Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era. In the 1960s, University of Toronto scholar G.E. Bentley, Jr almost singlehandedly shifted the focus of Blake criticism from formalism and symbolism to the materiality that contextualizes Blake's work. Following in the footsteps of Bentley's pioneering scholarship, this collection, richly illustrated, demonstrates that the locus of Blake's work lies in the elements that are historically particular to his place and time. Topics include the impact of the town of Chichester on Blake's imagination, the material processes of Blake's painting, the detection of a Blake forgery, and new biographical materials, using archives and online resources, on Blake's contemporaries, patrons, peers, and friends. Essays on the importance of Blake collections world-wide, on variant printings, and on the heirs of Blake in British painting extend the focus of this remarkable investigation to include chalcography and book history.

Blake discusses ways to simplify and streamline your business to cut out bottlenecks and focus on what matters.

It has been clear from the beginning that William Blake was both a political radical and a radical psychologist. In William Blake on Self and Soul, Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity.Blake’s central topic, Quinney shows us, is a contemporary one: the discomfiture of being a self or subject. The greater the insecurity of the “I” Blake believed, the more it tries to swell into a false but mighty “Selfhood.” And the larger the Selfhood bulks, the lonelier it grows. But why is that so? How is the illusion of “Selfhood” created? What damage does it do? How can one break its hold? These questions lead Blake to some of his most original thinking.Quinney contends that Blake’s hostility toward empiricism and Enlightenment philosophy is based on a penetrating psychological critique: Blake demonstrates that the demystifying science of empiricism deepens the self’s incoherence to itself. Though Blake formulates a therapy for the bewilderment of the self, as he goes on he perceives greater and greater obstacles to the remaking of subjectivity. By showing us this progression, Quinney shows us a Blake for our time.

Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities—to their portrayal in the media—and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.

'Fascinating' The Times 'Blakeian in its singularity' New Statesman 'A wonderful adventure' Irish Times 'Rich, complex and original' Tom Holland 'A crisp, ambitious and thoroughly contemporary introduction' Times Literary Supplement Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

"Contained in the collection are numerous illustrations and steel plate engravings by the great artists of the time."--Franklinbooks.com.