Paul Seesequasis's popular social media project. In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time. Blanket Toss Under Midnight Sun collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, Blanket Toss is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.

A revelatory portrait of eight Indigenous communities from across North America, shown through never-before-published archival photographs--a gorgeous extension of Paul Seesequasis's popular social media project. In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time. Blanket Toss Under Midnight Sun collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, Blanket Toss is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.

More than 370 edible wild plants, plus 37 poisonous lookalikes, are described here, with 400 drawings and 78 color photographs showing precisely how to recognize each species. Also included are habitat descriptions, lists of plants by season, and preparation instructions for 22 different food uses.

In a house not at all reminiscent of "Little House on the Prairie", four Japanese-Canadian sisters struggle to escape the bonds of a family and landscape as inhospitable as the sweltering prairie heat.

100 new and classic images of popular Instagram celebrity Jimmy Choo the Bull Terrier On Rafael Mantesso's thirtieth birthday, his wife left him. She took their cookware, their furniture, their photos, their decorations. She left Rafael alone in an empty all-white apartment. The only thing she didn't take was their bull terrier, whom she'd named after her favorite shoe designer: Jimmy Choo. With only Jimmy for company, Rafael found inspiration in his blank walls and his best friend and started snapping photos of Jimmy Choo as he trotted and cavorted around the house in glee. Then, when Jimmy collapsed in happy exhaustion next to the white wall, on a whim Rafael grabbed a marker and drew a new world around his ginger-eared pup. Suddenly, Rafael felt his long-dormant inspiration—for drawing, for art, for life—returning. The result? Hundreds of charming and cheeky images chronicling the owner and dog's relationship and adventures, including poses in a Star Wars stormtrooper helmet, passed out with liquor bottles, and as the shark in Jaws. Mantesso's Instagram feed quickly garnered fans from all over the world and caught the attention of major media outlets like Today, The Huffington Post, USA Today, and the Daily Mail, as well as Jimmy's namesake, the luxury shoe brand Jimmy Choo Ltd. Now, Mantesso presents a definitive selection of new and classic images of Jimmy and includes the backstory of how the two became such great collaborators. As heartwarming as it is hilarious, A Dog Named Jimmy will delight animal lovers everywhere.

A CLASSIC MEMOIR OF TWO PIONEERING ADVENTURERS Before Joy Adamson went to Africa, before Margaret Mead sailed to Samoa, before Dian Fossey was even born, a Kansas teenager named Osa Leighty married Martin Johnson, a pioneering photographer just back from a ‘round-the-world cruise with Jack London. Together the Johnsons flew and sailed to Borneo, to Kenya, and to the Congo, filming Simba and other popular nature movies with Martin behind the camera and Osa holding her rifle at the ready in case the scene’s big game star should turn hostile. This bestselling memoir retraces their careers in rich detail, with precisely observed descriptions and often heart-stopping anecdotes. Illustrated with scores of the dramatic photos that made the Johnsons famous, it’s a book sure to delight every lover of true adventure.

From Canada's global cities to its Arctic Circle - from the country's ongoing story of civil rights movements to languages under pressure - the writers in this issue upend the ways we imagine land, reconciliation, truth and belonging, revealing the histories of a nation's future. Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chlo Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavongsa, Larry Tremblay. Guest-edited by Catherine Leroux and Madeleine Thein: Catherine Leroux is a novelist, translator and journalist. Le mur mitoyen won the 2014 France-Quebec Prize and its English translation, The Party Wall, was nominated for the Giller Prize in 2016. Madeleine Thien is the author of the story collection Simple Recipes, and three novels, including Certainty and Dogs at the Perimeter. Her most recent book, Do Not Say We Have Nothing, was shortlisted for the Man Booker Prize, won the Scotiabank Giller Prize and the Governor-General's Literary Award for Fiction.