Replicants are bioengineered humans, once designed by the Tyrell Corporation for use Off-world. After a series of violent rebellions, their manufacture was prohibited, and Tyrell Corp went bankrupt. Niander Wallace acquired the remains of Tyrell Corp and created a new line of Replicants who obey. A Replicant underground survives, led by the former combat model Freysa and her human partner Aahna Ashina, known as Ash, formerly a Blade Runner. Twenty years ago, in 2019, Ash spared the Replicant Isobel Selwyn, a replica of industrialist Alexander Selwyn’s wife. Together with Alexander’s human daughter Cleo, Isobel escaped to the Off-world colonies. Searching for the late Alexander Selwyn’s research into Replicant physiology, Niander Wallace sent his creation Luv, the first Replicant Blade Runner, to hunt down both Cleo and Isobel, believing that Isobel holds the secret to Replicant fertility. To aid Luv in her mission, Wallace manufactured a new Replicant created from Ash’s DNA. While Cleo recovered from a serious gunshot wound, Ash and Mack, and old Replicant who saved Cleo’s life, set out to search Alexander Selwyn’s old family estate for Isobel. However, waiting for them was Luv and the Replicant Ash. A furious gun battle erupted and Mack was killed, with Ash captured. Only the timely intervention of Isobel saved her life, allowing them to escape. Together, they headed back to Freysa where Isobel and Cleo were finally reunited…

Billy Gimp was a bladerunner . . . one of the shadowy procurers of illegal medical supplies for the rapidly expanding, nightmare world of the medical black market. Doc was a skilled surgeon at a government-operated hospital by day . . . and an underground physician by night, providing health care for the multitudes who could not - or would not - qualify for legal medical assistance. Trapped by Health Control Police, Billy Gimp knew he had to warn Doc that they were closing in on him. But something even more deadly than the law had already mad its first move . . . a new plague that Health Control could not handle!

By 2021, the Terminus War had driven mankind off-planet and entire species into extinction. Now only the rich can afford living creatures; others may buy amazingly realistic simulacrae: horses, cats, sheep ... Even humans. These artificial people are so advanced it's impossible to tell them from true men and women--except for their lack of empathy. Without empathy, androids can--and do--kill their owners and blend into society, so they're illegal on Earth. It's Rick Deckard's job to find these rogues and "retire" them. But "andys" tend to fight back--with deadly results.

RickDeckard has sold his story to a young Turk film director, Urbenton and shooting is scheduled at an orbital station off planet. Watching his past hunt for the replicants being repeated on the set is doing weird things to his mind. As soon as filming is over he is going straight back to Mars where he has been living incognito with Sarah Tyrell. But before corporation loyalists determined to resurrect the vanquished company.

Replicants are bioengineered humans, once designed by the Tyrell Corporation for use Off-world. After a series of violent rebellions, their manufacture was prohibited, and Tyrell Corp went bankrupt. Niander Wallace acquired the remains of Tyrell Corp and created a new line of Replicants who obey. Twenty years ago, in 2019, Ash spared the Replicant Isobel Selwyn, a replica of industrialist Alexander Selwyn’s wife. Together with Alexander’s human daughter, Cleo, Isobel escaped to the Off-world colonies. In 2039, Cleo returned to Earth and enlisted Ash’s help in finding her missing surrogate mother whom she believed had returned to Earth. Convinced that Cleo held the secret to Replicant fertility, Wallace sent his creation Luv, the first Replicant Blade Runner, to hunt her down. However, Ash and Cloe managed to escape Luv’s pursuit and set off cross country to San Francisco, determined to locate Isobel. Thwarted, Luv returned to Wallace who teamed her up with a new Replicant, created by Niander from Ash’s DNA, and the two resumed their hunt for Ash and Cleo. While en route, Ash and Cleo were stranded by a sandstorm and attacked by a biker gang who shot and critically injured Cleo. Only the intervention of an elderly farmer saved her life. In the morning, following the storm, as Ash was preparing to leave, the farmer revealed himself to be a Replicant who had survived an encounter with Blade Runner Ash 20 years previously.

Early in the 21 Century, the Tyrell Corporation advanced Robot evolution to the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. Replicants who escaped and returned to Earth were hunted by special police squads – Blade Runner Units – with orders to kill any trespassing Replicant upon detection. In 2022, radical elements with the Replicant Underground detonate an EMP device over Los Angeles, destroying Tyrell Corporation’s Nexus databases, and making it easier for escaped Replicants to resettle on Earth. Soon, all Replicants are banned and the Tyrell Corporation declares bankruptcy. In 2027, Aahna ‘Ash’ Ashina, a former Blade Runner rejoined the department to hunt down fugitive Replicants. Her superiors are unaware that her loyalties are divided.

THE ASH SAGA CONCLUDES! Twenty years ago, Aahna “Ash” Ashina was the LAPD’s most efficient and deadly Blade Runner, hunting Replicants with a zeal unrivalled. Now, two decades later, Ash lives as a fugitive helping Replicants escape their enslaved servitude and survive undetected on Earth. Convinced that the secret of Replicant reproduction lies hidden in the DNA of Cleo Selwyn, a young woman whom Ash helped to escape back in 2019, Niander Wallace has unleashed his Replicant protegee, Luv – LAPD’s first Replicant Blade Runner, and a clone of Ash in her prime to bring them to him dead or alive. For twenty years, Ash has been running. Today, she stops… Collects Blade Runner 2039 #9-12 “Johnson’s plotting, pacing and dialog are excellent, and Guinaldo’s art is outstanding.” – Comical Opinions.