Finally finish a novel?or write your best novel yet?while living your busy life.From executive editor and writing coach Bryn Donovan comes the step-by-step guide to plan, write, and edit your novel. Even if you're a full-time employee, a student, or a parent, you can complete a novel that's polished and ready to submit to agents and editors or to self-publish. Do one step a week to finish in one year's time?or go as fast as you like!In this book, you'll learn how to:?create a clear vision for your project?avoid common pitfalls that publishing houses see all the time?plot a novel on one index card (for people who hate to plot)?identify and fix plot holes before you even begin writing?continuously improve your writing style with mini-lessons throughout the book?revise and edit a first draft?confront and change the fears and doubts that hold you back from success!Get Blank Page to Final Draft today and begin writing the novel of your dreams.

Laila Piedra doesn’t drink, doesn’t smoke, and definitely doesn’t sneak into the 21-and-over clubs on the Lower East Side. The only sort of risk Laila enjoys is the peril she writes for the characters in her stories: epic sci-fi worlds full of quests, forbidden love, and robots. Her creative writing teacher has always told her she has a special talent. But three months before graduation, Laila’s number one fan is replaced by Nadiya Nazarenko, a Pulitzer Prize–winning novelist who sees nothing at all special about Laila’s writing. A growing obsession with gaining Nazarenko’s approval—and fixing her first-ever failing grade—leads to a series of unexpected adventures. Soon Laila is discovering the psychedelic highs and perilous lows of nightlife, and the beauty of temporary flings and ambiguity. But with her sanity and happiness on the line, Laila must figure out if enduring the unendurable really is the only way to greatness.

Will Masters received a phone call late this morning that would change his life forever and for the better, he thought. As a reporter on the Arkansas Tribune, he had been complacent with the mundane, the local stories that led his career nowhere but were everywhere in excess. This particular morning would change this particular aspect of his chosen field of work, he believed. A famous scientist, a recipient of the Nobel Prize, which mysteriously was never collected was on the other end of the line requesting an interview with him. With him! The man had disappeared years before without a trace and as suddenly, reappeared at Will’s desk on his phone. Will’s reaction was immediate. To the man's location he drove, a hundred miles away to a remote cabin where, unbeknownst to Will, an unfolding would take place and would send his life careening off a cliff spiraling downward into a place he didn't know existed, into a world that only existed in legend and myth. The mundane was over in his life and a spiritual awakening awaited him, luring him into a life that would never be the same again.

This volume is a collection of papers presented during methodological workshops organized by CODESRIA. Its objective is to revitalize theory and methodology in field work in Africa while contributing to the creation of a critical space hinged upon the mastery of epistemological bases which are indispensable to any scientific imagination.

At last! The classic screenwriting workbook—now completely revised and updated—from the celebrated lecturer, teacher, and bestselling author, Syd Field: “the most sought-after screenwriting teacher in the world”* No one knows more about screenwriting than Syd Field—and now the ultimate Hollywood insider shares his secrets and expertise, completely updating his bestselling workbook for a new generation of screenwriters. Filled with new material—including fresh insights and anecdotes from the author and analyses of films from Pulp Fiction to Brokeback Mountain—The Screenwriter’s Workbook is your very own hands-on workshop, the book that allows you to participate in the processes that have made Syd Field’s workshops invaluable to beginners and working professionals alike. Follow this workbook through to the finish, and you’ll end up with a complete and salable script! Learn how to:• Define the idea on which your script will be built• Create the model—the paradigm—that professionals use• Bring your characters to life• Write dialogue like a pro• Structure your screenplay for success from the crucial first pages to the final actHere are systematic instructions, easy-to-follow exercises, a clear explanation of screenwriting basics, and expert advice at every turn—all the moment-to-moment, line-by-line help you need to transform your initial idea into a professional screenplay that’s earmarked for success.The Perfect Companion Volume to Syd Field’s Revised and Updated Edition of Screenplay: The Foundations of Screenwriting*Hollywood Reporter

Jean Rhys' position upon the literary map of the 20th century remains unstable, even after Wide Sargasso Sea (1966). She shunned public exposure and yet, desperately sought acknowledgement by her own peers; she stood away from the modernist circles of Montparnasse, in Paris, and yet, explored a radically avant-garde writing which retrospectively makes her rank among them, while her always problematic authority places her in the marginalized position of the postcolonial author. 'Writing precariously', in the case of Jean Rhys, reaches far beyond a mere posture of submission or a necessity to cope with a lack of money or a 'room of one’s own'. Rather, it becomes an ethical and political stance that engages with forms of minimal resistance to forms of subjection just as the very precariousness of her writing thwarts any efforts to 'place' her or her work, to frame her characters or label her style. With Jean Rhys, precariousness is the site where voices silenced and bodies dismissed by a gendered or imperialistic power may be retrieved, until their vulnerability becomes a dislodging force that makes the power structures precarious in turn. This book reassesses the precariousness of Jean Rhys as a distinct positionality eliciting an isolated voice which insists and persists. It was originally published as a special issue of the journal, Women: A Cultural Review.

Bond markets differ in one fundamental aspect from standard stock markets. While the latter are built up to a finite number of trade assets, the underlying basis of a bond market is the entire term structure of interest rates: an infinite-dimensional variable which is not directly observable. On the empirical side, this necessitates curve-fitting methods for the daily estimation of the term structure. Pricing models, on the other hand, are usually built upon stochastic factors representing the term structure in a finite-dimensional state space. Written for readers with knowledge in mathematical finance (in particular interest rate theory) and elementary stochastic analysis, this research monograph has threefold aims: to bring together estimation methods and factor models for interest rates, to provide appropriate consistency conditions and to explore some important examples.